{"product_id":"chat-pile-who-loves-the-sun-vinyl","title":"Pre-Order 04\/09\/26 - Chat Pile: Who Loves The Sun (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4jMsE6KcuAg?si=cVqNVOucXCt8X_M-\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (04\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates \u003cem\u003eWho Loves The Sun\u003c\/em\u003e, their third full-length record. Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground.\u003c\/p\u003e\n\u003cp\u003eRay B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about \u003cem\u003eWho Loves The Sun\u003c\/em\u003e feels synthetic.\u003c\/p\u003e\n\u003cp\u003eWhereas their debut album \u003cem\u003eGod’s Country\u003c\/em\u003e depicted a particularly American flavour of dread, and the follow up \u003cem\u003eCool World\u003c\/em\u003e showed a cruel planet defined by global systemic violence, \u003cem\u003eWho Loves The Sun\u003c\/em\u003e peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse.\u003c\/p\u003e\n\u003cp\u003eAs with much of Chat Pile’s work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of \u003cem\u003eWho Loves The Sun\u003c\/em\u003e is the photo embossed on the record’s cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground.\u003c\/p\u003e\n\u003cp\u003eThe album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of “Christabel ’26” to the eerie trip-hop pulse of “Same Rules”, \u003cem\u003eWho Loves The Sun\u003c\/em\u003e is deeply human despite its allusions to a dying, divided.\u003c\/p\u003e\n\u003cp\u003eBlack vinyl version.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCreature\u003c\/li\u003e\n\u003cli\u003eDeep Blue\u003c\/li\u003e\n\u003cli\u003eSame Rules\u003c\/li\u003e\n\u003cli\u003ePEN I S MALL\u003c\/li\u003e\n\u003cli\u003eShrine\u003c\/li\u003e\n\u003cli\u003eIntruder\u003c\/li\u003e\n\u003cli\u003eChristabel ’26\u003c\/li\u003e\n\u003cli\u003eInfluence\u003c\/li\u003e\n\u003cli\u003eFamily Funeral\u003c\/li\u003e\n\u003cli\u003eOctober All the Time\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Flenser","offers":[{"title":"Default Title","offer_id":54277108826458,"sku":"FR200LP","price":32.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/chat-pile-who-loves-sun.jpg?v=1781011102","url":"https:\/\/freebirdrecords.com\/products\/chat-pile-who-loves-the-sun-vinyl","provider":"Freebird Records","version":"1.0","type":"link"}