{"title":"New Vinyl Restocks - Jazz","description":"","products":[{"product_id":"miles-davis-bitches-brew-vinyl","title":"Davis, Miles: Bitches Brew (Vinyl 2xLP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/WtORTuLJw7o?si=-bhVjsYf3xxWeP6A\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe revolution was recorded: in 1969 \u003cem\u003eBitches Brew\u003c\/em\u003e sent a shiver through a country already quaking. It was a recording whose very sound, production methods, album-cover art, and two LP length all signaled that jazz could never be the same.\u003c\/p\u003e\n\u003cp\u003eOver three days anger, confusion, and exhilaration had reigned in the studio, and the sonic themes, scraps, grooves, and sheer will and emotion that resulted were percolated and edited into an astonishingly organic work. This Miles Davis wasn't merely presenting a simple hybrid like jazz-rock, but a new way of thinking about improvisation and the studio. \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePharaoh's Dance\u003c\/li\u003e\n\u003cli\u003eBitches Brew\u003c\/li\u003e\n\u003cli\u003eSpanish Key\u003c\/li\u003e\n\u003cli\u003eJohn McLaughlin\u003c\/li\u003e\n\u003cli\u003eMiles Runs The Voodoo Down\u003c\/li\u003e\n\u003cli\u003eSanctuary\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":40207918497907,"sku":"88875111901","price":28.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/miles-davis-bitches-brew.jpg?v=1674140125"},{"product_id":"miles-davis-sketches-of-spain-vinyl","title":"Davis, Miles: Sketches Of Spain (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/4MAduMT_J2g?si=nXBWCxbvEc4BypHW\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe crown jewel of the epic Evans \/ Davis triptych that began with \u003cem\u003eMiles Ahead\u003c\/em\u003e and \u003cem\u003ePorgy and Bess\u003c\/em\u003e, \u003cem\u003eSketches of Spain\u003c\/em\u003e is as emotionally compelling as any performance in the trumpeter’s remarkable body of works. Combining as it does the emotional gravity of two cultures – the deep song of flamenco music and the rich lament of the blues – \u003cem\u003eSketches of Spain\u003c\/em\u003e is a musical hybrid of enormous power and beauty.\u003c\/p\u003e\n\u003cp\u003eGil Evans’ immense canvas of orchestral colours inspires some of Davis’ most deeply felt solo flights. He paints vast vistas of velvety, shimmering night sounds, and through it all runs the mountainous backbone of Spain’s native rhythms and chants. The centrepiece of \u003cem\u003eSketches of Spain\u003c\/em\u003e is the Evans \/ Davis treatment of the second movement of Rodrigo’s ‘Concierto de Aranjuez‘. Evans’ charts engage davis in a shifting, insistent dialogue, italicising the trumpeter’s subtle variations and timbral ecstasies with magnificent orchestral flourishes. The surreal patina of three flutes and harp, high muted trumpets and woodwinds, and subterranean trombones, french horns and tuba that define one of the main variations on the theme, is a majestic foil for Davis’ expressive tones.\u003c\/p\u003e\n\u003cp\u003eGil Evans liked to say that after Louis Armstrong, no one had affected the sound of the trumpet like Miles Davis. Miles fashioned a vibrato-less, introspective brass cry, made all the more lovely by his lush use of the middle and lower registers. Davis’ manipulation of pitch on ‘Saeta‘ and ‘Solea‘ is so idiomatic, so vocalised, so full of revel and lament, it pierces your heart with heroic resignation and longing. \u003cem\u003eSketches of Spain\u003c\/em\u003e stands alone as one of the pillars of modern music.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eConcierto De Aranjuez (Adagio)\u003c\/li\u003e\n\u003cli\u003eWill O' The Wisp\u003c\/li\u003e\n\u003cli\u003eThe Pan Piper\u003c\/li\u003e\n\u003cli\u003eSaeta\u003c\/li\u003e\n\u003cli\u003eSolea\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Columbia ‎","offers":[{"title":"Default Title","offer_id":3070123802648,"sku":"88875111931","price":25.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/miles-davis-sketches-spain.jpg?v=1674239114"},{"product_id":"john-coltrane-giant-steps-vinyl","title":"Coltrane, John: Giant Steps (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/xy_fxxj1mMY?si=ldlVCWow4rNE7c4m\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eReleased in January 1960, John Coltrane’s first album devoted entirely to his own compositions confirmed his towering command of tenor saxophone and his emerging power as a composer. Apprenticeships with Dizzy, Miles, and Monk had helped focus his furious, expansive solos, and his stamina and underlying sense of harmonic adventure brought Coltrane, at 33, to a new cusp.\u003c\/p\u003e\n\u003cp\u003eThe polytonal “sheets of sound” that distinguished his marathon solos were offset by interludes of subtle, concise lyricism, embodied here in the tender “Naima.” That classic ballad is a calm refuge from the ecstatic, high-speed runs that spark the set’s up-tempo climaxes, which begin with the opening title song, itself a cornerstone of modern jazz.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGiant Steps\u003c\/li\u003e\n\u003cli\u003eCousin Mary\u003c\/li\u003e\n\u003cli\u003eCountdown\u003c\/li\u003e\n\u003cli\u003eSpiral\u003c\/li\u003e\n\u003cli\u003eSyeeda's Song Flute\u003c\/li\u003e\n\u003cli\u003eNaima\u003c\/li\u003e\n\u003cli\u003eMr. P.C.\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Atlantic","offers":[{"title":"Default Title","offer_id":17837213941875,"sku":"0081227870614","price":19.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/rn-image_picker_lib_temp_d2573df5-09a1-4cfe-8e3e-e68d3ff1ea58.jpg?v=1765629824"},{"product_id":"miles-davis-filles-de-kilimanjaro-vinyl","title":"Davis, Miles: Filles De Kilimanjaro (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/BiGf9nQsqe4?si=YBmD4Yp7eD_2MTi6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFilles de Kilimanjaro\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(named after the Kilimanjaro African Coffee) is one of the many masterpieces American composer and trumpeter\u003cspan\u003e \u003c\/span\u003eMiles Davis\u003cspan\u003e \u003c\/span\u003erecorded during his lifetime. It can be seen as a transitional album, right between his “acoustic” and “electric” period. He recorded this incredible work of modern jazz together with music great's such as Wayne Shorter, Herbie Hancock, and Chick Corea. The five different songs all fitting together as expressions of the same basic piece. The recording sessions made the musicians think and play in a different way. These kinds of improvisations were given the listener a look into the future of jazz. It happens to be the swan song for his second great quintet, but one in which they're showing all their talents for the last time. Adventurous from start to end and filled with funky and bluesy rhythms.\u003c\/p\u003e\n\u003cp\u003eMiles Davis\u003cspan\u003e \u003c\/span\u003eis among the most influential and critically acclaimed musicians in the history of jazz. During his five-decade career, he went into a variety of musical directions and was one of the pioneers of the Jazz-Rock\/Fusion sound. His highlights including the million-sellers \u003cem\u003eKind of Blue\u003c\/em\u003e (1959), \u003cem\u003eSketches of Spain\u003c\/em\u003e (1960) and \u003cem\u003eBitches Brew\u003c\/em\u003e (1970).\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFrelon Brun (Brown Hornet)\u003c\/li\u003e\n\u003cli\u003eTout De Suite\u003c\/li\u003e\n\u003cli\u003ePetits Machins (Little Stuff)\u003c\/li\u003e\n\u003cli\u003eFilles De Kilimanjaro (Girls Of Kilimanjaro)\u003c\/li\u003e\n\u003cli\u003eMademoiselle Mabry (Miss Mabry)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Music On Vinyl","offers":[{"title":"Default Title","offer_id":31719178469491,"sku":"MOVLP2384","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/miles-davis-filles-kilimanjaro.jpg?v=1649798960"},{"product_id":"nina-simone-i-put-a-spell-on-you-vinyl","title":"Simone, Nina: I Put A Spell On You (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/2UppUCB5V-w?si=gaWDgiQDgLqqmYH7\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eGiven her extensive and varied recording catalogue, if you're looking for a place to explore the talents of the late Nina Simone, then 1965's \u003cem\u003eI Put a Spell On You\u003c\/em\u003e is a great place to dip your toes - particular if you want to start with her more pop oriented sides.\u003c\/p\u003e\n\u003cp\u003eAs was the case with many mid-1960s releases, Simone's record label had a major say in the material she was allowed to record and it shows on this set which features a truly eclectic mixture including stabs at jazz (the instrumental \"Blues On Purpose\"), R\u0026amp;B (the title track), French chanson (\"Ne Me Quitte Pas\") and a number of show tunes.