{"title":"Pre-Orders - CD","description":"\u003cp\u003eBrowse upcoming CD releases available to pre-order at Freebird Records Dublin.\u003c\/p\u003e\n\u003cp\u003eDiscover new albums, deluxe CD editions, expanded reissues and box sets across indie, folk, jazz, experimental, Irish music and contemporary releases.\u003c\/p\u003e","products":[{"product_id":"bloc-party-anatomy-brief-romance-cd","title":"Pre-Order 11\/09\/26 - Bloc Party: Anatomy Of A Brief Romance (CD)","description":"\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (11\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBloc Party’s place in hearts \u0026amp; minds was never up for debate, but the past four years have reaffirmed that position and simultaneously ignited the a new passion with fans young \u0026amp; old. From touring the world with their friends Paramore to headlining a sold out Crystal Palace Park, performing songs from their seminal debut \u003cem\u003eSilent Alarm\u003c\/em\u003e through to the constant reinvention of their more recent work, before returning to Reading \u0026amp; Leeds last year to enormous crowds.\u003c\/p\u003e\n\u003cp\u003eNow, propelled by this renewed energy and buoyed by their biggest year of touring in two decades, Bloc Party are ready to release their next album; a narrative work examining a year-long relationship in intimate and often brutal detail, realised in the studio with the legendary Trevor Horn.\u003c\/p\u003e\n\u003cp\u003eKele, Russell, Louise \u0026amp; Harry continue to stake their claim on people’s affections with a co-headline UK \u0026amp; Europe arena tour with Interpol this autumn as well as a run of massive outdoor shows in the US with Muse.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e22.01.22\u003c\/li\u003e\n\u003cli\u003eComing On Strong\u003c\/li\u003e\n\u003cli\u003eLove Bombs\u003c\/li\u003e\n\u003cli\u003ePigwig\u003c\/li\u003e\n\u003cli\u003eLagoon Blue\u003c\/li\u003e\n\u003cli\u003eMuscleworks\u003c\/li\u003e\n\u003cli\u003eClark Kent\u003c\/li\u003e\n\u003cli\u003eWorst Birthday Ever\u003c\/li\u003e\n\u003cli\u003eNot Your Problem\u003c\/li\u003e\n\u003cli\u003eNow We Can't Be Friends\u003c\/li\u003e\n\u003cli\u003eRotherhithe\u003c\/li\u003e\n\u003cli\u003eStories\u003c\/li\u003e\n\u003cli\u003eMoving On\u003c\/li\u003e\n\u003cli\u003eEulogy\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Contagious Ltd.","offers":[{"title":"Default Title","offer_id":54135296295258,"sku":"CON23CD","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/bloc-party-anatomy-brief-romance.jpg?v=1778476413"},{"product_id":"thee-sinseers-love-stories-cd","title":"Pre-Order 18\/09\/26 - Thee Sinseers: Love Stories (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W3H78PGBYPM?si=Pw1r-d5jKsJ1Zp4M\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (18\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCatching up with Thee Sinseers ahead of their new Colemine Records release, \u003cem\u003eLove Stories\u003c\/em\u003e, one thing becomes abundantly clear: this is not an LP that explores a neat and tidy love story. It isn't interested in the happy ending. It's interested in everything that comes before it, after it, and in spite of it.\u003c\/p\u003e\n\u003cp\u003eOn this LP, the band leaned into earthier instrumentation — standup bass, guitars run through amplifiers for a warmer sixties-adjacent tone — pulling inspiration from wherever it presented itself, even the most unlikely of places. It's that cross-genre thinking that Quiñones sees as the record's defining quality. \"It didn't feel like we were making soul music at any point,\" he says. \"It felt like we were making our music.\"\u003c\/p\u003e\n\u003cp\u003eThe band sought to capture something more honest than a highlight reel — showcasing the highs and lows of romantic relationships while expanding the frame to include the familial, the complicated, and the unresolved. The band's parents appear in the album art, their own love stories folded into the record's visual identity, some of those stories still standing, others not.\u003c\/p\u003e\n\u003cp\u003eAs Manjarrez puts it: \"Every single song title directs you down a different road of love — whether you win or lose.\" Quiñones wanted listeners to sit with that ambiguity. \"Love is never-ending,\" he says. \"It stretches beyond lifetimes. I want people to still be confused — I want it to be left like an open book.\"\u003c\/p\u003e\n\u003cp\u003eYet one thing remains constant throughout: Thee Sinseers' commitment to where they come from. That East LA identity doesn't announce itself — it simply exists, woven into the fabric of the music without being worn as a badge. There's no performance of heartbreak here, just the real thing. Like an unsent love letter finally delivered, \u003cem\u003eLove Stories\u003c\/em\u003e carries the weight of everything that was felt but never quite said.\u003c\/p\u003e\n\u003cp\u003eThe universality of that feeling is perhaps best captured in Quiñones's own words: \"It's never too late to change. It's never too late to tell a person you love that you love them.\"\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOh Love\u003c\/li\u003e\n\u003cli\u003eDid Ya Know?\u003c\/li\u003e\n\u003cli\u003eLet’s Fall In Love (Again)\u003c\/li\u003e\n\u003cli\u003eThere She Goes\u003c\/li\u003e\n\u003cli\u003eLet ‘Em Shine\u003c\/li\u003e\n\u003cli\u003eHow Lonely Is Lonely\u003c\/li\u003e\n\u003cli\u003eWhat Can I Do?\u003c\/li\u003e\n\u003cli\u003eCry Baby\u003c\/li\u003e\n\u003cli\u003eMinute By Minute\u003c\/li\u003e\n\u003cli\u003eShe Was In Love\u003c\/li\u003e\n\u003cli\u003eWhile You Were Sleeping\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Colemine Records","offers":[{"title":"Default Title","offer_id":54155532075354,"sku":"CLMN12074CD","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/thee-sinseers-love-stories_fb067192-59f0-4280-a59b-eeaf292ea44b.jpg?v=1778828514"},{"product_id":"gurriers-nobodys-coming-to-save-you-cd","title":"Pre-Order 25\/09\/26 - Gurriers: Nobody's Coming To Save You (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NvEvTaZaXLI?si=iRGnxpEYgXNZg10k\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (22\/05\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Dublin’s Gurriers released 2024 debut album \u003cem\u003eCome And See\u003c\/em\u003e, they underlined their status as a visceral, unignorable new voice in the thriving Irish punk scene. Since then they have carved out a steadily escalating reputation for bone-rattling, mosh-ready live shows.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCome And See\u003c\/em\u003e pushed their lyrical chops and curious, socially-exploratory outlook to the fore too, platforming songs about digital angst and IRL terror in the modern world.\u003c\/p\u003e\n\u003cp\u003eThe quintet’s superb second album might be called \u003cem\u003eNobody’s Coming To Save You\u003c\/em\u003e, then, but it could easily be subtitled ‘harder, better, faster, stronger’. Recorded at Donegal’s Attica Studios and Holy Mountain Studios in London with producers Mark Bowen of Idles and Loren Humphrey (Geese, Cameron Winter), alongside engineer Chris Fullard (Idles, Sunn O))) and world-renowned mixer John Congleton (St. Vincent, Modest Mouse, Swans), the crack team that readily assembled for LP2 speaks volumes of its quality from the off. This is Gurriers taking all the musical chemistry and smart, interrogational worldview that made them great in the first place, and souping it up to the next level.\u003c\/p\u003e\n\u003cp\u003eFrom the rattling tension of the title track’s opening moments that then give way to a cacophonous, cathartic climax, \u003cem\u003eNobody’s Coming To Save You\u003c\/em\u003e takes this spirit of the sweaty basement venue and turns it stadium-sized. It’s not just loud, but dynamic. ‘Shades’ takes shards of industrial, angular guitar and sends them into a gnarly hardcore chorus, while ‘Drones’ is a true pressure-cranking slow build with a drop destined to decimate every mosh pit they travel through.\u003c\/p\u003e\n\u003cp\u003eOn ‘Pins’, they explore a looser, more melodic swagger that comes on like a grunge \/ trip-hop hybrid, whereas ‘Party Lines’ is pure insatiable dance-punk hedonism. If the band’s MO was to find a way to make the record “slap you in the face”, then consider yourself smacked.\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eNobody’s Coming To Save You\u003c\/em\u003e, Gurriers have sent their ambitions sky-high and come out swinging.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNobody's Coming To Save You\u003c\/li\u003e\n\u003cli\u003eParty Lines\u003c\/li\u003e\n\u003cli\u003eShades\u003c\/li\u003e\n\u003cli\u003ePins\u003c\/li\u003e\n\u003cli\u003eToday Is Not Enough\u003c\/li\u003e\n\u003cli\u003eDrones\u003c\/li\u003e\n\u003cli\u003eNothing Happens Twice\u003c\/li\u003e\n\u003cli\u003eWaiting For Fisher\u003c\/li\u003e\n\u003cli\u003eI Wish I Was\u003c\/li\u003e\n\u003cli\u003eCrybaby\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Play It Again Sam","offers":[{"title":"Default Title","offer_id":54174825120090,"sku":"PIASR1632CD","price":11.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/gurriers-nobodys-coming-save-you.jpg?v=1779270186"},{"product_id":"a-certain-ratio-the-joy-of-sextet-cd","title":"Pre-Order 28\/08\/26 - A Certain Ratio: The Joy Of Sextet (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PO-9K-zcm0M?si=61ERCic8CTGUGcQr\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (28\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Certain Ratio (ACR) revisit one of their most influential works, \u003cem\u003eSextet\u003c\/em\u003e, with the new, accompanying companion album \u003cem\u003eThe Joy of Sextet\u003c\/em\u003e out via Mute.\u003c\/p\u003e\n\u003cp\u003eOffering a fresh perspective on ACR’s enduring legacy, it celebrates the 45th anniversary since its recording, featuring a new mix of the original \u003cem\u003eSextet\u003c\/em\u003e album session tapes by longtime collaborator Andy Meecham (The Emperor Machine). The tracklist includes beloved songs such as ‘Lucinda’ and ‘Knife Slits Water’.