{"title":"Psychedelic\/Garage Rock","description":"","products":[{"product_id":"king-gizzard-lizard-wizard-nonagon-infinity-vinyl","title":"King Gizzard \u0026 The Lizard Wizard: Nonagon Infinity (Vinyl LP)","description":"\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/FUomhYCN6pk?si=jdR_p3_qEBfMHaHP\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003eRecording, releasing and touring a couple of albums in 18 months is beyond the realms of comprehensibility for most bands, but then King Gizzard And The Lizard Wizard aren't 'most bands'. Forget a couple of albums, Friday April 29th 2016 marked the release of \u003cem\u003eNonagon Infinity\u003c\/em\u003e, their fourth long-player for Heavenly Recordings in a little under a year and a half. Workshy they ain't!\u003c\/p\u003e\n\u003cp\u003eAfter the acid-flecked cosmic jazz of \u003cem\u003eQuarters\u003c\/em\u003e and the hazy, pastoral, acoustic bliss of \u003cem\u003ePaper Mache Dream Balloon\u003c\/em\u003e, with \u003cem\u003eNonagon Infinity\u003c\/em\u003e the Gizzard once again dive head-long into the gonzo freak-beat frenzy that mark both their Heavenly debut \u003cem\u003eI'm In Your Mind Fuzz\u003c\/em\u003e, and their perpetually in motion, double-drummer propelled live show.\u003c\/p\u003e\n\u003cp\u003eRecorded by Wayne Gordon, Paul Maybury, Michael Badger and Stu Mackenzie at Daptone Studios in Brooklyn, in keeping with their indefatigable spirit the 9 track album may be the world's first infinitely looping LP. Each of the nine, complex, blistering tracks on \u003cem\u003eNonagon Infinity\u003c\/em\u003e seamlessly flows into the next, with the final song linking straight back into the top of the opener like a sonic mobius strip.\u003c\/p\u003e\n\u003cp\u003eBlack bio-vinyl version.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRobot Stop\u003c\/li\u003e\n\u003cli\u003eBig Fig Wasp\u003c\/li\u003e\n\u003cli\u003eGamma Knife\u003c\/li\u003e\n\u003cli\u003ePeople-Vultures\u003c\/li\u003e\n\u003cli\u003eMr. Beat\u003c\/li\u003e\n\u003cli\u003eEvil Death Roll\u003c\/li\u003e\n\u003cli\u003eInvisible Face\u003c\/li\u003e\n\u003cli\u003eWah Wah\u003c\/li\u003e\n\u003cli\u003eRoad Train\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Heavenly","offers":[{"title":"Default Title","offer_id":39286619668595,"sku":"HVNLP127X","price":28.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/king-gizzard-nonagon-infinity.jpg?v=1672926899"},{"product_id":"king-gizzard-lizard-wizard-paper-mache-dream-balloon-vinyl","title":"King Gizzard \u0026 The Lizard Wizard: Paper Mâché Dream Balloon (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/T41RI-98zqY?si=nG72O2fKHIPBDQ3r\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eHeavenly Recordings are proud to announce vinyl reissues of classic albums by the mighty King Gizzard \u0026amp; The Lizard Wizard.\u003c\/p\u003e\n\u003cp\u003eEach of these albums has been pressed on black bio-vinyl wax, an environmentally friendly alternative to traditional vinyl wax. The sleeves for each album are paper casing, using no glue or plastics, making them fully recyclable - should you one day decide to part with it. More King Gizzard vinyl reissues will follow in the coming months.\u003c\/p\u003e\n\u003cp\u003eThese classic Heavenly Recordings vinyl have been repressed ahead of the band embarking on their Rave \/ Orchestra run of UK shows this Autumn, including a special show at London’s Royal Albert Hall with The Covent Garden Sinfonia.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSense\u003c\/li\u003e\n\u003cli\u003eBone\u003c\/li\u003e\n\u003cli\u003eDirt\u003c\/li\u003e\n\u003cli\u003ePaper Mâché Dream Balloon\u003c\/li\u003e\n\u003cli\u003eTrapdoor\u003c\/li\u003e\n\u003cli\u003eCold Cadaver\u003c\/li\u003e\n\u003cli\u003eThe Bitter Boogie\u003c\/li\u003e\n\u003cli\u003eN.G.R.I. 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Generally considered as the band's best work, consisting of intensely rhythmic jazz-inspired drumming, improvised guitar and keyboard soloing, tape edits, and Suzuki's idiosyncratic vocalisms. 7 mighty tracks with the band at their kosmische psychedelic peak through seminal tracks such as 'Mushroom' and the side-long pieces 'Halleluwah' and 'Aumgan'.