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Put A Spell On You\u003c\/li\u003e\n\u003cli\u003eTomorrow Is My Turn\u003c\/li\u003e\n\u003cli\u003eNe Me Quitte Pas\u003c\/li\u003e\n\u003cli\u003eMarriage Is For Old Folks\u003c\/li\u003e\n\u003cli\u003eJuly Tree\u003c\/li\u003e\n\u003cli\u003eGimme Some\u003c\/li\u003e\n\u003cli\u003eFeeling Good\u003c\/li\u003e\n\u003cli\u003eOne September Day\u003c\/li\u003e\n\u003cli\u003eBlues On Purpose\u003c\/li\u003e\n\u003cli\u003eBeautiful Land\u003c\/li\u003e\n\u003cli\u003eYou've Got To Learn\u003c\/li\u003e\n\u003cli\u003eTake Care Of Business\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Philips","offers":[{"title":"Default Title","offer_id":31719178600563,"sku":"5360570","price":27.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/nina-simone-put-spell-you.jpg?v=1665660754"},{"product_id":"nina-simone-sings-the-blues-vinyl","title":"Simone, Nina: Sings The Blues (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/AAR6RF7sXEs?si=0AiJR3-G3rTyHWij\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eNina Simone \u003cem\u003eSings The Blues \u003c\/em\u003e(1967) can rightfully be called a true classic in both Soul and Blues genres. The album is a showcase for the intensity of Nina's soulful croon and demanding piano skills, accompanied by a marvelous backing band with Eric Gale and Rudy Stevenson on guitar, Bob Bushnell on bass, drummer Bernard 'Pretty' Purdie, Ernie Hayes on organ and Buddy Lucas on both harmonica and sax.\u003c\/p\u003e\n\u003cp\u003eWith a song selection that ranks among the best Blues tunes ever written, this record goes back to the essence of the Blues - raw and honest spine-shivering melodies.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDo I Move You?\u003c\/li\u003e\n\u003cli\u003eDay And Night\u003c\/li\u003e\n\u003cli\u003eIn The Dark\u003c\/li\u003e\n\u003cli\u003eReal Real\u003c\/li\u003e\n\u003cli\u003eMy Man's Gone Now\u003c\/li\u003e\n\u003cli\u003eBacklash Blues\u003c\/li\u003e\n\u003cli\u003eI Want A Little Sugar In My Bowl\u003c\/li\u003e\n\u003cli\u003eBuck\u003c\/li\u003e\n\u003cli\u003eSince I Fell For You\u003c\/li\u003e\n\u003cli\u003eThe House Of The Rising Sun\u003c\/li\u003e\n\u003cli\u003eBlues For Mama\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Music On Vinyl","offers":[{"title":"Default Title","offer_id":31719179157619,"sku":"MOVLP878","price":22.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/nina-simone-sings-blues.jpg?v=1652547515"},{"product_id":"wes-montgomery-groove-yard-vinyl","title":"Montgomery, Wes: Groove Yard (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/gLIc-iCmMPA?si=T_o-_9JairPYJGq9\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eReunited with his brothers Monk and Buddy on this 1961 Riverside session, this is an essential album in the discography of the late great jazz guitarist Wes Montgomery, as well as in the annals of great guitar albums generally.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBock To Bock\u003c\/li\u003e\n\u003cli\u003eGroove Yard\u003c\/li\u003e\n\u003cli\u003eIf I Should Lose You\u003c\/li\u003e\n\u003cli\u003eDelirium\u003c\/li\u003e\n\u003cli\u003eJust For Now\u003c\/li\u003e\n\u003cli\u003eDoujie\u003c\/li\u003e\n\u003cli\u003eHeartstrings\u003c\/li\u003e\n\u003cli\u003eRemember\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDoujie (Alternate Take - Take 8)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Jazz Wax","offers":[{"title":"Default Title","offer_id":31719181844595,"sku":"JWR4622","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/wes-montgomery-groove-yard.jpg?v=1729145832"},{"product_id":"miles-davis-ascenseur-pour-l-echafaud-jazz-classics-vinyl","title":"Davis, Miles: Ascenseur Pour L'Échafaud - Jazz Classics Series (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/em0LbTF1fpg?si=JokbQnnYsnZC4IeL\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eAscenseur Pour L'échafaud\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a 1958 French film directed by Louis Malle. It was released as \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eLift To The Scaffold\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e in the UK. The film was nothing special, but it did accomplish one thing: it proposed a new ideal of cinematic realism, a new way to look at a woman.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJean-Paul Rappeneau, a jazz fan and Malle's assistant at the time, suggested asking Miles Davis to create the film's soundtrack. He showed Davis a screening of the movie, and afterwards Miles knew exactly how to portray the smoky hazed or frantic scenes through sonic imagery.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOn December 4 1957, he brought four French Jazzmen (Barney Wilen \/ tenor saxophone, René Urtreger \/ piano, Pierre Michelot - bass and Kenny Clarke - drums) to the recording studio \"Le Poste Parisien Studio\" without having them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. Eventually \u003c\/span\u003e\u003cem data-mce-fragment=\"1\"\u003eAscenseur Pour L'échafaud\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e has become a great achievement of artistic excellence. \u003c\/span\u003e2009 reissue.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGénérique\u003c\/li\u003e\n\u003cli\u003eL'Assassinat De Carala\u003c\/li\u003e\n\u003cli\u003eSur L'Autoroute\u003c\/li\u003e\n\u003cli\u003eJulien Dans L'Ascenseur\u003c\/li\u003e\n\u003cli\u003eFlorence Sur Les Champs-Élysées\u003c\/li\u003e\n\u003cli\u003eDîner Au Motel\u003c\/li\u003e\n\u003cli\u003eEvasion De Julien\u003c\/li\u003e\n\u003cli\u003eVisite Du Vigile \u003c\/li\u003e\n\u003cli\u003eAu Bar Du Petit Bac\u003c\/li\u003e\n\u003cli\u003eChez Le Photographe Du Motel\u003c\/li\u003e\n\u003cli\u003eOn Green Dolphin Street\u003c\/li\u003e\n\u003cli\u003eFran-Dance\u003c\/li\u003e\n\u003cli\u003eStella By Starlight \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Jazz Wax","offers":[{"title":"Default Title","offer_id":31719181910131,"sku":"JWR4503LP","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/R-2205223-1325609552_jpeg.jpg?v=1634817844"},{"product_id":"ella-fitzgerald-louis-armstrong-ella-louis-vinyl","title":"Fitzgerald, Ella \u0026 Louis Armstrong: Ella And Louis (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ypYUR8opNtE?si=L__bV3Ny8uzUSmRn\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe evening before Louis Armstrong recorded this album, both he and Ella Fitzgerald were appearing in an all-star concert also featuring Art Tatum and Oscar Peterson that was recorded for an album entitled \u003cem\u003eLive At The Hollywood Bowl\u003c\/em\u003e (1956).\u003c\/p\u003e\n\u003cp\u003eThe following day the two singers, along with the Oscar Peterson Trio, were in a Los Angeles studio to record this gem of an album. With no time for rehearsals the songs were all set in Louis' key to make it easier, but this in no way inhibits Ella's performance. Another challenge for Pops was the fact that the material was not his normal repertoire, meaning he had to learn things on the fly in the studio. Again there's no hint of any issues, which all goes to highlight Armstrong's innate musical ability.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCan't We Be Friends\u003c\/li\u003e\n\u003cli\u003eIsn't This A Lovely Day?\u003c\/li\u003e\n\u003cli\u003eMoonlight In Vermont\u003c\/li\u003e\n\u003cli\u003eThey Can't Take That Away From Me\u003c\/li\u003e\n\u003cli\u003eUnder A Blanket Of Blue\u003c\/li\u003e\n\u003cli\u003eTenderly\u003c\/li\u003e\n\u003cli\u003eA Foggy Day\u003c\/li\u003e\n\u003cli\u003eStars Fell On Alabama\u003c\/li\u003e\n\u003cli\u003eCheek To Cheek\u003c\/li\u003e\n\u003cli\u003eThe Nearness Of You\u003c\/li\u003e\n\u003cli\u003eApril In Paris\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Verve","offers":[{"title":"Default Title","offer_id":31719182008435,"sku":"5345886","price":27.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/ella-louis.jpg?v=1669912841"},{"product_id":"miles-davis-kind-blue-vinyl","title":"Davis, Miles: Kind Of Blue (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9rD3zdscDRQ?si=3uZrLZoVEG9iCUNP\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eLong held as the jazz album that even non-jazz fans will own, \u003ci\u003eKind Of Blue\u003c\/i\u003e not only changed the way people regarded Miles Davis, it changed the very face of music itself.\u003c\/p\u003e\n\u003cp\u003eConsistently rated not just as one of the greatest jazz albums but as one of the greatest musical statements of the 20th century, its 46 minutes of improvisation and sophistication remain peerless.\u003c\/p\u003e\n\u003cp\u003eDavis played trumpet sublimely with his ensemble sextet featuring pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian ‘Cannonball’ Adderley with Wynton Kelly playing piano on 'Freddie the Freeloader'.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSo What\u003c\/li\u003e\n\u003cli\u003eFreddie Freeloader\u003c\/li\u003e\n\u003cli\u003eBlue In Green\u003c\/li\u003e\n\u003cli\u003eAll Blues\u003c\/li\u003e\n\u003cli\u003eFlamenco Sketches\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":31852033605747,"sku":"88875111921","price":21.