\u003c\/p\u003e\n\u003cp\u003eTake up your favourite position in front of the speaker and enjoy this fresh take on the classic album.\u003c\/p\u003e\n\u003cp\u003eAvailable on The Joy of Curacao Coloured Vinyl and CD.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLucinda (EM)\u003c\/li\u003e\n\u003cli\u003eCrystal (EM Night Version)\u003c\/li\u003e\n\u003cli\u003eGum (EM)\u003c\/li\u003e\n\u003cli\u003eKnife Slits Water (EM)\u003c\/li\u003e\n\u003cli\u003eTumba Rhumba (EM)\u003c\/li\u003e\n\u003cli\u003eDay One (EM)\u003c\/li\u003e\n\u003cli\u003eBelow the Canal (EM)\u003c\/li\u003e\n\u003cli\u003eWaterline (EM Dub)\u003c\/li\u003e\n\u003cli\u003eKnife Slits Water (EM 12” Version)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":54201419465050,"sku":"CDSTUMM265","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/a-certain-ratio-joy-sextet.jpg?v=1779799568"},{"product_id":"a-certain-ratio-force-majeure-cd","title":"Pre-Order 28\/08\/26 - A Certain Ratio: Force Majeure (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kDyLmf-dBds?si=dS4ruyHF_Ym_Dh4v\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (28\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA Certain Ratio (ACR) revisit one of their most influential works, \u003cem\u003eForce\u003c\/em\u003e, with the new, accompanying companion album \u003cem\u003eForce Majeure\u003c\/em\u003e, out via Mute.\u003c\/p\u003e\n\u003cp\u003eOffering a fresh perspective on ACR’s enduring legacy, it celebrates the 40th anniversary since its release. \u003cem\u003eForce Majeure\u003c\/em\u003e is a deep dive, featuring unreleased original versions of tracks from the album, which differs from the 1986 release, including the title track ‘Force’, which never appeared on the original album.\u003c\/p\u003e\n\u003cp\u003eAvailable on ‘Unforced’ Purple Vinyl and CD.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOnly Together (FM)\u003c\/li\u003e\n\u003cli\u003eBootsy (FM)\u003c\/li\u003e\n\u003cli\u003eNaked and White (FM)\u003c\/li\u003e\n\u003cli\u003eAnd Then She Smiles (FM)\u003c\/li\u003e\n\u003cli\u003eTake Me Down (FM)\u003c\/li\u003e\n\u003cli\u003eAnthem (FM)\u003c\/li\u003e\n\u003cli\u003eThe Runner (FM)\u003c\/li\u003e\n\u003cli\u003eForce (FM)\u003c\/li\u003e\n\u003cli\u003eNostromo A Go Go (FM)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":54201452233050,"sku":"CDSTUMM266","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/a-certain-ratio-force-majeure.jpg?v=1779800167"},{"product_id":"haruomi-hosono-yours-sincerely-cd","title":"Pre-Order 11\/09\/26 - Hosono, Haruomi: Yours Sincerely (CD)","description":"\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (11\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHaroumi Hosono, the pioneering Japanese musician, producer, composer, and founding member of Yellow Magic Orchestra and Happy End, has “found his voice in a late career renaissance,\" writes The Wire. His five-decade legacy continues to grow and attract new fans, and has been cited by an acclaimed list of artists, including Mac DeMarco, Cameron Winter, Ginger Root, Vampire Weekend, and Harry Styles.\u003c\/p\u003e\n\u003cp\u003eShaped by mid-century American music, Hosono's work now reverberates back through a new generation of Western artists — a remarkable circular exchange.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYours Sincerely\u003c\/em\u003e, his 23rd studio album and first collection of new music in over seven years, finds Hosono ever-pushing his exploratory songcraft: “I am now 78 years old, but from here on, I feel a growing curiosity toward the unknown music that my new self will create, while also embracing the music of my former self—as if I now carry two musical worlds within me.”\u003c\/p\u003e\n\u003cp\u003eAcross arrangements that span tender psych-folk and bubbling avant pop, Hosono contemplates the concept of a maternal force that envelops the Earth, “humanity’s understanding of the unconditional love possessed by those who give us life,” he says. 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Written while living in London, the Copenhagen-based songwriter and producer spent weeks cutting up copies of Metro — one of the city’s free newspapers — to form the lyrical foundation of the songs. In makeshift studios, he began bringing these ideas to life.\u003c\/p\u003e\n\u003cp\u003eWhere GB’s debut record was shrouded in a downtempo haze, \u003cem\u003eHerzsprung\u003c\/em\u003e creates a distinct sound that pushes outward: something more melodic, more full-throated, and more assured. The album draws together a wide spectrum of influences; from the groove-driven fusion jazz of the 1970s to Japanese noise-rock psychedelia, anthemic grunge, and outsider pop.\u003c\/p\u003e\n\u003cp\u003eThere are traces of the alt-pop qualities that GB shares with his Copenhagen peers, but you hear London’s influence too, an urge to stretch rock tradition and break with form.\u003c\/p\u003e\n\u003cp\u003eAfter finding himself improbably cast in a viral Jaguar ad in 2024, he used the money to book out a studio villa in the Swedish wilderness, joined by a band of trusted musicians. Over the course of a week, the songs — which had previously existed as memos and notebook scribbles — took full shape through live performance and collective instinct.\u003c\/p\u003e\n\u003cp\u003eTracked largely live to 24-track tape, the result is a record that feels immediate and playful in its execution. It captures the chemistry of an uncompromising band brimming with ideas and welcoming spontaneity. \u003cem\u003eHerzsprung\u003c\/em\u003e sifts through the past and present with urgency, cutting it open so that the future leaks out.\u003c\/p\u003e\n\u003cp\u003eOn the record's climax, “Shit River”, GB is backed by a full choir as he screams for \"someplace beaming with more colors”. “..and everything in between collapsed, rushing floods of insignificance”.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAdrenaline\u003c\/li\u003e\n\u003cli\u003eIf Only You’re Still Around\u003c\/li\u003e\n\u003cli\u003eThe Next Day\u003c\/li\u003e\n\u003cli\u003eStarsound\u003c\/li\u003e\n\u003cli\u003eBelly\u003c\/li\u003e\n\u003cli\u003ePipe Dream (ft. Alba Akvama)\u003c\/li\u003e\n\u003cli\u003eEra\u003c\/li\u003e\n\u003cli\u003eSmall Gods\u003c\/li\u003e\n\u003cli\u003eShit River\u003c\/li\u003e\n\u003cli\u003eKatie Magic True\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"AD93","offers":[{"title":"Default Title","offer_id":54201527861594,"sku":"WHYT115CD","price":15.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/gb-herzprung.jpg?v=1779801831"},{"product_id":"nofx-40-years-of-fuckin-up-ost-cd","title":"Pre-Order 28\/08\/26 - NOFX: 40 Years Of Fuckin' Up OST (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-c6i_IFS5GE?si=yYjfUoh8xcUePfvf\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (28\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor four decades, NOFX have been one of punk’s loudest, messiest, and most stubbornly independent bands.\u003c\/p\u003e\n\u003cp\u003eNow they’re bringing that entire history, every bad decision, great song, and unbelievable story, to theatres with 40 Years Of Fuckin' Up, a raw, unfiltered documentary that plays the way it should: loud, communal, and on the big screen at your local movie theater.\u003c\/p\u003e\n\u003cp\u003eThis is not a sanitised rock doc. 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The drugs, the drinking, the on-stage disasters, the off-stage disasters, and yes, at least one story involving a truly unfortunate medical situation.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e40 Years Of Fuckin' Up\u003c\/li\u003e\n\u003cli\u003eDrugs Are Good\u003c\/li\u003e\n\u003cli\u003eLazy\u003c\/li\u003e\n\u003cli\u003eOn the Road (recorded in Omaha in 1986)\u003c\/li\u003e\n\u003cli\u003eWe’re Bros\u003c\/li\u003e\n\u003cli\u003eSeparation of Church and Skate\u003c\/li\u003e\n\u003cli\u003eLa Bamba\u003c\/li\u003e\n\u003cli\u003eLinoleum (live)\u003c\/li\u003e\n\u003cli\u003eSuits and Ladders\u003c\/li\u003e\n\u003cli\u003eSecret Society (demo)\u003c\/li\u003e\n\u003cli\u003eWe Called It America\u003c\/li\u003e\n\u003cli\u003ePunk Rock Cliché (acoustic)\u003c\/li\u003e\n\u003cli\u003eFermented and Flailing\u003c\/li\u003e\n\u003cli\u003eNOFX (live 10\/4\/24)\u003c\/li\u003e\n\u003cli\u003eWe Did It Our Way (live 10\/6\/24)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Fat Wreck Chords","offers":[{"title":"Default Title","offer_id":54201836732762,"sku":"FAT323-2","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/nofx-40-years-fuckin-up-ost.jpg?v=1779808878"},{"product_id":"yhwh-nailgun-magazine-cd","title":"Pre-Order 21\/08\/26 - YHWH Nailgun: Magazine (CD)","description":"\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (21\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased in New York, YHWH Nailgun have built a reputation on music that is visceral, immediate, and impossible to neatly categorise. What began in 2020 as the raw collision between vocalist Zack Borzone and drummer Sam Pickard has since evolved into a full four-piece alongside guitarist\/producer Saguiv Rosenstock and synth player Jack Tobias. Their new album \u003cem\u003eMagazine\u003c\/em\u003e further sharpens the band’s uncompromising vision.\u003c\/p\u003e\n\u003cp\u003eAcross 10 tracks that unfold in just 11 minutes, \u003cem\u003eMagazine\u003c\/em\u003e pushes YHWH Nailgun’s sound into even more skeletal and immediate territory. Opening with the slow fade-in of ‘Ghost of Love’, the record feels less like a conventional album than a fragment pulled from an endless transmission. The band balances chaos with precision: frantic guitars, bruising percussion, air-raid synths, and Borzone’s now-unmasked vocals, delivered with a newfound clarity that brings his surreal, religiously charged imagery into sharper focus.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMagazine\u003c\/em\u003e was previewed last month at C2C Festival NYC with the band performing the record in its 11-minute entirety before abruptly exiting the stage. Known for their dynamic and volatile live shows, the performance generated equal parts confusion and excitement.