\u003c\/p\u003e\n\u003cp\u003eOf all the band’s oeuvre, \u003ci\u003eTago Mago\u003c\/i\u003e has been most often cited as an influence for a host of artists including John Lydon, Radiohead, The Fall, Ariel Pink, Fuck Buttons, Sonic Youth, Factory Floor and Queens Of The Stone Age. 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Spacemen 3's second album is a remarkable departure from the band's 1986 debut, \u003cem\u003eSound Of Confusion\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eReduced to a trio (guitarists \/ keyboardists Pete \"Sonic Boom\" Kember, Jason \"Spaceman\" Pierce, and bassist Pete Bassman) following the departure of the first album's drummer, Spacemen 3 makes an asset out of the newfound lack of percussion, giving \u003cem\u003eThe Perfect Prescription\u003c\/em\u003e a considerably less rock-oriented sound with much more open space in its varied, subtle arrangements.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTake Me To The Other Side\u003c\/li\u003e\n\u003cli\u003eWalkin' With Jesus\u003c\/li\u003e\n\u003cli\u003eOde To Street Hassle\u003c\/li\u003e\n\u003cli\u003eEcstasy Symphony\/Transparent Radiation (Flashback)\u003c\/li\u003e\n\u003cli\u003eFeel So Good\u003c\/li\u003e\n\u003cli\u003eThings'll Never Be The Same\u003c\/li\u003e\n\u003cli\u003eCome Down Easy\u003c\/li\u003e\n\u003cli\u003eCall The Doctor \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Fire Recordings","offers":[{"title":"Default Title","offer_id":29297165763,"sku":"FIRELP016X","price":25.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/spacemen-3-perfect-prescription.jpg?v=1656622437"},{"product_id":"king-gizzard-lizard-wizard-quarters-vinyl","title":"King Gizzard \u0026 The Lizard Wizard: Quarters! 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Four clicks and we're off, galloping through realms on a phase-shifted, hydra-headed, many-armed and muscular monster. This Australian beast of a band with a bear of a name and a thick herd of members delivers many things on this warped song-cycle: a skeleton of propulsive kraut-beat fleshed out with a liberal dose of citric sweetness; flutes and harmonicas bleeding through the mix often and welcomingly; an early-'80s heavy metal \/ fantasy vibe; and many lovely left turns into psychedelic mellowing, both groovily and sometimes with just a dash of DMT dread.\u003c\/p\u003e\n\u003cp\u003eThe whole thing is just gooey with tape manipulations, saturations and wah pedal, yet many tasty tidbits bubble to the top. 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The latter peaked at number 3 on the Billboard album chart and featured classics like \"Love Me Two Times\", \"When The Music’s Over\", and the title track \"Strange Days\".\u003c\/p\u003e\n\u003cp\u003eHaving a larger budget for \u003cem\u003eStrange Days\u003c\/em\u003e allowed the band to spend more time experimenting in the studio. They used an eight-track recorder for the first time, which resulted in some memorable overdubs like Krieger’s double-tracked guitar on \"When The Music’s Over\". 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Broken down into 3 distinct ‘chapters’, the track listing of the sprawling 21-track album, which is concerned with the downfall of man and the death of the planet. The album was recorded at Flightless HQ in East Brunswick, Melbourne Australia in early 2017 and produced by the band’s Stu Mackenzie.\u003c\/p\u003e\n\u003cp\u003eLit by thunderclaps and lightning, \u003cem\u003eMurder Of The Universe\u003c\/em\u003e inhabits a sonic landscape of death, decay, ossification, fossilisation, rebirth. It is a place occupied by wandering shape-shifting beasts, bleeding skies, pools of blood, great fires and mushroom clouds; a planet rent asunder by conflict. A disorientating experience, the album hinges on three distinct sections that rise from larval beds, and whose lyrics should be carved in stone, squeezed from moss, discovered in ancient runes. And all the while a passing cast of characters imbue the tale with both human and non-human emotions.\u003c\/p\u003e\n\u003cp\u003eSnippets of earlier recordings breakthrough collection \u003cem\u003eI’m In Your Mind Fuzz\u003c\/em\u003e and \u003cem\u003eNonagon Infinity\u003c\/em\u003e resurface throughout like ghostly shadow form to haunt their latest sound. In years to come King Gizzard and The Lizard Wizard will be judged not by their separate albums, but by a body of work where themes, melodies, motifs, riffs and ideas resurface and recur, each album peeling back a layer of the onion to glimpse at past and future alike.