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/miles-davis-kind-blue.jpg?v=1712221631"},{"product_id":"cannonball-adderley-somethin-else-vinyl","title":"Adderley, Cannonball: Somethin' Else (Vinyl LP)","description":"\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/CpB7-8SGlJ0?si=x3BUwSu7ZH5Drk8K\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003eSomethin' Else\u003c\/em\u003e is a Jazz album by Cannonball Adderley released in 1958 that appears among many rankings of \"jazz essentials\" In October 1957, Cannonball Adderley disbanded his group to join Miles Davis' sextet (with whom they recorded, among others, the legendary \u003cem\u003eKind of Blue\u003c\/em\u003e). \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSomethin' Else\u003c\/em\u003e is the first appearance of Miles and Cannonball Adderley together. Although Miles is only a sideman, he is at the centre of the entire album and plays most of the early choruses, composed the title track and chose most of the tracks.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAutumn Leaves \u003c\/li\u003e\n\u003cli\u003eLove For Sale \u003c\/li\u003e\n\u003cli\u003eAlison's Uncle \u003c\/li\u003e\n\u003cli\u003eSomethin' Else \u003c\/li\u003e\n\u003cli\u003eOne For The Daddy-O \u003c\/li\u003e\n\u003cli\u003eDancing In The Dark \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Waxtime","offers":[{"title":"Default Title","offer_id":31892908638323,"sku":"WAXTIME 771706","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/cannonball-adderley-somethin-else-waxtime.jpg?v=1728299616"},{"product_id":"ellington-mingus-roach-money-jungle-vinyl","title":"Ellington\/Mingus\/Roach: Money Jungle (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/z9CfWuUIhvk?si=0Boau4hpMsvqJnLF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eFirst released in 1962 via the United Artists label, Duke Ellington’s collaboration with bassist Charles Mingus and drummer Max Roach, \u003cem\u003eMoney Jungle\u003c\/em\u003e, was a momentous jazz summit. Though often seen as the moment where the old guard (Ellington) squared up to jazz music’s young lions (Mingus and Roach), the generational differences between its three participants are often exaggerated. Certainly, Ellington was entering his twilight years – he had just turned 63 – but Mingus, then aged 40, and the 38-year-old Roach were hardly wet behind the ears when the album was recorded.\u003c\/p\u003e\n\u003cp\u003ePerhaps a more accurate way of looking at the trio’s musical marriage is to see Ellington as a revered establishment figure pitted against modernist revolutionaries. Ultimately, though, the result of their collaboration wasn’t a confrontational face-off but a joyous celebration of jazz created by three unlikely kindred spirits.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMoney Jungle\u003c\/li\u003e\n\u003cli\u003eFleurette Africaine\u003c\/li\u003e\n\u003cli\u003eVery Special\u003c\/li\u003e\n\u003cli\u003eWarm Valley\u003c\/li\u003e\n\u003cli\u003eSwitch Blade\u003c\/li\u003e\n\u003cli\u003eA Little Max (Parfait)\u003c\/li\u003e\n\u003cli\u003eWig Wise\u003c\/li\u003e\n\u003cli\u003eCaravan\u003c\/li\u003e\n\u003cli\u003eSolitude\u003c\/li\u003e\n\u003cli\u003eRem Blues\u003c\/li\u003e\n\u003cli\u003eBackward Country Boy Blues\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"WaxTime","offers":[{"title":"Default Title","offer_id":31892975452275,"sku":"771839","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/ellington-mingus-roach-money-jungle.jpg?v=1655217132"},{"product_id":"fela-kuti-expensive-shit-vinyl","title":"Kuti, Fela: Expensive Shit (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pB76UI8MtB8?si=98u5GR8LzlIrA9cR\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDuring the early 70’s the Nigerian government and their cronies in the plice department consistently raided Fela’s communal family compound “The Kalakuta Republic”, viewing it as both a social and political threat. In 1974, the police once again invaded Fela’s compound, this time planting a joint on the artist, who promptly swallowed it, destroying any evidence of illegal activity. Fela was arrested, and was held in jail until he could produce a “sample” in order for the evidence to be recovered. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDue to some miraculous help from other prisoners, Fela’s “sample” came back completely clean, and he was released without charges. The experience is recounted in the title track, “Expensive Shit”, in which Fela discusses the lengths the police went to in order to literally examine his shit. The second poetic, organ driven track, “Water Get No Enemy”, derives its name from a Yoruban proverb that instructs on the power of nature. This song is Fela’s encouragement to his fellow Nigerians, saying, essentially, that if you’re working in tune with the universe, nothing can be done to stop you. Extending the point further: the world needs the black man, and therefore it needs Africa.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eExpensive Shit\u003c\/li\u003e\n\u003cli\u003eWater No Get Enemy\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Knitting Factory","offers":[{"title":"Default Title","offer_id":32015321202803,"sku":"KFR2015-1","price":26.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/fela-kuti-expensive-shit.jpg?v=1701948706"},{"product_id":"herbie-hancock-sextant-vinyl","title":"Hancock, Herbie: Sextant (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/g2hK6_o5Pdw?si=KnnmQVfDIdK9at_w\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eHerbie Hancock is one of the most prolific jazz pianists of the 20th century. A child prodigy, he played with the greats such as Donald Byrd and Miles Davis. He was one of the first to embrace and master the electric piano, but he always stayed true to the acoustic sound. In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R\u0026amp;B, funk and jazz while retaining an original and distinctive voice.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSextant\u003c\/em\u003e from 1973 was recorded just before \u003cem\u003eHead Hunters\u003c\/em\u003e, and can be seen in the same vein, but it's more than just an introduction to a masterpiece. It features a kind of post-modal, free impressionism while gracing the edges of funk. Three long instrumental tracks explore how far minimalism in jazz can go.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRain Dance\u003c\/li\u003e\n\u003cli\u003eHidden Shadows\u003c\/li\u003e\n\u003cli\u003eHornets\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Music On Vinyl ‎","offers":[{"title":"Default Title","offer_id":32206401798259,"sku":"MOVLP522","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/herbie-hancock-sextant.jpg?v=1648713700"},{"product_id":"billie-holiday-lady-in-satin-vinyl","title":"Holiday, Billie: Lady In Satin (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/QtFhUAtQS1s?si=tlqPlBIT9UTmn_Tl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eLady In Satin\u003c\/i\u003e is the penultimate album by jazz singer Billie Holiday, originally released in 1958 on Columbia Records. The album has left a lasting mark on the musical landscape since its release and is noted as being one of the greatest of all time.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI'm A Fool To Want You\u003c\/li\u003e\n\u003cli\u003eFor Heaven's Sake\u003c\/li\u003e\n\u003cli\u003eYou Don't Know What Love Is\u003c\/li\u003e\n\u003cli\u003eI Get Along Without You Very Well\u003c\/li\u003e\n\u003cli\u003eFor All We Know\u003c\/li\u003e\n\u003cli\u003eViolets For Your Furs\u003c\/li\u003e\n\u003cli\u003eYou've Changed\u003c\/li\u003e\n\u003cli\u003eIt's Easy To Remember\u003c\/li\u003e\n\u003cli\u003eBut Beautiful\u003c\/li\u003e\n\u003cli\u003eGlad To Be Unhappy\u003c\/li\u003e\n\u003cli\u003eI'll Be Around\u003c\/li\u003e\n\u003cli\u003eThe End Of A Love Affair\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"WaxTime","offers":[{"title":"Default Title","offer_id":39261799710835,"sku":"771747","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/billie-holiday-lady-satin.jpg?v=1655916884"},{"product_id":"sarah-vaughan-clifford-brown-vinyl","title":"Vaughan, Sarah \u0026 Clifford Brown: Sarah Vaughan \u0026 Clifford Brown (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tTsV56J16iU?si=GYc_Dn2GbMg3Hb9v\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePraise for Sarah\u003ci\u003e Vaughan \u0026amp; Clifford Brown:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\"Vaughan probably never sang better, though her career stretched on into the 1980s. Brown was gone in the blink of an eye, but what he left behind stands in an extraordinarily clear focus, like the memory of a lost friend.\" - Brian Morton\u003c\/p\u003e\n\u003cp\u003e\"Between the late 1940s and the late 1980s, Sarah Vaughan recorded often, but there are not many sessions as perfect as this one in her discography. Backed by the great Clifford Brown, who creates solos made of gold and brass. Grandiose.