\u003c\/p\u003e\n\u003cp\u003eWhile their acclaimed 2025 debut \u003cem\u003e45 Pounds\u003c\/em\u003e introduced the band’s feral intensity, \u003cem\u003eMagazine\u003c\/em\u003e strips away abstraction in favour of something even more direct. Pickard’s drums are leaner, Rosenstock’s production more exposed, and Borzone’s lyrics — filled with visions of blood, serpents, God, and the Devil — take centre stage. Despite the extremity of their sound, the band approaches their music with instinct over self-consciousness, building what they describe as an autonomous creative world unconcerned with trends or reactionary impulses.\u003c\/p\u003e\n\u003cp\u003eRooted in improvisation and the pursuit of “quick bursts” of inspiration, YHWH Nailgun continues to refine a sound that feels both confrontational and strangely transcendent - music that resists definition while fully committing to its own singular language.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGhost of Love\u003c\/li\u003e\n\u003cli\u003eStillness Blues\u003c\/li\u003e\n\u003cli\u003eInnocent Sigh\u003c\/li\u003e\n\u003cli\u003eHips on a Wheel\u003c\/li\u003e\n\u003cli\u003eBallerina\u003c\/li\u003e\n\u003cli\u003eGive Blood\u003c\/li\u003e\n\u003cli\u003eMagazine\u003c\/li\u003e\n\u003cli\u003eSewer Tree\u003c\/li\u003e\n\u003cli\u003eBurns\u003c\/li\u003e\n\u003cli\u003eTo The Devil\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"4ad","offers":[{"title":"Default Title","offer_id":54274227372378,"sku":"4AD0937CD","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/yhwh-nailgun-magazine.jpg?v=1780989561"},{"product_id":"bites-the-bites-cd","title":"Pre-Order 18\/09\/26 - Bites, The: The Bites (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VFjiKmtof-0?si=-lEtnESI27j80W5f\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (18\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor The Bites, the past few years have seemed like a lifetime. After their debut album cracked the Top 40 on Billboard’s Mainstream Rock Airplay chart, paving the way for multiple world tours and introducing them to legions of music fans longing to celebrate the rich and colourful tapestry that is rock and roll, the results have been, quite literally, life changing.\u003c\/p\u003e\n\u003cp\u003e“When we were only playing shows on the Sunset Strip, it was like we were looking at the world through a paper towel roll,” says drummer Mark Hylander, referencing the band’s Los Angeles origin story. “It seems like we’ve lived about a hundred different lifetimes since we wrote and recorded that first album. It’s like we are looking at the world with both eyes now, not just one. The blinders are off and we can see all around us.”\u003c\/p\u003e\n\u003cp\u003eTheir forthcoming second release – aptly titled \u003cem\u003eThe Bites\u003c\/em\u003e – demonstrates their evolution. It is a bold step into the beyond, and is self-titled because it is exactly how the band want to be seen and heard in 2026. Look no further than lead single “Aftertaste”, a modern rock explosion that flips the thrill of the chase upside down and leaves us turned around. It’s something we’ve all experienced.\u003c\/p\u003e\n\u003cp\u003eThe bright lights of home have been dimmed, and The Bites now speak a universal language. The writing process was a journey of discovery - nothing was off limits, and no inspiration was left unturned. If their debut album was about the squeeze, The Bites will leave us all enjoying the juice.\u003c\/p\u003e\n\u003cp\u003e“This is who we are,” says vocalist Jordan Tyler. “We can’t wait for people to join us on the ride!”\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhenever You're Ready\u003c\/li\u003e\n\u003cli\u003eHold On\u003c\/li\u003e\n\u003cli\u003eLips\u003c\/li\u003e\n\u003cli\u003eDancing with the Devil\u003c\/li\u003e\n\u003cli\u003ePretty Pistol\u003c\/li\u003e\n\u003cli\u003eAftertaste\u003c\/li\u003e\n\u003cli\u003eShake Your Thing\u003c\/li\u003e\n\u003cli\u003eCarry You Home\u003c\/li\u003e\n\u003cli\u003ePlaying the Fool\u003c\/li\u003e\n\u003cli\u003eWaiting\u003c\/li\u003e\n\u003cli\u003eTattoo?\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Earache","offers":[{"title":"Default Title","offer_id":54275164832090,"sku":"MOSH734CD","price":11.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/bites-self-titled.jpg?v=1780995082"},{"product_id":"elanor-moss-knife-needle-cd","title":"Pre-Order 21\/08\/26 - Moss, Elanor: The Knife, The Needle (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/BD7hIB1ViDw?si=D40G9VX2cD-jvWtG\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (21\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRecording her debut full-length album \u003cem\u003eThe Knife, The Needle\u003c\/em\u003e was a healing process for Elanor Moss, who found herself adrift after touring on two EPs, \u003cem\u003eCitrus\u003c\/em\u003e (2022) and \u003cem\u003eCosmic\u003c\/em\u003e (2023). That period saw Moss shifting her sound, experimenting with new genres and pitching her lyrics toward bombast. “Nothing felt right,” she recalls, “so I took the pressure off myself and tried to calibrate my relationship with songwriting and music.”\u003c\/p\u003e\n\u003cp\u003eThe three years she spent writing \u003cem\u003eThe Knife, The Needle\u003c\/em\u003e ultimately found her returning to her roots in and love for, as she puts it, “the music that made me really feel something; the music I wanted to be writing.” “These were folk and contemporary folk songwriters,” she continues. “I spent a lot of time playing the guitar. I borrowed a four-track tape machine and demoed songs on it. I also started therapy again, where I was beginning to unpack my understanding of where I come from, how my family history plays out in the things I do and how I love and receive love. Out of the slowness and quiet of those rhythms came these songs.”\u003c\/p\u003e\n\u003cp\u003e“Sarah Waiting in the Car” sets the tone, with Moss’ delicate, contemplative guitar playing and the brushstrokes of Matthew Herd’s ensemble — Marcus Hamblett (horn), Jool Owen (horn), Andrew Stuart-Buttle (Violin), Reid Jenkins (Violin), Linus Fenton (double bass), and Herd (saxophone) — embellishing her lyrics with heart-rending gravitas as the narrative spilling out of Moss turns from a meeting at the bar to the aftermath of an abusive relationship, gentleness turning into violence.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Knife, The Needle\u003c\/em\u003e concerns itself with the way relationships are transformed, complicated, and troubled by love. In “Fixer” Moss grapples with the fact that love is as capable of harming someone as it is healing them. 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Ash Walker)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Acid Jazz","offers":[{"title":"Default Title","offer_id":54276068344154,"sku":"AJXCD830","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/soul-revivers-holding-it-down.jpg?v=1781003301"},{"product_id":"sarah-davachi-the-will-of-tongues-2xcd","title":"Pre-Order 28\/08\/26 - Davachi, Sarah: The Will Of Tongues (2xCD)","description":"\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (28\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Will Of Tongues\u003c\/em\u003e is the new studio album by Sarah Davachi, and it is certainly her most ambitious to date, spanning over two hours, available as a triple vinyl set, or double compact disc in hardback book style packaging.\u003c\/p\u003e\n\u003cp\u003eThe album features five new works for historical pipe organs, three choral pieces, a suite of \"interludes\" for various microtonal ensembles, and a longform chamber piece for strings, organ, and tape. 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This collection of music is not easy listening, and it's not meant to be – when long durations and a reduction of materials are at play, the ear and mind are forced to confront sound itself and the significant mental spaces that it continually gives rise to.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Will Of Tongues\u003c\/em\u003e is thus a celebration of iterative listening and of extreme confrontation, of intimate aural experience and its vast psychic horizons.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eInterlude I: Polyphonic, for Strings\u003c\/li\u003e\n\u003cli\u003eCanto Duo\u003c\/li\u003e\n\u003cli\u003eSongs of the Smile's Fig: I. Hours\u003c\/li\u003e\n\u003cli\u003eInterlude V: Harmonic, for Woodwinds\u003c\/li\u003e\n\u003cli\u003eThe Second Tuning\u003c\/li\u003e\n\u003cli\u003eThe Rose Dialogues, Part I\u003c\/li\u003e\n\u003cli\u003eThe Rose Dialogues, Part II\u003c\/li\u003e\n\u003cli\u003eSongs of the Smile's Fig: II. 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Deeply personal and emotionally expansive, the album reflects on the lasting bonds between musicians, family and friends, and the way certain sounds, places and memories can suddenly bring someone vividly back into focus.\u003c\/p\u003e\n\u003cp\u003eRecorded at Stable Sound Studios earlier this year, Hersh is joined by longtime collaborators Rob Ahlers (50FOOTWAVE) on drums and cellist Pete Harvey (Throwing Muses). The result is a stark yet warm collection of songs that balances fragility with force, intimacy with tension.\u003c\/p\u003e\n\u003cp\u003eRooted in Providence, Rhode Island, \u003cem\u003eSugar On Blackstone\u003c\/em\u003e draws heavily from Hersh’s reflections on home, displacement and memory. Revisiting the streets and parks of her childhood, the record traces the emotional weight of returning to familiar places shaped by grief, survival and resilience. The album’s title references Blackstone Boulevard and Hope Street in Providence, locations that become symbolic throughout the record of both loss and endurance.\u003c\/p\u003e\n\u003cp\u003eWritten in the aftermath of personal tragedy and against the backdrop of constant travel, wildfires and restless movement across America, the album carries an unsettled atmosphere throughout. Yet within that darkness, Hersh finds moments of tenderness and connection.