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA New World\u003c\/li\u003e\n\u003cli\u003eAltered Beast I\u003c\/li\u003e\n\u003cli\u003eAlter Me I\u003c\/li\u003e\n\u003cli\u003eAltered Beast II\u003c\/li\u003e\n\u003cli\u003eAlter Me II\u003c\/li\u003e\n\u003cli\u003eAltered Beast III\u003c\/li\u003e\n\u003cli\u003eAlter Me III\u003c\/li\u003e\n\u003cli\u003eAltered Beast IV\u003c\/li\u003e\n\u003cli\u003eLife \/ Death\u003c\/li\u003e\n\u003cli\u003eSome Context\u003c\/li\u003e\n\u003cli\u003eThe Reticent Raconteur\u003c\/li\u003e\n\u003cli\u003eThe Lord Of Lightning\u003c\/li\u003e\n\u003cli\u003eThe Balrog\u003c\/li\u003e\n\u003cli\u003eThe Floating Fire\u003c\/li\u003e\n\u003cli\u003eThe Acrid Corpse\u003c\/li\u003e\n\u003cli\u003eWelcome To An Altered Future\u003c\/li\u003e\n\u003cli\u003eDigital Black\u003c\/li\u003e\n\u003cli\u003eHan-Tyumi, The Confused Cyborg\u003c\/li\u003e\n\u003cli\u003eSoy-Protein Munt Machine\u003c\/li\u003e\n\u003cli\u003eVomit Coffin\u003c\/li\u003e\n\u003cli\u003eMurder of the Universe\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Heavenly","offers":[{"title":"Default Title","offer_id":3088006152216,"sku":"HVNLP140","price":27.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/king-gizzard-murder-universe.jpg?v=1704979981"},{"product_id":"king-gizzard-lizard-wizard-flying-microtonal-banana-vinyl","title":"King Gizzard \u0026 The Lizard Wizard: Flying Microtonal Banana - Explorations Into Microtonal Tuning Volume 1 (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uCDGXap6TiA?si=FBsnDRXPm_BY0mh-\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFlying Microtonal Banana\u003c\/em\u003e, released on Heavenly Recordings was recorded at the band’s own studio in Brunswick East, Melbourne, in the summer of 2016.\u003c\/p\u003e \n\u003cp\u003eShimmering, hypnotic and propulsive and powered along, as ever, by the metronomic beat of two drummers, \u003cem\u003eFlying Microtonal Banana\u003c\/em\u003e takes a subtle musical shift away from the frazzled freak-beat of its predecessor, \u003cem\u003eNonagon Infinity\u003c\/em\u003e which was released last year. 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This album is full of the psychedelic rock outfit's jazz and groove laden jams.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCrumbling Castle\u003c\/li\u003e\n\u003cli\u003ePolygondwanaland\u003c\/li\u003e\n\u003cli\u003eThe Castle In The Air\u003c\/li\u003e\n\u003cli\u003eDeserted Dunes Welcome Weary Feet\u003c\/li\u003e\n\u003cli\u003eInner Cell\u003c\/li\u003e\n\u003cli\u003eLoyalty\u003c\/li\u003e\n\u003cli\u003eHorology\u003c\/li\u003e\n\u003cli\u003eTetrachromacy\u003c\/li\u003e\n\u003cli\u003eSearching...\u003c\/li\u003e\n\u003cli\u003eThe Fourth Colour\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Heavenly","offers":[{"title":"Default Title","offer_id":3363028926488,"sku":"HVNLP153LP","price":26.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/king-gizzard-lizard-wizard-polygondwanaland.jpg?v=1664033033"},{"product_id":"altered-hours-on-my-tongue-ep-vinyl","title":"Altered Hours, The: On My Tongue (Vinyl EP)","description":"\u003cp\u003eAfter a year’s worth of touring in support of their debut album \u003cem\u003eIn Heat Not Sorry\u003c\/em\u003e, The Altered Hours headed for Dublin’s Bow Lane Studios, where over the course of three days they produced a fast-paced and grittier recording to their debut.\u003c\/p\u003e\n\u003cp\u003eClocking in at just 15 minutes, \u003cem\u003eOn My Tongue\u003c\/em\u003e is a window into the rock and roll heart of the group; a side they plan on delving into even deeper with their second album.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOn My Tongue\u003c\/li\u003e\n\u003cli\u003eOver The Void\u003c\/li\u003e\n\u003cli\u003eOpen Wide\u003c\/li\u003e\n\u003cli\u003eHey No Way\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Art For Blind","offers":[{"title":"Default Title","offer_id":3378604245016,"sku":"AFB58","price":12.