\" - Jazz Magazine\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSeptember Song\u003c\/li\u003e\n\u003cli\u003eLullaby Of Birdland\u003c\/li\u003e\n\u003cli\u003eI'm Glad There Is You\u003c\/li\u003e\n\u003cli\u003eYou're Not The Kind\u003c\/li\u003e\n\u003cli\u003eJim\u003c\/li\u003e\n\u003cli\u003eHe's My Guy\u003c\/li\u003e\n\u003cli\u003eApril In Paris\u003c\/li\u003e\n\u003cli\u003eIt's Crazy\u003c\/li\u003e\n\u003cli\u003eEmbraceable You\u003c\/li\u003e\n\u003cli\u003eLullaby Of Birdland (Alternative Take)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Waxtime","offers":[{"title":"Default Title","offer_id":39261805543539,"sku":"771814","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/sarah-vaughan-clifford-brown.jpg?v=1650992524"},{"product_id":"bill-evans-everybody-digs-bill-evans-vinyl","title":"Evans, Bill: Everybody Digs Bill Evans (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/VnxWebD9S3c?si=4F_Kl7kVyx6-1O-f\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history: the Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied); with this record, the jazz public began to follow their lead.\u003c\/p\u003e\n\u003cp\u003eAided by Sam Jones and Philly Joe Jones, Evans set down some of his most swinging trio sides, but the session would be memorable if it had only yielded the remarkable and haunting solo improvisation called \"Peace Piece\".\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMinority\u003c\/li\u003e\n\u003cli\u003eYoung And Foolish\u003c\/li\u003e\n\u003cli\u003eLucky To Be Me\u003c\/li\u003e\n\u003cli\u003eNight And Day\u003c\/li\u003e\n\u003cli\u003eEpilogue\u003c\/li\u003e\n\u003cli\u003eTenderly\u003c\/li\u003e\n\u003cli\u003ePeace Piece\u003c\/li\u003e\n\u003cli\u003eWhat Is There To Say?\u003c\/li\u003e\n\u003cli\u003eOleo\u003c\/li\u003e\n\u003cli\u003eEpilogue \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Jazz Wax","offers":[{"title":"Default Title","offer_id":39261877108851,"sku":"JWR4517","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/bill-evans-everybody-digs.jpg?v=1656421330"},{"product_id":"gil-scott-heron-revolution-will-not-be-televised-vinyl","title":"Scott-Heron, Gil: The Revolution Will Not Be Televised (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zM0zlsJ5YAA?si=Ml2R107BVDQR1_Ay\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eA compilation of Gil Scott-Heron’s best-known works for the Flying Dutchman label.\u003c\/p\u003e\n\u003cp\u003eOriginally released to capitalise on the success of Scott-Heron’s then-current hit 'The Bottle' and his subsequent signing to Arista, this 1974 compilation has since become the definitive distillation of his early work.\u003c\/p\u003e\n\u003cp\u003eContained within the original 11-track selection were the title track, 'Whitey On The Moon', 'Home Is Where The Hatred Is' plus eight more.\u003c\/p\u003e\n\u003cp\u003eReplicating the original 11-track running order and packaged in a heavy duty sleeve, the vinyl reissue features the original LP’s inner gatefold artwork on the inner bag.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Revolution Will Not Be Televised\u003c\/li\u003e\n\u003cli\u003eSex Education: Ghetto Style\u003c\/li\u003e\n\u003cli\u003eThe Get Out Of The Ghetto Blues\u003c\/li\u003e\n\u003cli\u003eNo Knock (Without Intro)\u003c\/li\u003e\n\u003cli\u003eLady Day And John Coltrane\u003c\/li\u003e\n\u003cli\u003ePieces Of A Man\u003c\/li\u003e\n\u003cli\u003eHome Is Where The Hatred Is\u003c\/li\u003e\n\u003cli\u003eBrother (Without Intro)\u003c\/li\u003e\n\u003cli\u003eSave The Children\u003c\/li\u003e\n\u003cli\u003eWhitey On The Moon (Without Intro)\u003c\/li\u003e\n\u003cli\u003eDid You Hear What They Said?\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"BGP Records","offers":[{"title":"Default Title","offer_id":39308159156339,"sku":"BGPD306","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/gil-scott-heron-revolution-televised.jpg?v=1710777751"},{"product_id":"fela-kuti-afrika-70-zombie-vinyl","title":"Kuti, Fela \u0026 Afrika 70: Zombie (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/-3j0nugz1Pw?si=7sQ8aD3v-uQERZft\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe most inflammatory album Fela had released to date (which is saying something), Zombie triggered the power structure’s most vicious reprisal. The regime had been infuriated by Fela’s exposés of army and police violence on 1974’s Alagbon Close, 1975’s Kalakuta Show and 1976’s Ikoyi Blindness, but its anger was as nothing compared to that stoked by Zombie. In the lyric, Fela ridicules the men in uniform. \"Attention! Quick march! Slow march! Salute!\" he sings, \"Fall in! Fall out! Fall down! Go and kill!\" Each phrase is followed by the women singers’ taunt, \"Zombie!\" Fela continues: “No brains, no job, no sense joro jara jo; tell am to go kill joro jara jo; tell am to go quench joro jara jo.” On February 18 1977, the army would take their revenge: 1000 soldiers surrounded Kalakuta Republic, battered their way in and burnt it to the ground, beating any occupant they could catch, including Fela – and his 77 year old mother, who was thrown out of a second floor window, an outrage which caused her death the following year. (See the essay Music Written In Blood elsewhere on this site). Originally released by Coconut.\u003c\/p\u003e\n\u003cp\u003eZombie: Fela in his life time was never ‘a good bed-fellow’ of the military institution. As a political activist, he believed the army should operate under the mandate of a civil government. If national interest compels the armed forces to intervene in government, the army is obliged to hand over power to a new civil government elected by the people and enjoying their mandate. To do otherwise is to usurp power particularly since a soldier’s duty is not to seek a political mandate. For emphasis in the song, he narrates the military in motion comparing their orientation to the Zombie, without minds of their own. Fela paid a big price for this bold condemnation of the military institution. One thousand members of the Nigerian army attacked and burnt down his house after the release of the record. The tribunal set up to investigate the cause of the attack as a result of the public out-cry against the army, heard, as part of the evidence presented, an example of the Zombie album cover with the military uniform and boots displayed boldly. The army justification of the attack was that Fela treated the military institution with levity.\u003c\/p\u003e\n\u003cp\u003eMister Follow Follow: Mr. Follow Follow is about those who allow themselves to be led blindly by others. Since nobody can live in isolation, Fela sings about those who follow with their eyes wide open and those who follow with their eyes closed. Saying if you have to follow, it is better to follow with your eyes and ears open. For if you follow blindly, you will always remain in the dark: ‘…if you dey follow them book! Na inside cupboard you go quench!…cockroach dey! Rat dey!…na inside darkness you go dey! 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Possessed of an enviable lyrical flow and a wealth of inventive melodic ideas that unfurled with clarity and without fuss, Clark had a deeply rooted feeling for the blues.\u003c\/p\u003e\n\u003cp\u003eAfter moving from his hometown of Pittsburgh to New York, Clark emerged as a ubiquitous presence on Blue Note starting in 1957. It was on his fifth Blue Note date as a leader that Clark arrived at his masterwork, \u003cem\u003eCool Struttin’,\u003c\/em\u003e recorded in January 1958 with a top-shelf quintet featuring Art Farmer on trumpet, Jackie McLean on alto saxophone, Paul Chambers on bass, and ‘Philly’ Joe Jones on drums. 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Fittingly, there are backward glances; an affectionate homage to Bill “Bojangles” Robinson, an earlier black hero, and a dedication to Bessie Smith, with the sexy Sugar In My Bowl. The Pusher, an unsparing account of the devastation wreaked by drugs, makes clear why escape was necessary.\u003c\/p\u003e\n\u003cp\u003eHaving spent fifteen years running, it was time for Nina to relax and take stock. She moved to Barbados in 1974, and subsequently lived in Liberia. The role of freedom fighter had broken down in the face of social and personal problems. Nothing daunted, Simone reinvented herself as the Obeah Woman.\u003c\/p\u003e\n\u003cp\u003eThe African-rooted, classically trained pianist freely moved between ‘civilization’ and ‘savagery’ (both are tricky concepts and need those inverted commas). The dark and fearful Dambala visits a place beyond death and reveals the secrets that only the Obeah Woman knows.