\u003c\/p\u003e\n\u003cp\u003eA poignant and expansive record that radiates strength in vulnerability, \u003cem\u003eSugar On Blackstone\u003c\/em\u003e stands as another essential entry in Kristin Hersh’s acclaimed and ever-evolving body of work.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDark Eyed Junco\u003c\/li\u003e\n\u003cli\u003eMoths\u003c\/li\u003e\n\u003cli\u003eTicking\u003c\/li\u003e\n\u003cli\u003eSilver Beach\u003c\/li\u003e\n\u003cli\u003ePink Nightgowns\u003c\/li\u003e\n\u003cli\u003e101 Run\u003c\/li\u003e\n\u003cli\u003eSundial\u003c\/li\u003e\n\u003cli\u003eSnow White Lies\u003c\/li\u003e\n\u003cli\u003eDom In Orange\u003c\/li\u003e\n\u003cli\u003e'72 Stingray\u003c\/li\u003e\n\u003cli\u003eSamson\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":54276321870170,"sku":"FIRECD836","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/kristin-hersh-sugar-blackstone.jpg?v=1781006156"},{"product_id":"bonobo-distance-in-static-cd","title":"Pre-Order 11\/09\/26 - Bonobo: Distance In Static (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/asYhvTfUaXI?si=zoj3gMRY_fIqdq4W\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (11\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBonobo, AKA Simon Green, returns with his new album \u003cem\u003eDistance In Static\u003c\/em\u003e — evoking fragments of memory and meaning echoed across more than two decades at the forefront of electronic music.\u003c\/p\u003e\n\u003cp\u003eThe acclaimed British musician, producer and DJ — known for his richly textured, globally influenced sound palette — continues his long standing tradition of inspired collaborations, featuring Joy Crookes, Ichiko Aoba, Nilüfer Yanya, Arooj Aftab, Nicole Miglis (Hundred Waters) and Aanya Martin.\u003c\/p\u003e\n\u003cp\u003eLyrics appear in English, Urdu and Japanese, while historic Iranian samples and guzheng recordings sit alongside Green’s own meticulously processed instrumentation, woven together across recording sessions spanning LA, Tokyo, London and beyond with a significant portion of the record completed at Neil Young’s legendary Broken Arrow Ranch in California.\u003c\/p\u003e\n\u003cp\u003eIt’s a record that represents the culmination of over 25 years as an artist and DJ. A reminder, if ever one was needed, of Bonobo’s enduring influence — newly felt by a generation rediscovering ’90s genres through a contemporary lens. That duality — introspective composer and club-focused selector — sits at the heart of a body of work full of depth, detail and emotion: both beautiful and driving; as ambitious and forward-thinking as ever.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDawn\u003c\/li\u003e\n\u003cli\u003eCycles\u003c\/li\u003e\n\u003cli\u003eFire on the Water (feat. Arooj Aftab)\u003c\/li\u003e\n\u003cli\u003eDrift\u003c\/li\u003e\n\u003cli\u003eTalk to Me (feat. Nicole Miglis)\u003c\/li\u003e\n\u003cli\u003eUncasually\u003c\/li\u003e\n\u003cli\u003eAlways on Your Side (feat. Joy Crookes)\u003c\/li\u003e\n\u003cli\u003eYouth’s Fountain (feat. Nilüfer Yanya)\u003c\/li\u003e\n\u003cli\u003eShokoufeh\u003c\/li\u003e\n\u003cli\u003eCan’t You See (feat. 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Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground.\u003c\/p\u003e\n\u003cp\u003eRay B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about \u003cem\u003eWho Loves The Sun\u003c\/em\u003e feels synthetic.\u003c\/p\u003e\n\u003cp\u003eWhereas their debut album \u003cem\u003eGod’s Country\u003c\/em\u003e depicted a particularly American flavour of dread, and the follow up \u003cem\u003eCool World\u003c\/em\u003e showed a cruel planet defined by global systemic violence, \u003cem\u003eWho Loves The Sun\u003c\/em\u003e peels the skin back on how collective indifference defines this new century. 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It is an invitation to accept and consciously agree to a more minimal lifestyle for the sake of creative expression and freedom, and to never need to compromise your values for the tempting illusion of success.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIt Always Comes to Me\u003c\/li\u003e\n\u003cli\u003eJim Carol New Year\u003c\/li\u003e\n\u003cli\u003eAnything\u003c\/li\u003e\n\u003cli\u003eGet Back Up\u003c\/li\u003e\n\u003cli\u003eOther Man's Dream\u003c\/li\u003e\n\u003cli\u003eGuess\u003c\/li\u003e\n\u003cli\u003eLifeWithout\u003c\/li\u003e\n\u003cli\u003eMissing History\u003c\/li\u003e\n\u003cli\u003ePanopticon Calls\u003c\/li\u003e\n\u003cli\u003ePicture When\u003c\/li\u003e\n\u003cli\u003eSonny Boy\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Sacred Bones","offers":[{"title":"Default Title","offer_id":54277243142490,"sku":"SBR383CD","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/black-marble-life-small-spaces.jpg?v=1781012886"},{"product_id":"ezra-collective-here-because-of-hope-cd","title":"Pre-Order 11\/09\/26 - Ezra Collective: Here Because Of Hope (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3ziixar3gqI?si=YCAnkrFTDn8-iNpg\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (11\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEzra Collective's \u003cem\u003eHere Because Of Hope\u003c\/em\u003e is the most ambitious and personal record of their career - conceived as a body of work split into three spiritual and geographical movements, the album traces the movement of Black people across continents and decades, from the music of Africa to the rhythms of the Caribbean, and home to the streets of London.\u003c\/p\u003e\n\u003cp\u003eFormed in the youth clubs of London, Mercury Prize and BRIT Award-winners Femi Koleoso, TJ Koleoso, Joe Armon-Jones, James Mollison and Ife Ogunjobi have now spent over a decade making jazz joyful, urgent and undeniable. 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His third album, \u003cem\u003eStories They Don’t Teach You At School\u003c\/em\u003e, serves as an alternative form of education, delivered through a visceral blend of factual soundbites and raw emotion, loops and samples, guitars and bass. The lyrics resonate with core values of compassion, resilience, and community — themes rarely explored within a classroom setting or seen in today's fragmented society.\u003c\/p\u003e\n\u003cp\u003eBy prioritising conviction over commercial success, the Dublin artist's outspokenness may invite controversy. Yet beneath the fervor lies a profound desire for positive social change at home in Ireland, and beyond.\u003c\/p\u003e\n\u003cp\u003eMeryl Streek returned to Darkland Studios in Dublin to fine-tune the recordings previously made in a shed at the back of his ma's garden. Here he continued the genre-blurring nature of his earlier work, enticing listeners toward dissonant landscapes and hypnotic rhythms. Gentle piano tones collide with abrasive synths, creating a striking tension between beauty and noise. Streek tempers his rage when appropriate, integrating atmospheric textures and pop sensibilities into his ever-expanding sonic collage.\u003c\/p\u003e\n\u003cp\u003eAs is tradition with any Meryl Streek record, \u003cem\u003eStories They Don’t Teach You At School\u003c\/em\u003e unearths many uncomfortable truths. ‘Rotten Fruit’ examines media manipulation and the numbing proliferation of misinformation, all soundtracked by synth-punk. With gliding keys and a crunchy bassline, ‘Council Estates’ critiques systemic government failures affecting the working class.\u003c\/p\u003e\n\u003cp\u003e‘Kelly’ is a slice of electronica that details an ongoing criminal investigation, currently classified as a “Contested Cause of Death”. The indie pop of 'The Chancer' brings much-needed attention to landlord politicians. As the album progresses, the mission remains absolute: to provide a voice for the voiceless.\u003c\/p\u003e\n\u003cp\u003eTo amplify these narratives, Meryl Streek handpicked a diverse group of collaborators for the project. ‘Rotten Fruit’ features Steve Ignorant of anarcho-punk collective CRASS. ‘Depression’ opens with a touching recording of the late Liam Norton, close friend and former touring companion, while Pete Holidai of The Radiators From Space contributes guitars on the song. Comedian Phill Jupitus provides the spoken outro for ‘The Chancer'.\u003c\/p\u003e\n\u003cp\u003e‘Housing For All’ incorporates audio from Derelict Ireland campaigners Frank O’Connor and Jude Sherry. Venn Records owner and Gallows guitarist Laurent ‘Lags’ Barnard joins forces with Adebisi Shank bassist Vinny McCreith on the aggressive ‘Bullet,’ while Sophie Porter of Other Half provides bass guitar for ‘Life is Not a Rehearsal’. 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With this release, Meryl Streek firmly holds the shovel.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWelcome\u003c\/li\u003e\n\u003cli\u003eRotten Fruit\u003c\/li\u003e\n\u003cli\u003eRags To Riches\u003c\/li\u003e\n\u003cli\u003eCouncil Estates\u003c\/li\u003e\n\u003cli\u003eDepression\u003c\/li\u003e\n\u003cli\u003eKelly\u003c\/li\u003e\n\u003cli\u003eBe The Hammer\u003c\/li\u003e\n\u003cli\u003eThe Chancer\u003c\/li\u003e\n\u003cli\u003eHousing For All\u003c\/li\u003e\n\u003cli\u003eBullet\u003c\/li\u003e\n\u003cli\u003eLife Is Not A Rehearsal\u003c\/li\u003e\n\u003cli\u003eFrankie's Theme\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Venn Records","offers":[{"title":"Default Title","offer_id":54280088420698,"sku":"VENNCD090","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/meryl-streek-stories-dont-teach-school.jpg?v=1781069351"},{"product_id":"ty-segall-chrome-cd","title":"Pre-Order 28\/08\/26 - Segall, Ty: Chrome (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/LPudkEzu03E?si=NouAG8EX_YEu0Dcv\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (28\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the spring of 2025, right around the release of \u003cem\u003ePossession\u003c\/em\u003e, Ty Segall started hearing voices, calmly at first, but soon screaming: “Get the band back together!!!”