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/altered-hours-on-my-tongue.jpg?v=1704987229"},{"product_id":"king-gizzard-lizard-wizard-gumboot-soup-vinyl","title":"King Gizzard \u0026 The Lizard Wizard: Gumboot Soup (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/KKYTmAgDWeA?si=2FPu-wtn0A2OvOV7\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eHeavenly Recordings are proud to announce vinyl reissues of classic albums by the mighty King Gizzard \u0026amp; The Lizard Wizard.\u003c\/p\u003e\n\u003cp\u003eEach of these albums has been pressed on black bio-vinyl wax, an environmentally friendly alternative to traditional vinyl wax. 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The self-titled 9-track album is released on Anton Newcombe’s A Recordings. It was recorded and produced at Anton’s Cobra Studio in Berlin. \u003c\/p\u003e\n\u003cp\u003eRecorded this time last year, the album features Sara Neidorf on drums, Heike Marie Radeker (LeVent) on bass, Hakon Adalsteinsson (BJM \/ Third Sound and Gunman \u0026amp; Holy Ghost) on guitar and Anton Newcombe on multiple instruments. 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The crossroads as a place where someone can be stuck, static in the face of the future, becomes instead an amorphous realm, where the remnants of the past and what is unknown meld together and come to an understanding. 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They initially took part in Melbourne's renowned Little Band scene, before morphing unexpectedly into a nine piece disco-funk big band in 1983. This final incarnation took nods from Chic, Talking Heads and the Sugarhill Gang, twisting them into an Australian punk-funk, proto-rap format uniquely their own. 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The origin story is a tale of five American GI’s who were stationed in Germany releasing some steam by playing covers of R\u0026amp;B and British Invasion rock to local crowds for fun, under the name the 5 Torquays. Once discharged from the army, they decided to remain in Germany and take their musical hobby to the next level, under the name the Monks.\u003c\/p\u003e \n\u003cp\u003eThe name was not random – it was part of their anti-war manifesto. They dressed in black cassocks with white rope nooses worn as ties (to represent the metaphorical noose we humans at large all wear), and they sported the traditional shaved head tonsure. They lived and breathed in these uniforms with the idea being “you’re a Monk, think like a Monk.”\u003c\/p\u003e\n\u003cp\u003eThe experimental ensemble got the attention of managers and the label Polydor, and in 1965 they recorded their debut album at Polydor Studios in Koln, Germany, with in-house Polydor producer Jimmy Bowien. With total creative freedom, which they likely would not have had in the UK or US, they channeled their rage at the senselessness of war through a filter of comedy, penning songs about murder, destruction, and dehumanization with a pep in their step and a smile on their face.\u003c\/p\u003e\n\u003cp\u003eThe album was released in March, 1966 through Polydor Records, and unsurprisingly, went nowhere for a while. Their subversive, feral, dissonant music was too avant-garde for the time. Their music and lyrics were uncensored, provocative, brash, and totally bonkers – unlike anything else happening in contemporary pop music in the flower power Swinging Sixties age. They were the anti-Beatles, turning beat music on its head.\u003c\/p\u003e \n\u003cp\u003eOf all the things written about this album, a highlight is by a user named Warthur on rateyourmusic.com: “The Monks’ \u003cem\u003eBlack Monk Time\u003c\/em\u003eresembles what might have happened if the Monkees had gone to Vietnam, had their “ee” shot off, and decided that this peace and love thing was an enormous crock of shit.” Besides the album’s radical lyrics, and abrasive, manic sound, a key album feature is what is arguably the invention of purposeful, manipulated guitar feedback: a happy accident discovered during rehearsal.\u003c\/p\u003e\n\u003cp\u003eThe iconic album is hailed as a hallmark in rock and roll history, thought of as the precursor to punk, krautrock, alternative rock, and metal. Its influence on countless rock icons to follow is immeasurable. What time is it? 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