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Pusher\u003c\/li\u003e\n\u003cli\u003eCom' By H'Yere - Good Lord\u003c\/li\u003e\n\u003cli\u003eFunkier Than A Mosquito's Tweeter\u003c\/li\u003e\n\u003cli\u003eMr Bojangles\u003c\/li\u003e\n\u003cli\u003eI Want A Little Sugar In My Bowl\u003c\/li\u003e\n\u003cli\u003eDambala\u003c\/li\u003e\n\u003cli\u003eLet It Be Me\u003c\/li\u003e\n\u003cli\u003eObeah Woman \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Music On Vinyl","offers":[{"title":"Default Title","offer_id":39386233602163,"sku":"MOVLP1632","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/nina-simone-it-is-finished.jpg?v=1654775252"},{"product_id":"dorothy-ashby-the-rubaiyat-of-dorothy-ashby-vinyl","title":"Ashby, Dorothy: The Rubáiyát Of Dorothy Ashby (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w8gWmMP7IVc?si=bzwOMsv5ALUWbNkS\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eElectrified harp, funky vibes, Japanese koto, and more - all wrapped up in Chicago soul arrangements from the legendary Richard Evans.\u003c\/p\u003e\n\u003cp\u003eEasily the funkiest record ever from the legendary Dorothy Ashby - a set of all-original tunes based on the writings of Omar Khayyam, done in trans-cultural blend that inflects Ashby's jazz roots with Eastern-styled instrumentation - and sends the whole thing home with beats and grooves on the bottom.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMyself When Young\u003c\/li\u003e\n\u003cli\u003eFor Some We Loved\u003c\/li\u003e\n\u003cli\u003eWax And Wane\u003c\/li\u003e\n\u003cli\u003eDrink\u003c\/li\u003e\n\u003cli\u003eWine\u003c\/li\u003e\n\u003cli\u003eDust\u003c\/li\u003e\n\u003cli\u003eJoyful Grass And Grape\u003c\/li\u003e\n\u003cli\u003eShadow Shapes\u003c\/li\u003e\n\u003cli\u003eHeaven And Hell\u003c\/li\u003e\n\u003cli\u003eThe Moving Finger\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Verve","offers":[{"title":"Default Title","offer_id":39449704595571,"sku":"4899071","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/dorothy-ashby-rubaiyat-dorothy-ashby.jpg?v=1734121123"},{"product_id":"herbie-hancock-maiden-voyage-vinyl","title":"Hancock, Herbie: Maiden Voyage (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/EWC5x9G45yo?si=Y1ABQGe7pL8SwIT7\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eLess overtly adventurous than its predecessor, \u003cem\u003eEmpyrean Isles,\u003c\/em\u003e \u003cem\u003eMaiden Voyage\u003c\/em\u003e nevertheless finds Herbie Hancock at a creative peak. In fact, it's arguably his finest record of the '60s, reaching a perfect balance between accessible, lyrical jazz and chance-taking hard bop.\u003c\/p\u003e\n\u003cp\u003eBy this point, the pianist had been with Miles Davis for two years, and it's clear that Miles' subdued yet challenging modal experiments had been fully integrated by Hancock. Not only that, but through Davis, Hancock became part of the exceptional rhythm section of bassist Ron Carter and drummer Tony Williams, who are both featured on \u003cem\u003eMaiden Voyage\u003c\/em\u003e, along with trumpeter Freddie Hubbard and tenor saxophonist George Coleman. The quintet plays a selection of five Hancock originals, many of which are simply superb showcases for the group's provocative, unpredictable solos, tonal textures, and harmonies.\u003c\/p\u003e\n\u003cp\u003eWhile the quintet takes risks, the music is lovely and accessible, thanks to Hancock's understated, melodic compositions and the tasteful group interplay. All of the elements blend together to make \u003ci\u003eMaiden Voyage\u003c\/i\u003e a shimmering, beautiful album that captures Hancock at his finest as a leader, soloist, and composer.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaiden Voyage\u003c\/li\u003e\n\u003cli\u003eThe Eye Of The Hurricane\u003c\/li\u003e\n\u003cli\u003eLittle One\u003c\/li\u003e\n\u003cli\u003eSurvival Of The Fittest\u003c\/li\u003e\n\u003cli\u003eDolphin Dance\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":39463973093491,"sku":"3593196","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/herbie-hancock-maiden-voyage.jpg?v=1708347650"},{"product_id":"eric-dolphy-out-to-lunch-vinyl","title":"Dolphy, Eric: Out To Lunch! (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/u1lWpLFGhjE?si=8Is9RwaKcG2GkGgh\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIn February 1964, Eric Dolphy assembled a formidable quintet of modern jazz visionaries with Freddie Hubbard on trumpet, Bobby Hutcherson on vibraphone, Richard Davison bass, and Tony Williamson drums, and headed into Rudy Van Gelder’s studio to record what would stand as his masterwork, \u003cem\u003eOut to Lunch!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA genius artist of startling originality, Dolphy managed to possess the revolutionary spirit of the avant-garde while keeping a foot firmly planted in the feeling of swing, a rare feat that the five original pieces here perfectly captured from the offbeat swagger of the opening Monk tribute “Hat and Beard” to the careening closer “Straight Up and Down.”\u003c\/p\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHat And Beard\u003c\/li\u003e\n\u003cli\u003eSomething Sweet, Something Tender\u003c\/li\u003e\n\u003cli\u003eGazzelloni\u003c\/li\u003e\n\u003cli\u003eOut To Lunch\u003c\/li\u003e\n\u003cli\u003eStraight Up And Down \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":39463980335219,"sku":"3587502","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/eric-dolphy-out-to-lunch.jpg?v=1657208851"},{"product_id":"dizzy-gillespie-greatest-trumpet-of-them-all-vinyl","title":"Dizzy Gillespie Octet: The Greatest Trumpet Of Them All (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/6CJhsuA5Enk?si=dUDrikNjg--EwKJe\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThis release presents the complete original Dizzy Gillespie LP \u003cem\u003eThe Greatest Trumpet of them All\u003c\/em\u003e, featuring the brilliant trumpeter in an octet format with such stars as Benny Golson and Gigi Gryce, who were also the arrangers on the date.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlues After Dark\u003c\/li\u003e\n\u003cli\u003eSea Breeze\u003c\/li\u003e\n\u003cli\u003eOut Of The Past\u003c\/li\u003e\n\u003cli\u003eShabozz\u003c\/li\u003e\n\u003cli\u003eReminiscing\u003c\/li\u003e\n\u003cli\u003eA Nights At Tony's\u003c\/li\u003e\n\u003cli\u003eSmoke Signals\u003c\/li\u003e\n\u003cli\u003eJust By Myself\u003c\/li\u003e\n\u003cli\u003eThere Is No Greater Love\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"WaxTime","offers":[{"title":"Default Title","offer_id":39696026796147,"sku":"772144","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/dizzy-gillespie-octet-greatest-trumpet.jpg?v=1649969793"},{"product_id":"lee-morgan-sidewinder-vinyl","title":"Morgan, Lee: The Sidewinder (Vinyl LP)","description":"\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/70uF56BVcwE?si=E0fYOZYOzP0dFG0j\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003eLee Morgan’s magnum opus \u003cem\u003eThe Sidewinder - \u003c\/em\u003erecorded in 1963 and released in 1964 - was both a comeback and a coronation. The prodigious trumpeter had debuted on Blue Note in 1956 at the age of 18, but personal problems in the early-60s forced him off the scene temporarily.\u003c\/p\u003e\n\u003cp\u003eHis rebound recording turned out to be \u003cem\u003eThe Sidewinder\u003c\/em\u003e, an assured and energetic set of 5 indelible Morgan originals featuring tenor saxophonist Joe Henderson\u003cstrong\u003e,\u003c\/strong\u003e pianist Barry Harris, bassist Bob Cranshaw, and drummer Billy Higgins\u003cstrong\u003e.\u003c\/strong\u003e The album became his biggest commercial success fueled by the irrepressible title track.\u003c\/p\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Sidewinder\u003c\/li\u003e\n\u003cli\u003eTotem Pole\u003c\/li\u003e\n\u003cli\u003eGary’s Notebook\u003c\/li\u003e\n\u003cli\u003eBoy, What A Night\u003c\/li\u003e\n\u003cli\u003eHocus-Pocus\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":39789225115763,"sku":"743886","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/lee-morgan-sidewinder_df551b80-26ef-4089-90e2-ecbb11f401e3.jpg?v=1738313250"},{"product_id":"dave-brubeck-quartet-time-out-vinyl","title":"Dave Brubeck Quartet, The: Time Out (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FqPC-BkylxA?si=MAjgP58wZ8Kw6Sq2\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTime Out\u003c\/em\u003e is the 1959 album by The Dave Brubeck Quartet, based upon the use of time signatures that were unusual for jazz (mainly waltz or double-waltz time, but also 9\/8, and most famously 5\/4).\u003c\/p\u003e\n\u003cp\u003eAlthough the album was intended as an experiment and received negative reviews by critics upon its release, it became one of the best-known and biggest-selling jazz albums ever. 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The emotional blow was only matched by the brightness of this original and magnificent discovery. The Ethiopiques series directed by Francis Falcetto and edited by Buda Musique provides a comprehensive landscape of this subtle musical universe where local and western cultures do magnify each other.