\u003c\/p\u003e\n\u003cp\u003eImmediately, his mind began working, creating, collecting and collating riffs for songs, an album that he and the band — Ben Boye, Evan Burrows, Mikal Cronin \u0026amp; Emmett Kelly — will come to all call \u003cem\u003eChrome\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eChrome — the element, not the album — is shiny, reflective, resistant to corrosion. \u003cem\u003eChrome\u003c\/em\u003e the album’s got that too: in hard-springing rock strung with lyrically allusive passages moving furtive and bleak through labyrinthine paths in the darkness. Joining social phenomena and autobiographical dream imagery in song-sequenced, head-snapping flashes, hitting left\/right hemispheres fast and furiously.\u003c\/p\u003e\n\u003cp\u003eIn massive riffs and thudding power in the rhythm core, twin-guitar attack and parry, tightly arrayed lines of fuzz distortion, keyboard textures of bright and thickness. All mixed immediate and flexible, colorful and clean, spicy-sweet, with Ty’s vocals of vinegar and sand, wine and grains of silver nitrate, pointing the way. That’s \u003cem\u003eChrome\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe band came together fast and hard, their five heads writing half the songs here, with others featuring Ty and Evan collabing, Matt Yoka and Denée Segall writing some too. Accounting, we believe, for its high-performing social nature and hot rocks. Its guitars slammed immaculate, big waves \u0026amp; dark apocolypto energy bonfires on the beach, from proto to punk to grunch, projected from the crowd-sourced energy of their mind-meld to shake the cages of the larger collective beyond.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHospital\u003c\/li\u003e\n\u003cli\u003eRunning to Nowhere\u003c\/li\u003e\n\u003cli\u003eBlack Paint\u003c\/li\u003e\n\u003cli\u003eGlass\u003c\/li\u003e\n\u003cli\u003ePlay Cowboys\u003c\/li\u003e\n\u003cli\u003eEverything You’ve Been\u003c\/li\u003e\n\u003cli\u003eLet Go\u003c\/li\u003e\n\u003cli\u003eSeparation\u003c\/li\u003e\n\u003cli\u003eChrome\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Drag City","offers":[{"title":"Default Title","offer_id":54280100184410,"sku":"DC980CD","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/ty-segall-chrome.jpg?v=1781070083"},{"product_id":"pixies-bossanova-2026-remaster-cd","title":"Pre-Order 11\/09\/26 - Pixies: Bossanova - 2026 Remaster (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/V27ISDEbZ_Y?si=m1vpnEClHPhoK6TY\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (11\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuing the band’s 40th anniversary celebrations, and hot on the heels of the first official vinyl pressing of their brilliant 4AD B-Sides compilation, Pixies are repressing studio albums \u003cem\u003eBossanova\u003c\/em\u003e (1990) and \u003cem\u003eTrompe le Monde\u003c\/em\u003e (1991) on both black vinyl and CD. These represses feature newly remastered audio with engineer Kevin Vanbergen having returned to the band’s original analogue tapes to deliver stunning new masters that excitingly reveal more layers to these much-loved records.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBossanova\u003c\/em\u003e is the third Pixies album. The band continued to work with Gil Norton after collaborating to such success on their platinum-selling second album \u003cem\u003eDoolittle\u003c\/em\u003e. Their third album in as many years, 1990 was a particularly fertile time for the band with Kim Deal also having success with The Breeders, who released their debut album \u003cem\u003ePod\u003c\/em\u003e just a few months prior.\u003c\/p\u003e\n\u003cp\u003eFeaturing the singles ‘Allison’ (a tribute to jazz and blues pianist Mose Allison), ‘Dig For Fire’ and ‘Velouria’, plus the first cover to feature on one of their albums ‘Cecilia Ann’ (originally by The Surftones), \u003cem\u003eBossanova\u003c\/em\u003e showed a less primal side to the band, with surf and space rock rising to the fore. Lyrically, Black Francis is even more cryptic with a recurring sci-fi theme running throughout, which in turn influenced Vaughan Oliver’s classic planet design for the sleeve.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCecilia Ann\u003c\/li\u003e\n\u003cli\u003eRock Music\u003c\/li\u003e\n\u003cli\u003eVelouria\u003c\/li\u003e\n\u003cli\u003eAllison\u003c\/li\u003e\n\u003cli\u003eIs She Weird\u003c\/li\u003e\n\u003cli\u003eAna\u003c\/li\u003e\n\u003cli\u003eAll Over The World\u003c\/li\u003e\n\u003cli\u003eDig For Fire\u003c\/li\u003e\n\u003cli\u003eDown To The Well\u003c\/li\u003e\n\u003cli\u003eThe Happening\u003c\/li\u003e\n\u003cli\u003eBlown Away\u003c\/li\u003e\n\u003cli\u003eHang Wire\u003c\/li\u003e\n\u003cli\u003eStormy Weather\u003c\/li\u003e\n\u003cli\u003eHavalina\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"4ad","offers":[{"title":"Default Title","offer_id":54280106443098,"sku":"4AD0903CD","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/pixies-bossanova.jpg?v=1781071631"},{"product_id":"pixies-trompe-le-monde-2026-remaster-cd","title":"Pre-Order 11\/09\/26 - Pixies: Trompe Le Monde - 2026 Remaster (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/hp7NgLIWCiE?si=4wUZVgCpsxDAZBdC\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (11\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuing the band’s 40th anniversary celebrations, and hot on the heels of the first official vinyl pressing of their brilliant 4AD B-Sides compilation, Pixies are repressing studio albums \u003cem\u003eBossanova\u003c\/em\u003e (1990) and \u003cem\u003eTrompe le Monde\u003c\/em\u003e (1991) on both black vinyl and CD. These represses feature newly remastered audio with engineer Kevin Vanbergen having returned to the band’s original analogue tapes to deliver stunning new masters that excitingly reveal more layers to these much-loved records.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTrompe Le Monde\u003c\/em\u003e bookended a golden run of landmark records released in quick succession that cemented Pixies as one of the best of a generation.\u003c\/p\u003e\n\u003cp\u003eTranslated from French to mean “fool the world”, \u003cem\u003eTrompe Le Monde\u003c\/em\u003e showed the band still restless to push their sound forward. With producer Gil Norton again at the controls, their fourth album is arguably their most playful with Black Francis’s lyrics on UFOs and conspiracy theories keeping things weird while power pop creeps in to amplify the space rock established on predecessor \u003cem\u003eBossanova\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTrompe Le Monde\u003c\/em\u003e goes full throttle with 15 tracks coming in a quickfire 40-minute salvo. 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First single \"Get Away From Me (I Think I’ll Love You Soon)’\" is a bold and fun nod to eighties jangle rock and to the Melbourne sound she fell in love with.\u003c\/p\u003e\n\u003cp\u003eABOUT THE GEM:\u003c\/p\u003e\n\u003cp\u003e“I want to love and be loved, but I also want to be free. The tension between those two things has been the central question of my life,” says Jacklin. It’s also the theme that underpins \u003cem\u003eThe Gem\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eWhen Jacklin first moved to Melbourne from Sydney in 2017, she discovered a little bar on a back street in Collingwood, where bands pushed dining tables to the side and set up in a corner on the floor. She didn’t know anyone in town but knew she wanted to make the city her home, so she started hanging out there, forcing herself out of her comfort zone. 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I felt like I was doing it almost in the dark, just trusting I was going to find something.”\u003c\/p\u003e\n\u003cp\u003eIt conjures images of excavation, of reinvention, of trusting your instincts and surrounding yourself with the people and things that make life worthwhile. It’s a soaring document of the songwriter’s journey back to herself.\u003c\/p\u003e\n\u003cp\u003eThe band got matching tattoos on the last day of \u003cem\u003eThe Gem\u003c\/em\u003e sessions: a neat little circle to represent an opal – Jacklin’s favourite gemstone. Fittingly, one of the bartenders at The Gem did it. “It did really feel like we’d done something special together. And I think as a group, it felt important to commemorate it. 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Every joy, accomplishment and hardship will one day become so irrelevant it will be as if none of it occurred. But as the great philosopher of our times, Cookie Monster once said: “Me no cry because cookie is finished. Me smile because cookie happened.” This will all be forgotten. But isn’t it still a beautiful thing that it happened?”\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eClobbered\u003c\/li\u003e\n\u003cli\u003eCap In Hand\u003c\/li\u003e\n\u003cli\u003eAll Forgotten\u003c\/li\u003e\n\u003cli\u003eBamboozled Again\u003c\/li\u003e\n\u003cli\u003eLost And Barking\u003c\/li\u003e\n\u003cli\u003eTaking Pictures\u003c\/li\u003e\n\u003cli\u003eNew Story\u003c\/li\u003e\n\u003cli\u003eCongratulations To Me\u003c\/li\u003e\n\u003cli\u003eOne Razzle, One Dazzle\u003c\/li\u003e\n\u003cli\u003eI’m On Standby\u003c\/li\u003e\n\u003cli\u003eDum Dums\u003c\/li\u003e\n\u003cli\u003eThe Way I Was Made\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Play It Again Sam","offers":[{"title":"Default Title","offer_id":54326059467098,"sku":"EWORKS127CD","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/eels-cookie-happened.jpg?v=1781708158"},{"product_id":"cold-diamond-mink-organ-ized","title":"Pre-Order 28\/08\/26 - Cold Diamond \u0026 Mink: Organ-ized (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/eUI0kZbiCcc?si=TPBHttJpMUjDf-am\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (28\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThrough the ages, several people from moustachioed party boat troubadours to jazz elite like Jimmy Smith\/McGriff and Shirley Scott have wielded the power of the electric organ to hypnotize listeners.\u003c\/p\u003e\n\u003cp\u003eNow, taking all the possible cues from these musical heavyweights, and breaking through the musical sound barrier to organ-ize your mind comes Mr. Sophisticated Fingers. Together with the ever-faithful Cold Diamond \u0026amp; Mink this mystical key stroker rephrases ten of the greatest hits from Emilia Sisco’s debut album “Introducing” in a unique lyrical style. In \u003cem\u003eOrgan-ized\u003c\/em\u003e’s Slow Dance \u0026amp; Soul album these songs continue for further greatness.\u003c\/p\u003e\n\u003cp\u003eYou may have heard them before, now listen to them again, as now they’ve been organ-ized by the musical maestro Mr. Sophisticated Fingers, baby!.\u003c\/p\u003e\n\u003col\u003e\n  \u003cli\u003eWalk With Me\u003c\/li\u003e\n  \u003cli\u003eI Wish I Was Yours\u003c\/li\u003e\n  \u003cli\u003eDreaming Of Love So Divine\u003c\/li\u003e\n  \u003cli\u003eI Can't Go On\u003c\/li\u003e\n  \u003cli\u003eWhen I Fall In Love\u003c\/li\u003e\n  \u003cli\u003eIt's Too Late\u003c\/li\u003e\n  \u003cli\u003eLight It Up With Your Smile\u003c\/li\u003e\n  \u003cli\u003eLet My Soul Catch Fire\u003c\/li\u003e\n  \u003cli\u003eIs It True Baby\u003c\/li\u003e\n  \u003cli\u003eI Dream That You Stay\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Timmion Records","offers":[{"title":"Default Title","offer_id":54326149808474,"sku":"TR12017CD","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/cold-diamond-mink-organ-ized.jpg?v=1781609545"},{"product_id":"open-mike-eagle-kenny-segal-doomed-cd","title":"Pre-Order 14\/08\/26 - Open Mike Eagle \u0026 Kenny Segal: DOOMED! (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/EikKSOKvJtc?si=DVxK3jQfhAhOBrrx\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (14\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIt’s five years in a blender. It’s every troublesome misunderstanding of a half-decade relationship distorted and stretched into an absurdist black comedy mini-series on wax. It’s the sound of every fight we ever had, playing simultaneously. It’s several consecutive voice notes that you did not listen to, and instead read the transcription. It’s fifteen songs from iconoclastic rapper Mike Eagle and innovative producer Kenny Segal. It’s the world’s first half-whimsical break-up album. It’s \u003cem\u003eDOOMED!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eIt’s also LA. Maybe not first and foremost, but Los Angeles runs deep in this record’s present, and its lineage. The story of any big city is also one of transplants. DJ Premier in New York, Tupac in California. If you build it, they will come. Mike and Kenny both arrived in LA as young, aspiring artists who were drawn to the scene around groundbreaking rap crew Project Blowed. They have been friends — and occasional collaborators — for almost twenty years. Despite that, \u003cem\u003eDOOMED!\u003c\/em\u003e is the first time the two have put together a full body of work. But everything happens in its time, and fate worked to bring them together at the exact moment that would allow the duo to create something extraordinary.\u003c\/p\u003e\n\u003cp\u003eMike, fresh off a string of multi-producer records and processing the end of a tumultuous relationship, was in need of creative catharsis. Meanwhile, Kenny had locked in on his next challenge after a recent string of critically acclaimed collaborations not only with rappers like billy woods, and K-the-I???, but also jazz trio Human Error Club and bluesy indie rocker Benjamin Booker.\u003c\/p\u003e\n\u003cp\u003e“In recent years, Kenny made it very clear that he wasn’t trying to keep having one or two beats on my projects; he wanted to build something,” Open Mike Eagle explains. “I was able to convince him to let me use a couple beats for Neighborhood Gods Unlimited with the caveat that we would focus on our thing next. Then my relationship fell apart right when we started working, and it was like, ‘Perfect, I have a lot to say about this.’”\u003c\/p\u003e\n\u003cp\u003eHere are some more particularly interesting insights from the man himself:\u003c\/p\u003e\n\u003cp\u003e“If \u003cem\u003eDOOMED!\u003c\/em\u003e is prestige TV, then think of “Out To Lunch” as the pilot where we meet a man who’s not all there because his head is still in yesterday, and the following as a brief synopsis.\u003c\/p\u003e\n\u003cp\u003eThere’s a song that starts at an argument about the color of a rental car. There’s a song about trying to write a pair of lovers’ initials in wet concrete and the stick breaking. There’s a song that’s a prayer about finding the strength not to look at my ex’s social media. There’s a song about a character from Adventure Time who’s a piece of shit that I identify with.\u003c\/p\u003e\n\u003cp\u003eEach vision is a crashed airplane halfway on the border of dream and nightmare, bitter and sweet, sadness and freedom. Every one of Kenny’s beats is a chunk of ore from a different comet. 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It’s a celebration of the basic reason that dance music exists: instead of asking listeners to understand what’s happening and make sense of it, \u003cem\u003eInfinite Now\u003c\/em\u003e asks them to hold on and feel it. It’s still layered, there’s still complexity to the production but it’s just not that deep. The vapourised vocalists you hear across \u003cem\u003eInfinite Now\u003c\/em\u003e are unnamed and sound like they’ve beamed down from another dimension – ghosts in the machine. In Two Shell’s own words, “Music doesnʼt need to be solved, it just needs to be experienced.”\u003c\/p\u003e\n\u003cp\u003eBlack vinyl version\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Nightmare\u003c\/li\u003e\n\u003cli\u003eLose Control\u003c\/li\u003e\n\u003cli\u003eSmile\u003c\/li\u003e\n\u003cli\u003eFollow\u003c\/li\u003e\n\u003cli\u003eCloser To The Sound\u003c\/li\u003e\n\u003cli\u003eTechnology\u003c\/li\u003e\n\u003cli\u003eRhythm \u0026amp; Sound\u003c\/li\u003e\n\u003cli\u003eThing About You\u003c\/li\u003e\n\u003cli\u003eDance\u003c\/li\u003e\n\u003cli\u003eClouds\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Young","offers":[{"title":"Default Title","offer_id":54345445409114,"sku":"YO509CD","price":11.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/two-shell-infinite-now.jpg?v=1782141435"},{"product_id":"pre-order-28-08-26-sera-cahoone-i-ve-missed-you-all-these-years-cd","title":"Pre-Order 28\/08\/26 - Cahoone, Sera: I’ve Missed You All These Years (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/9MqbPrygxw0?si=D8jrfJStQYxBNkJf\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (28\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe eight years that shaped \u003cem\u003eI’ve Missed You All These Years\u003c\/em\u003e were marked by profound change: Sera Cahoone lost her best friend, her father, and her dog all within a short time period. But this record is emphatically not about the darkness; it’s about what happens after the storm clears, the moment when you begin to come back into your body after a dark winter. This sense of lightness is evident on the piano and electric guitar that rev to life on “Say Something” and the intricate portrait of “Hits Right.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI’ve Missed You All These Years\u003c\/em\u003e captures the sound of ecstatic collaboration between exceptionally talented friends. You can hear it in the barroom swing of “Pulling Up Roots,” the sigh of a pedal steel on “Not How I Had Hoped,” the breezy falsetto on “Say Something.” It’s a record about finding comfort in community; about rediscovering yourself by connecting with the people you love.\u003c\/p\u003e\n\u003cp\u003eOn her sixth record, Cahoone is in full command of her powers. In its ability to hold loss and connection in the same hand, \u003cem\u003eI’ve Missed You All These Years\u003c\/em\u003e is triumphant, a celebration of life rooted in the knowledge of its fleeting nature. The product of a lifetime spent performing and producing music, the album traverses blues, folk, pop, and country, evoking Loretta Lynn in one song and Lucinda Williams in the next. 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Arriving a decade after his celebrated debut \u003cem\u003eBlack On Both Sides\u003c\/em\u003e, the album was widely regarded as his strongest work in years, earning near-universal praise for its lyrical breadth, eclectic production, and thematic ambition.\u003c\/p\u003e\n\u003cp\u003eMusically, \u003cem\u003eThe Ecstatic\u003c\/em\u003e weaves a global sonic tapestry shaped by an array of forward-thinking producers including Madlib, J Dilla, Oh No, Preservation, Mr. Flash, Chad Hugo (of The Neptunes), and Georgia Anne Muldrow. The resulting soundscape is both rooted in hip-hop tradition and unbound by genre, integrating elements of jazz, soul, Middle-Eastern inflection, and experimental sample work. Tracks like “Supermagic” and “Twilite Speedball” establish a vibrant, restless energy that mirrors the album’s expansive creative scope.\u003c\/p\u003e\n\u003cp\u003eLyrically, yasiin bey traverses personal, political, and philosophical terrain with characteristic incisiveness, confronting social inequality, Western imperialism, and questions of cultural identity with poetic urgency. Embracing risk and complexity rather than nostalgia, \u003cem\u003eThe Ecstatic\u003c\/em\u003e remains a mature, deeply felt body of work whose ambition, depth, and enduring resonance have solidified its place as a standout entry in Mos Def’s catalogue and in modern hip-hop history.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSupermagic\u003c\/li\u003e\n\u003cli\u003eTwilite Speedball\u003c\/li\u003e\n\u003cli\u003eAuditorium (featuring Slick Rick)\u003c\/li\u003e\n\u003cli\u003eWahid\u003c\/li\u003e\n\u003cli\u003ePriority\u003c\/li\u003e\n\u003cli\u003eQuiet Dog Bite Hard\u003c\/li\u003e\n\u003cli\u003eLife In Marvelous Times\u003c\/li\u003e\n\u003cli\u003eThe Embassy\u003c\/li\u003e\n\u003cli\u003eNo Hay Nada Mas\u003c\/li\u003e\n\u003cli\u003ePistola\u003c\/li\u003e\n\u003cli\u003ePretty Dancer\u003c\/li\u003e\n\u003cli\u003eWorkers Comp.