\u003c\/p\u003e\n\u003cp\u003eThis new \u003cem\u003eEthiopian Urban Modern Music\u003c\/em\u003e release follows the first Soul \u0026amp; Groove installment and keeps revealing some essential parts of the modern Ethiopian puzzle. 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Featuring the hit singles of the Ethiopian musical scene of 1972. Reissue of the impossible to find original LP. Includes one unreleased track, never released on the éthiopiqes CD series.\u003c\/p\u003e\n\u003cp\u003eAfter releasing around fifty 45 rpm singles and his first 33 rpm album Amha Esthèté set about compiling his best 45s on a series of now legendary albums (the originals are impossible to find) in 1972. The first four volumes of \u003cem\u003eEthiopian Hit Parade\u003c\/em\u003e were released in September and October 1972, with the fifth volume appearing in January 1973.\u003c\/p\u003e\n\u003cp\u003eAn audacious, funky outlaw, a music lover and an entrepreneur in tune with the baby- boomer generation, young Amha Esthèté (he was only twenty-four when he launched his label) will be remembered as the instigator of a peaceful revolution thick with soul and rock’n’roll.\u003c\/p\u003e\n\u003cp\u003eThe opening track of the first compilation is highly symbolic. Addis Abeba bété (Addis Abeba is My Home) is an exuberant and light-hearted hymn (“Running into you was a dream, but where can I meet you properly?”) whose life-affirming message is still relevant today for people living in the Ethiopian capital.\u003c\/p\u003e\n\u003cp\u003eThe other tracks on this first volume celebrate such pioneers of modern Ethiopian groove as Girma Bèyènè, Seyfu Yohannes, Tèshomè Meteku, Menelik Wèsnatchèw, Mulatu Astatq and Muluken Melesse, alongside “tradi-modern” singers representing Amhara (Essatu Tèssèmma) and Oromo culture, so rich and so long marginalised (Abbèbè Tèssèmma and Gèmètchu Itana).\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAddis Abeba Bete\u003c\/li\u003e\n\u003cli\u003eSet Alameneme\u003c\/li\u003e\n\u003cli\u003eShemermare Tiya\u003c\/li\u003e\n\u003cli\u003eTezeta\u003c\/li\u003e\n\u003cli\u003eYebereha Lomie\u003c\/li\u003e\n\u003cli\u003eGara Ser Naw Betesh\u003c\/li\u003e\n\u003cli\u003eAsha Gedawo\u003c\/li\u003e\n\u003cli\u003eHedech Alu\u003c\/li\u003e\n\u003cli\u003eYekermo Saw (Instrumental)\u003c\/li\u003e\n\u003cli\u003eAyamaru Eshete\u003c\/li\u003e\n\u003cli\u003eAshasha Beyew\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Heavenly Sweetness","offers":[{"title":"Default Title","offer_id":39941800624243,"sku":"HS144VL","price":22.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/various-ethiopian-hit-parade-vol-1.jpg?v=1648133706"},{"product_id":"fela-kuti-afrodisiac-vinyl","title":"Kuti, Fela: Afrodisiac (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7fgR-vqy6g8?si=Y9WJJ28AIa7jlHt5\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eFela Kuti (1938-1997) was a Nigerian musician, producer, arranger, political radical, outlaw and the originator of Afrobeat. A titanic musical and sociopolitical voice, Fela’s legacy spans decades and genres, touching on jazz, pop, funk, hip-hop, rock and beyond.\u003c\/p\u003e\n\u003cp\u003eThe songs on \u003cem\u003eAfrodisiac\u003c\/em\u003e were tracks that Fela and the Nigeria 70 (Later Africa 70) re-recorded at Abbey Road Studios in 1972 after they had become hits in Nigeria. The best known song on the album, 'Jeun Ko Ku’, is listed by its Pidgin title ‘Chop and Quench’ on this album. It’s a satire about gluttony and Fela's first major hit across West Africa. ‘Chop and Quench’ means \"\"eat and die\"\" in Standard English.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAlu Jon Jonki Jon\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eJeun Ko Ku (Chop And Quench)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEko Ile\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eJe'Nwi Temi (Don't Gag Me)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Knitting Factory","offers":[{"title":"Default Title","offer_id":39947128143987,"sku":"KFR2008-1","price":26.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/fela-kuti-afrodisiac.jpg?v=1648395381"},{"product_id":"wes-montgomery-incredible-jazz-guitar-vinyl","title":"Montgomery, Wes: The Incredible Jazz Guitar Of Wes Montgomery (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/q72GV9cwkr8?si=u8qHTq7iShrWgImY\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally released on Riverside in 1960, \u003cem\u003eThe Incredible Jazz Guitar of Wes Montgomery\u003c\/em\u003e was recorded over just two days at the Reeves Sound Studios in New York City. Joining guitarist Wes are Tommy Flanagan (piano), Percy Heath (bass) and his brother Albert Heath (drums), one of the smallest groups Wes would record with during the course of his career. Yet what stands out more than anything are two innovations from Wes; his thumb picking playing style and the use of octaves.\u003c\/p\u003e\n\u003cp\u003eBoth fans and critics have lauded this album as the pinnacle of his studio work. It has been described variously as it burst onto the US scene in 1960 like a benign hurricane, and it still sounds like a gale 50 years later and this established him as the most formidable modern guitarist of the era and eventually its most influential. The album remains one of the most revered in jazz circles and should be an essential addition to any jazz collection.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eAiregin\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eD-Natural Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePolka Dots And Moonbeams\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFour On Six\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWest Coast Blues\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIn Your Own Sweet Way\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMister Walker\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGone With The Wind\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Waxtime","offers":[{"title":"Default Title","offer_id":40039882162291,"sku":"771692","price":17.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/wes-montgomery-incredible-jazz-guitar.jpg?v=1731994615"},{"product_id":"nina-simone-friends-intimate-variety-vocal-charm-vinyl","title":"Simone, Nina \u0026 Her Friends: An Intimate Variety Of Vocal Charm (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZnYFHQKaUVY?si=ozKfPrUALYNwMqoL\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally released by Bethlehem Records in 1959, \u003cem\u003eNina Simone \u0026amp; Her Friends\u003c\/em\u003e is a compilation album comprising several unreleased tracks from the ‘Little Girl Blue’ recording session, plus songs recorded by two other former Bethlehem artists, the powerhouse jazz vocalist Carmen McRae and the elegant song stylist Chris Connor.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eHe's Got The Whole World In His Hands\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSomeone To Watch Over Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOld Devil Moon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eI Loves You, Porgy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eI Concentrate On You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eYou Made Me Care\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFor All We Know\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFrom This Moment On\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eToo Much In Love To Care\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAfrican Mailman\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll This And Heaven Too\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLast Time For Love\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Bethlehem Recordings","offers":[{"title":"Default Title","offer_id":40050199855219,"sku":"538671441","price":21.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/nina-simone-intimate-variety-vocal-charm.jpg?v=1753444723"},{"product_id":"dorothy-ashby-dorothys-harp-vinyl","title":"Ashby, Dorothy: Dorothy's Harp (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SI1eSG8Bmj8?si=8HjGzbdj1HhDcw8t\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDorothy Ashby was an American jazz harpist, one of the very few who used her instrument to play credible jazz and bebop. First studying as a pianist at Wayne State University and later, in 1952, switching to harp. She recorded eleven albums for different jazz labels, like Savoy and Prestige. Dorothy also guested as a studio player on albums with Bill Withers, Stevie Wonder and many more.\u003c\/p\u003e\n\u003cp\u003eIn 1969 the studio album \u003cem\u003eDorothy’s Harp\u003c\/em\u003e was released on Cadet Records. On the album she covered songs from Jimmy Webb (‘’By The Time I Get To Phoenix’‘), Burt Bacharach \u0026amp; Hal David (’‘This Girl’s In Love With You’’), John Lennon \u0026amp; Paul McCartney (‘’Fool On The Hill’‘), and others. The record also includes the two Brazilian styled compositions ’’Reza’’ and ‘’Canto de Ossanha’’ and two songs written by Dorothy Ashby herself, displaying her craft on the harp with some great bongo work.\u003c\/p\u003e\n\u003cp\u003eIn the 90s and beyond, the album started to be sought after by hip hop artists. Pete Rock (from Pete Rock \u0026amp; CL Smooth), Rahzel (from The Roots) and Ugly Duckling were notable for sampling music from \u003cem\u003eDorothy’s Harp\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eHighly in-demand, finally this rare harp jazz album is available again! 2017 black vinyl reissue.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eBy The Time I Get To Phoenix\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCanto De Ossanha\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLove Is Blue\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eReza\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThis Girl's In Love With You\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTruth Spoken Here\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eToronado\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThe Windmills Of Your Mind\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCause I Need It\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJust Had To Tell Somebody\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFool On The Hill\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Music On Vinyl","offers":[{"title":"Default Title","offer_id":40070164447347,"sku":"MOVLP1977","price":28.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/dorothy-ashby-dorothys-harp.jpg?v=1651923347"},{"product_id":"ian-carrs-nucleus-roots-vinyl","title":"Ian Carr's Nucleus: Roots (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/X77lOh0TvpY?si=Kb9wb8Cfgh_fsoYh\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhat an unbelievable record. From the wild cover to the iconic breakbeats, \u003cem\u003eRoots\u003c\/em\u003e from Ian Carr’s Nucleus is one of the dopest albums we know. This is seriously thick, funky-prog jazz-rock heaven\u003c\/p\u003e\n\u003cp\u003eUnder bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels.\u003c\/p\u003e\n\u003cp\u003eOriginally released on Vertigo in 1973, other than a couple of versions at the time, \u003cem\u003eRoots\u003c\/em\u003e was never re-pressed since so it’s gone on to become another one of those impossible to find records.\u003c\/p\u003e\n\u003cp\u003eMaybe it was a little too out there for the time, but it’s aged very, very well indeed and this Be With re-issue, remastered from the original analogue tapes, shows off just why this deserves to be back in press.\u003c\/p\u003e\n\u003cp\u003e2021 reissue.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eRoots\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eImages\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCaliban\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWhapatiti\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCapricorn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOdokamona\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSouthern Roots And Celebration\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Be With Records","offers":[{"title":"Default Title","offer_id":40094161862771,"sku":"BEWITH102LP","price":27.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/ian-carrs-nucleus-roots.jpg?v=1652886459"},{"product_id":"mestre-cupijo-e-seu-ritmo-siria-vinyl","title":"Mestre Cupijó E Seu Ritmo: Siriá (Vinyl LP)","description":"\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/ghLeWsDDdRg?si=8uHJUrr5LqVXi1Ud\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003eCametá, a historical little Amazonian town on the shores of the river Tocantins, is the birthplace of the scorching music known as 'Siriá'; a cross pollination between the music of the inhabitants of the quilombos, a Brazilian hinterland settlement founded by escaped slaves of African origins, and the indigenous people of the Amazon rainforest. It is a breathing, pulsing, emphatic beat, and the modernised version of this local music, created by Mestre Cupijó, has been igniting street parties and traditional festivals across the state of Pará in Northern Brazil for decades. And at last in 2014, the combustible sound of Siriá will be celebrated internationally as the feverish, tropical sound of the summer! \u003c\/p\u003e\n\u003cp\u003eForetelling his talent to flow between cultures, Cupijó was named after the local river where he was born into a family of musicians. His father, Mestre Vicente Castro, was also known as Mestre Sicudera, the musical director of one of Brazil´s oldest bands, Eutepe Cametaense. Eutepe Cametaense, formerly directed by Cupijo’s grandfather, was founded in 1874, arguably making them the oldest band in Pará, and possibly in Brazil. They had the heritage and recognition of being the only band that performed at the festivities that signaled the end of slavery in Pará in 1888. Cupijo would later adopt this band and it’s players after his father, as his birthright. \u003c\/p\u003e\n\u003cp\u003eAt 12, Cupijó started to play the clarinet. He also became proficient at the piano, mandolin and guitar, although the instrument that came to personify his sound was the alto saxophone. Waltz, bolero, cha cha cha and an assortment of dance hall music became part of Cupijó's repertoire, but it was Carimbó and Siriá, the music played by the black communities of Pará, that had the strongest impact on the young musician. \u003c\/p\u003e\n\u003cp\u003eTo grasp the soul of this music, Cupijó went to its source and lived with the quilombolas (maroon) community of the Amazon. Upon his return, enriched by this life-changing experience, he founded the band 'Jazz Orquestra os Azes do Ritmo' with the goal of reinventing Siriá and modernising Samba de Cacete, Banguê and other folkloric music of the state of Pará. Airwaves from the Caribbean and Latin America had also brought the cumbia sound of the mighty Colombian orchestras, Merengue from the Dominican republic and Cuban music to the Amazon, all of which had an impact on the music of Northern Brazil, Mambo especially! Mestre Cupijó took these influences and mixed them in with the ingredients he had studied in the Quilombos. That fusion - as we are witnessing on this record - had explosive effects. \u003c\/p\u003e\n\u003cp\u003eHis fresh new sound became the soundtrack to Cametá's legendary Carnival and soon his troupe were invited to other festivals along the river. Transportation to these concerts was via small boats, where three or four musicians would share a vessel with their instruments tucked between their legs. In those days there were no posters or radio adverts to promote the shows in any way, yet Cupijó's shows became notorious. In an interview one of his band members explains: 'Whenever there was a party - on a Saturday for example - and it was known that Mestre Cupijó would play, the news would spread incredibly fast, just by word of mouth. We didn't understand how that was possible, but it certainly was amazing.' \u003c\/p\u003e\n\u003cp\u003eAfter the initial wave of enthusiasm, the first two LPs were recorded with rudimentary equipment in a dance club in Cametá. However, it was the third attempt, recorded in a studio in Belém, which would trigger a phenomenal success. 'Caboclinha Do Igapo' and 'Mambo do Martela', included on this record, became instant hits. A year later, 'Mingau de Açai', one of Cupijo´s most popular tunes, took the region by storm. In total six LPs were recorded by Mestre Cupijó. \u003c\/p\u003e\n\u003cp\u003eHe then created 'Concurso de Musicas Carnavalesco de Compositores Cametaenses', a contest for carnival music composers. The songs composed expressly for these contests in the 70s are still performed today during carnival season. In addition to evolving the Pará music culture in this way, he also owned a makeshift soundsystem, 'Musicolor', to spin the discs of local artists before his own shows to the frenzied crowds. Mestre Cupijó proved himself a philanthropist as well as a conductor for the people's music, and acted as a provisional lawyer for the city of Cametá, specialising in help for the poor. He also had a short spell in politics and was elected by a vast majority to the station of Municipal Councillor of Cametá. \u003c\/p\u003e\n\u003cp\u003eMaster Cupjó, the pillar of Pará's festive culture, and a humble pop icon who was ushered prominently into the country's history books, passed away on 25 September 2012, at the age of 76. His compositions as true anthems of life and vitality, vibrantly encouraging all to drink and dance until sunrise! 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As the title implies, this album consists purely of Monk's solo piano playing.\u003c\/p\u003e\n\u003cp\u003eHe handles classic Pop standards like \"Dinah\" and \"Sweet And Lovely\", but beautifully executes his own compositions like the bluesy \"North Of The Sunset\", \"Ruby, My Dear\" and \"Monk's Point\". 