\u003c\/li\u003e\n\u003cli\u003eRevelations\u003c\/li\u003e\n\u003cli\u003eRoses (featuring Georgia Anne Muldrow)\u003c\/li\u003e\n\u003cli\u003eHistory (featuring Talib Kweli)\u003c\/li\u003e\n\u003cli\u003eCasa Bey\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Rhymesayers Entertainment","offers":[{"title":"Default Title","offer_id":54346588291418,"sku":"RSE395CD","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/mos-def-ecstatic.jpg?v=1782199002"},{"product_id":"jeffrey-silverstein-doggone-cd","title":"Pre-Order 23\/10\/26 - Silverstein, Jeffrey: Doggone (CD)","description":"\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (23\/10\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDoggone\u003c\/em\u003e was recorded in Portland, Oregon in January of 2025 at the Center for Sound, Light and Color Therapy with longtime collaborator Ryan Oxford. It features Akron\/Family founding member Dana Buoy (drums), Rick Pedrosa (Rose City Band\/Abronia) on pedal steel \u0026amp; guitar, and Alex Chapman (bass). Guest contributions come from Devendra Banhart and Portland singer-songwriter Merle Law. The album will be mastered by Amy Dragon (Nathaniel Rateliff, Big Thief, Moon Duo).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDoggone\u003c\/em\u003e centers around themes of community, aging, recognising your gift is in your blood, carving out your own version of success, planting seeds \/ growing roots, and the impact of place on creative work. Silverstein continues to explore the intersection of loner-folk, cosmic country, and kraut-laden choogle found across his previous releases.\u003c\/p\u003e\n\u003cp\u003eWhile writing the songs for this record, Silverstein discovered his uncle was a songwriter and manager for North Country Band, a 1970s Grateful Dead–inspired country-rock group from Minnesota. Silverstein had been DJing the album \u0026amp; showing live performances to friends before knowing his uncle's involvement. This furthered his understanding of his uncle's life in music (performing with Doc Watson, putting on shows for Jerry Jeff Walker, etc.) and gave him the inspiration and motivation to keep pressing on with the album.\u003c\/p\u003e\n\u003cp\u003eAlbum art features an archival photo of Hat ‘n’ Boots, a famous landmark designed by Pacific Northwest artist Lewis Nasmyth in 1953 for a Western-style gas station, now in Seattle's Oxbow Park due to a community-led effort to save them from demolition. The iconic roadside attraction fell into disrepair after the original gas station closed in 1988.\u003c\/p\u003e\n\u003cp\u003eIn 2003, the community rallied to have the structures moved, and they were restored and reopened as a park landmark in 2005. Press photos and video have been captured in front of the landmark and will be used to tell the story of the record.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eComing Back Around\u003c\/li\u003e\n\u003cli\u003eOut of Tune (feat. Devendra Banhart)\u003c\/li\u003e\n\u003cli\u003eDrop of a Dime\u003c\/li\u003e\n\u003cli\u003ePortland Works\u003c\/li\u003e\n\u003cli\u003eRealize (feat. Merle Law)\u003c\/li\u003e\n\u003cli\u003ePatchouli\u003c\/li\u003e\n\u003cli\u003eAmblin’\u003c\/li\u003e\n\u003cli\u003eHelluva\u003c\/li\u003e\n\u003cli\u003eOnlyness\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Full Time Hobby","offers":[{"title":"Default Title","offer_id":54346610573658,"sku":"FTH610CD","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/jeffrey-silverstein-doggone-cd.jpg?v=1782199783"},{"product_id":"chuck-strangers-glory-kings-hand-cd","title":"Pre-Order 02\/10\/26 - Chuck Strangers: Glory Of The King's Hand (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/JsCL7OJ8y0o?si=aFlqkqBp2_OmcLnl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (02\/10\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOn Chuck Strangers’ latest opus, \u003cem\u003eGlory Of The King’s Hand\u003c\/em\u003e, he raps, “I still rap from the perspective of my government name...” The stage name “Chuck Strangers” is, of course, an alias but it’s not necessarily an alter ego. For the man born Che Jessamy, his rap moniker isn’t some over-the-top rock star persona contrived for public consumpsome consumption, it’s just a name.\u003c\/p\u003e\n\u003cp\u003eWhat you hear on his records is really who he is - a heavy-tongued griot from East Flatbush, Brooklyn with a gift for vivid stream-of-consciousness storytelling. His bars are imbued with the wisdom he’s gained in his lifetime - especially in the 14 years since he first made his debut with the Pro Era collective.\u003c\/p\u003e\n\u003cp\u003eThe elaborate title of his new album, \u003cem\u003eGlory Of The King’s Hand\u003c\/em\u003e, speaks to his gratitude for the hand that life’s dealt him, which is a pretty good one. At age 34, he does what he loves professionally and does it on his own terms. That’s something to be thankful for.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGlory Of The King’s Hand\u003c\/em\u003e not only represents Chuck’s matured attitude but also his matured sound. Key to this refined approach was collaboration. Chuck is a proficient beatmaker in his own right as evidenced by his production for himself and artists like Joey Badass, and Boldy James.\u003c\/p\u003e\n\u003cp\u003eBut this time around Chuck chose to be a producer in the Quincy Jones sense of the word, bringing together vocalists, producers, and musicians instead of handling all of the beats and rhymes himself.\u003c\/p\u003e\n\u003cp\u003eThe list of contributing producers is a who’s who of underground sound scientists including The Alchemist, Animoss, Theravada, Kenny Segal, Preservation, Child Actor and Morriarchi.\u003c\/p\u003e\n\u003cp\u003eAnd while ...\u003cem\u003eKing’s Hand\u003c\/em\u003e is in some ways a sample of what this section of the underground looks like in 2026, what Chuck brings to the table is uniquely Chuck Strangers. “I had to do my own thing!”\u003c\/p\u003e\n\u003cp\u003eHis resolve is in part due to the influence of his legendary mentors who each carved out their own distinct lanes. “There’s a lot of Roc Marci’s, there’s a lot of Earl Sweatshirts and you’ve got many Alchemists out here, but I have to do my own thing that might look a little different from everybody else’s shit... I can just be myself.”\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTrack 1 (prod. Theravada)\u003c\/li\u003e\n\u003cli\u003eIntro (prod. Human Error Club)\u003c\/li\u003e\n\u003cli\u003eEveryday feat. Obii Say (prod. Chuck Strangers)\u003c\/li\u003e\n\u003cli\u003eMalcom (prod. Animoss)\u003c\/li\u003e\n\u003cli\u003eGoodfind (prod. Morriarchi)\u003c\/li\u003e\n\u003cli\u003eMiracle Miles feat. Obii Say (prod. Child Actor)\u003c\/li\u003e\n\u003cli\u003eSolo (prod. Preservation)\u003c\/li\u003e\n\u003cli\u003eTorn in Two (prod. The Alchemist)\u003c\/li\u003e\n\u003cli\u003eBomberman (prod. Kenny Segal)\u003c\/li\u003e\n\u003cli\u003eBreaking Atoms feat. billy woods \u0026amp; Zeroh (prod. Human Error Club)\u003c\/li\u003e\n\u003cli\u003eRebeldia (prod. Preservation)\u003c\/li\u003e\n\u003cli\u003eClass Pictures Reprise (prod. JUNIE)\u003c\/li\u003e\n\u003cli\u003eL2LL2C (prod. Obii Say)\u003c\/li\u003e\n\u003cli\u003eSki'd Up Reprise (prod. Cam Beats)\u003c\/li\u003e\n\u003cli\u003ePrice is Right (prod. Animoss)\u003c\/li\u003e\n\u003cli\u003eG Pack (prod. Morriarchi)\u003c\/li\u003e\n\u003cli\u003eOutro (prod. Human Error Club)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Lex Records","offers":[{"title":"Default Title","offer_id":54347151901018,"sku":"LEX201CD","price":15.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/chuck-strangers-glory-kings-hand.jpg?v=1782202561"},{"product_id":"pre-order-21-08-26-holter-julia-materia-cd","title":"Pre-Order 21\/08\/26 - Holter, Julia: Materia (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/6_tMzzFnKQY?si=7k_EWm6fNUI9Saaf\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (21\/08\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJulia Holter always knew that there was more to the song “Materia” than what she included on her wondrous 2024 album, Something in the Room She Moves. She had written the tune not long after the tours for 2018’s Aviary concluded, and it worked well for solo shows—her voice and piano, lyrics still morphing as she played with the meaning.\u003c\/p\u003e\n\u003cp\u003eBut on the new \u003cem\u003eMateria\u003c\/em\u003e, a kind of companion LP to Something, Holter has realized not one but two distinct versions of the song. “Materia 2” is a hallucinatory dream of drum machines, fretless bass, and clarinet, Holter’s voice spiralling through ether alongside that of Jessika Kenney. And on “Materia 3,” intended as a hidden bonus track in an homage to the CD era of her youth, Holter literally slows down the take from Something. The change not only emphasizes the unpredictable glory of the harmonies within but also reiterates the song’s emotional sophistication, the sense that it’s about learning how to live.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMateria\u003c\/em\u003e is only seven tracks long, but Holter works in nearly that many modes here. There are two astounding improvisations, one where she builds a one-person ensemble of drum machines and synth lines and another where she manipulates her voice until each word seems to contain another symphony. And yet another is built from a riff that came from a demo for Something, a demo that itself is one of \u003cem\u003eMateria\u003c\/em\u003e’s most spellbinding and emotional pieces, “My Twin.” These seven songs show that Holter is among her generation’s most fluid writers of art-pop, moving among ideas and idioms with true exploratory aplomb. \u003cem\u003eMateria\u003c\/em\u003e is a kind of playground for Holter, where each distinct scene steadily coheres into a moving whole.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Laugh is in The Eyes\u003c\/li\u003e\n\u003cli\u003eMy Lost One\u003c\/li\u003e\n\u003cli\u003eFantasy\u003c\/li\u003e\n\u003cli\u003eMateria 2\u003c\/li\u003e\n\u003cli\u003eClepsydra\u003c\/li\u003e\n\u003cli\u003eMy Twin\u003c\/li\u003e\n\u003cli\u003eMateria 3\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Domino","offers":[{"title":"Default Title","offer_id":54347884822874,"sku":"WIGCD582","price":15.