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It features the likes of Thundercat, whose deadpan funk is their closest antecedent, Herbie Hancock, Snoop Dogg, Busta Rhymes, Mac DeMarco, Kurt Rosenwinkel, and .Paak himself.\u003c\/p\u003e\n\u003cp\u003eTheir music finds both humour and greatness in harmonic complexity and rhythmic shiftiness, abruptly adopting and ditching tempos, toying with time signatures, and sneaking extra beats into bridges. They offer winking breaks and gleeful pivots, but the album is more composed than anything they’ve done before, toying with pop structures and pretty restraint.\u003c\/p\u003e\n\u003cp\u003eThat befits their origin story. The duo first played together in a room full of blaring demos at a trade show, but they bonded over gauche keyboard FX and mom jokes. Over the next year and a half, they wrote and recorded much of the album at JD’s house in Dallas on drums and a 49-key MIDI board with just a few mics.\u003c\/p\u003e\n\u003cp\u003eAlong the way, DOMi and JD Beck have sat in with Herbie Hancock and backed Thundercat, Ariana Grande, Eric André, and more; they also co-wrote “Skate” on .Paak’s Grammy-winning album with Bruno Mars as Silk Sonic.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eLouna's Intro\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWhatup\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSmile\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBowling\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNot Tight\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTwo Shrimps\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eU Don't Have To Rob Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMoon\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDuke\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTake A Chance\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSpace Mountain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePilot\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWhoa\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSniff\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eThank U\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":40612631609459,"sku":"4590837","price":24.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/domi-jd-beck-not-tight.jpg?v=1669910313"},{"product_id":"donald-byrd-places-and-spaces-vinyl","title":"Byrd, Donald: Places And Spaces (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/unbgblfgsQI?si=Dp6kpoY-NOStlIZ5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eDonald Byrd’s 1975 album \u003cem\u003ePlaces And Space\u003c\/em\u003es featuring the hits “Wind Parade” and “Dominoes” was the culmination of the great trumpeter’s fusion period. It was the fifth consecutive Byrd album to be produced by visionary producer Larry Mizell, and the second to last session Byrd would cut for Blue Note, the label he had recorded for since 1958 that had followed him along his remarkable evolution from top-notch hard bop trumpeter to pioneer of R\u0026amp;B\/Funk fusion.\u003c\/p\u003e\n\u003cp\u003eThis Blue Note Classic Vinyl Edition is all-analogue, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eChange (Makes You Want To Hustle)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWind Parade\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDominoes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePlaces And Spaces\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eYou And Music\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNight Whistler\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJust My Imagination\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":40622707540083,"sku":"3596800","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/donald-byrd-places-spaces.jpg?v=1670695548"},{"product_id":"pharoah-sanders-karma-vinyl","title":"Sanders, Pharoah: Karma - Acoustic Sounds Series (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/zbsLLlq8Zq0?si=mMRq5lTARcb8dt8M\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003ePharoah Sanders’ third Impulse! album, 1969’s \u003cem\u003eKarma\u003c\/em\u003e, is a milestone of the Spiritual Jazz movement and a natural progression in the sonic exploration that Sanders, along with John and Alice Coltrane, had spearheaded over the previous five years. \"The Creator Has a Master Plan\" is as close as Spiritual Jazz comes to having its own anthem.\u003c\/p\u003e\n\u003cp\u003eThis reissue honours the late jazz legend who passed away in September at the age of 81 and concludes the series for 2022. The nearly two dozen releases from the series to date feature many of the timeless, classic albums from the Verve Label Group's stable of labels including Decca, EmArcy, Impulse! 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Released prolifically during the 1950s and more sporadically thereafter, primarily on the Saturn label, the 45s offer one-off meteorites from Ra’s prolific cosmic journey, tracing the development of his forward-thinking “Space-Bop” and his unique take on jazz and blues traditions which sounded unlike anything else from the period.\u003c\/p\u003e\n\u003cp\u003eAs with his LPs, most 45s were only pressed in small runs and were sold at gigs and have since become extremely rare and sought after. Some have only been discovered in physical form in recent years; some were planned and pencilled but allegedly never made it to vinyl and some appeared as one-off magazine singles and posthumous releases.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Am An Instrument\u003c\/li\u003e\n\u003cli\u003eI Am Strange\u003c\/li\u003e\n\u003cli\u003eSun Ra - Chicago Usa (With Nu Sounds)\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; The Nu Sounds - Spaceship Lullaby\u003c\/li\u003e\n\u003cli\u003eThe Cosmic Rays - Daddy's Gonna Tell You No Lie (With Sun Ra \u0026amp; Arkestra)\u003c\/li\u003e\n\u003cli\u003eThe Nu Sounds - A Foggy Day (With Sun Ra \u0026amp; Arkestra)\u003c\/li\u003e\n\u003cli\u003eBillie Hawkins - I'm Coming Home (With Sun-Ra \u0026amp; His Orchestra)\u003c\/li\u003e\n\u003cli\u003eBillie Hawkins - Last Call For Love (With Sun-Ra \u0026amp; His Orchestra)\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Arkestra - Soft Talk\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Arkestra - Super Blonde\u003c\/li\u003e\n\u003cli\u003eLe Sun Ra \u0026amp; His Arkestra - Saturn\u003c\/li\u003e\n\u003cli\u003eLe Sun Ra \u0026amp; His Arkestra - Call For All Demons\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Arkestra - Demon's Lullaby\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Arkestra - Supersonic Jazz\u003c\/li\u003e\n\u003cli\u003eLe Sun Ra \u0026amp; His Arkestra - Medicine For A Nightmare\u003c\/li\u003e\n\u003cli\u003eLe Sun Ra \u0026amp; His Arkestra - Urnack\u003c\/li\u003e\n\u003cli\u003eThe Qualities - It's Christmas Time\u003c\/li\u003e\n\u003cli\u003eThe Qualities - Happy New Year To You!\u003c\/li\u003e\n\u003cli\u003eYochanan (The Space Age Vocalist) - M Uck M Uck (Matt Matt)\u003c\/li\u003e\n\u003cli\u003eYochanan (The Space Age Vocalist) - Hot Skillet Moma\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Arkestra \u0026amp; The Cosmic Rays - Bye Bye\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Arkestra \u0026amp; The Cosmic Rays - Somebody's In Love\u003c\/li\u003e\n\u003cli\u003eThe Cosmic Rays - Dreaming (With Sun Ra \u0026amp; Arkestra)\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; The Cosmic Rays - Daddy's Gonna Tell You No Lie\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Astro Infinity - October\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Astro Infinity - Adventure In Space\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Arkestra \u0026amp; The Cosmic Rays - Hours After\u003c\/li\u003e\n\u003cli\u003eSun Ra \u0026amp; His Arkestra \u0026amp; The Cosmic Rays - Great Balls Of Fire\u003c\/li\u003e\n\u003cli\u003eHattye Randolph - Round Midnight (With Sun Ra \u0026amp; His Astro Infinity Arkestra)\u003c\/li\u003e\n\u003cli\u003eHattye Randolph - Back In Your Own Back Yard (With Sun Ra \u0026amp; His Astro Infinity Arkestra)\u003c\/li\u003e\n\u003cli\u003eLe Sun Ra \u0026amp; His Arkestra - Saturn\u003c\/li\u003e\n\u003cli\u003eLe Sun Ra \u0026amp; His Arkestra - Velvet\u003c\/li\u003e\n\u003cli\u003eYochanan With Sun Ra \u0026amp; His Arkestra - The Sun One\u003c\/li\u003e\n\u003cli\u003eYochanan With Sun Ra \u0026amp; His Arkestra - Message To Earthman\u003c\/li\u003e\n\u003cli\u003eYochanan With Sun Ra \u0026amp; His Arkestra - The Sun Man Speaks\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Strut","offers":[{"title":"Default Title","offer_id":40638274666611,"sku":"STRUT148LP","price":39.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/sun-ra-singles-vol-1.jpg?v=1672248599"}],"url":"https:\/\/freebirdrecords.com\/collections\/restocks-jazz.oembed?page=5","provider":"Freebird Records","version":"1.0","type":"link"}