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/julia-holter-materia.jpg?v=1782207157"},{"product_id":"rodrigo-y-gabriela-ourhome-cd","title":"Pre-Order 18\/09\/26 - Rodrigo Y Gabriela: OurHome (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/Wolzo63vons?si=n3Twp0LZjgJB_I9W\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (18\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGrammy-winning guitar duo Rodrigo y Gabriela returns to the textural fluidity of acoustic instrumentation on their new album \u003cem\u003eOurHome\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eSelf-produced in a Tokyo studio, the odyssey-like album unfolds with an otherworldly beauty achieved with guests from former Megadeth guitarist Marty Friedman to Japanese jazz pianist Hiromi.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOurHome\u003c\/em\u003e echoes all the transcendence and serenity that Rodrigo y Gabriela have routinely experienced in their journeys to Japan.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOurHome\u003c\/li\u003e\n\u003cli\u003eSomos Como Tú\u003c\/li\u003e\n\u003cli\u003eAkatsuki (feat. Hiromi)\u003c\/li\u003e\n\u003cli\u003eFlying Underground\u003c\/li\u003e\n\u003cli\u003eQuicksand\u003c\/li\u003e\n\u003cli\u003eMonster\u003c\/li\u003e\n\u003cli\u003eAstrum In Corpore\u003c\/li\u003e\n\u003cli\u003eIs In Your Pocket\u003c\/li\u003e\n\u003cli\u003eMADitation\u003c\/li\u003e\n\u003cli\u003eHinomaru Twins\u003c\/li\u003e\n\u003cli\u003eSimurgh (feat. Marty Friedman)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"ATO","offers":[{"title":"Default Title","offer_id":54348260901210,"sku":"ATO0724CD","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/rodrigo-gabriela-ourhome.jpg?v=1782213938"},{"product_id":"this-is-lorelei-singer-my-band-cd","title":"Pre-Order 11\/09\/26 - This Is Lorelei: The Singer In My Band (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/LkvqdXBpQss?si=JJeOBRmrBKN47NYH\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (11\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes, sold out shows across multiple continents, to seeing some of today’s most influential artists cover his songs, the ascending songwriter has found his stride.\u003c\/p\u003e\n\u003cp\u003eAs the first This Is Lorelei album for Matador Records, \u003cem\u003eThe Singer In My Band\u003c\/em\u003e takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes, at once both strangely familiar and endearingly offbeat in Amos’ signature style.\u003c\/p\u003e\n\u003cp\u003eWritten while touring the globe in support of releases from both his bands, \u003cem\u003eThe Singer In My Band\u003c\/em\u003e arrives as the first true ‘road record’ in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments,” he recalls, “so instead of being home and writing on the guitar or a computer, they developed slowly and subconsciously, existing as a sort of intangible thing while looking out the van window.”\u003c\/p\u003e\n\u003cp\u003e“Billy Came Back”, the album’s propulsive lead single, arrives today alongside a video by Alan “Rickman” Official. “‘Billy Came Back’ stewed for months before I picked up a guitar to work it out - I kept forgetting about it but it always came back. Finishing the song was the only way to get it to leave me alone,” says Amos.\u003c\/p\u003e\n\u003cp\u003eThere’s Billy, Joey, Genevieve, Sarah, and the ever-present Buddy, an Altman-esque ensemble cast that populate the album’s stories, scattered through distinctly American scenes and landmarks. As narrators go, they aren’t terribly reliable. They traffic in wild stories and chaotic experiences that are at once oddly specific and just a bit blurry, mirroring Amos’ experience of these last several years.\u003c\/p\u003e\n\u003cp\u003e“It’s funny, I sent my dad the album after I finished it, and he said it was kind of an “on the road beatnik” album and that reframed it for me,” says Amos. “It really is like a collection of chaotic experiences that you have while travelling. 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Amos engineered, produced, and performed everything on Singer, save for a blistering banjo lead on the title track courtesy of his father, bluegrass musician Bob Amos, and the occasional vocals from his sister Sarah Amos and partner Al Nardo. “They’re three people who had a fundamental impact on what this album was to begin with, and the ways they could contribute were things that I had in mind as I was writing the songs,” he explains.\u003c\/p\u003e\n\u003cp\u003eThere’s an economy of style to Singer that’s distinct in the Lorelei catalogue, harkening back to Amos’ earliest experiences with songwriting and a lifelong reverence for bluegrass music. “It’s the most fundamental form of music to me,” he says, but is quick to note any influence is more as a set of principles than a sound.\u003c\/p\u003e\n\u003cp\u003e“There’s a simplicity to bluegrass, where there are very particular rules and a very particular box - songs have to stand up by themselves in terms of melody, lyrics and chord progression.”\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI Will Eat My Heart in the Morning Light\u003c\/li\u003e\n\u003cli\u003eOh No Now My\u003c\/li\u003e\n\u003cli\u003eBilly Came Back\u003c\/li\u003e\n\u003cli\u003eWatching Heaven Fall\u003c\/li\u003e\n\u003cli\u003eSailing (Your Baby’s Down)\u003c\/li\u003e\n\u003cli\u003eThe Singer in My Band\u003c\/li\u003e\n\u003cli\u003eNitro\u003c\/li\u003e\n\u003cli\u003eHey Sarah Is It Gonna Rain Forever\u003c\/li\u003e\n\u003cli\u003eThe Kid With The Crown\u003c\/li\u003e\n\u003cli\u003eAnd I Haven’t Seen My Love in Quite a While\u003c\/li\u003e\n\u003cli\u003eDon’t You Cry in Lonesomeness\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Matador","offers":[{"title":"Default Title","offer_id":54349820297562,"sku":"OLE2217CD","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/this-lorelei-singer-band.jpg?v=1782224574"},{"product_id":"tubs-hard-life-cd","title":"Pre-Order 11\/09\/26 - Tubs, The: Hard Life (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/UultKdtvJ7I?si=929mcw9nRtsQDqs6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (11\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Tubs have never lacked for ambition — on \u003cem\u003eHard Life\u003c\/em\u003e, theirs is to complicate the Tub-ullar experience. Having perfected their chemistry across two prior albums, hundreds of shows, and an ever-expanding universe of bands affiliated with London’s Gob Nation Collective (The TSG, Sniffany \u0026amp; The Nits, Spike, and Garden Centre), the London-based Celtic jangle boyband — Williams (vocals, guitar, keyboards, bass), Dan Lucas (guitar), Taylor Stewart (drums), and Max Warren (bass) — push themselves further into the shimmering heart of virtuosic indie rock.\u003c\/p\u003e\n\u003cp\u003eThey’re joined by frequent collaborators Lan McArdle (vocals), George Nicholls (guitar), and Rachel Kenedy (keyboards), all of whom have orbited various Tubs-adjacent efforts dating back to Joanna Gruesome, but the secret to \u003cem\u003eHard Life\u003c\/em\u003e’s lushness is the addition of fiddle player Chris Haigh, an instructor and session musician who left an indelible mark on British pop on Steps’ “5, 6, 7, 8.”\u003c\/p\u003e\n\u003cp\u003eMirroring Williams’ use of trilling on vocal melodies, Haigh’s fiddle shades the vocalist’s rueful croon like a bruise. 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After unearthing a vast archive of music he’d composed for two major film-scoring projects in the early 2010s, James experienced a sudden rush of inspiration and transformed those fragments into an immersive work of soulful psychedelia. 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On October 16, the band will share their new album \u003cem\u003eAutosmile\u003c\/em\u003e, their second full-length record and first release with 4AD.\u003c\/p\u003e\n\u003cp\u003eAcross \u003cem\u003eAutosmile\u003c\/em\u003e’s 11 songs, @ reimagine the psychedelic folk tradition as an undeniably contemporary art form, carefully balancing beauty and pain and shifting between black hole heaviness and patient understanding.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAutosmile\u003c\/em\u003e follows @’s 2021 debut album Mind Palace Music — displaying the duo’s penchant for confessional lyrics and affinity for blending digital and analog elements, the album was an organic success story via word of mouth praise and well-deserved press recognition. In 2024, @ released their subsequent EP Are You There God? It’s Me, @, where they diverted from their usual acoustic instrumentation to soul-searching on a sonic side quest into more electronic music. In the time since, the band has become an in-demand live act with support shows alongside Snail Mail, Cameron Winter, and Black Country New Road\u003c\/p\u003e\n\u003col\u003e\n  \u003cli\u003eBird\u003c\/li\u003e\n  \u003cli\u003eLove In The Dark\u003c\/li\u003e\n  \u003cli\u003eI Know You Are (But What Am I Thinking)\u003c\/li\u003e\n  \u003cli\u003eEarthly Love\u003c\/li\u003e\n  \u003cli\u003eYour Dog\u003c\/li\u003e\n  \u003cli\u003eUntitled\u003c\/li\u003e\n  \u003cli\u003eI’m Not In Pain\u003c\/li\u003e\n  \u003cli\u003ePunish My Mind\u003c\/li\u003e\n  \u003cli\u003eJudgement Farmer\u003c\/li\u003e\n  \u003cli\u003eAutosmile\u003c\/li\u003e\n  \u003cli\u003eAmity\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"4ad","offers":[{"title":"Default Title","offer_id":54359526244698,"sku":"4AD0910CD","price":11.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/autosmile.jpg?v=1782403232"},{"product_id":"beabadoobee-pylon-cd","title":"Pre-Order 18\/09\/26 - beabadoobee: Pylon (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OkApy8LE8s8?si=hT5xSaKACIzA3FAm\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (18\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ebeabadoobee returns with her 4th studio album \u003cem\u003ePylon\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eWritten on the road whilst supporting the acclaimed and char-topping \u003cem\u003eThis Is How Tomorrow Moves\u003c\/em\u003e and crafted with collaborators including Hayley Williams, Turnstile’s Brendan Yates, Chino Moreno of Deftones and Pinegrove’s Evan Stephens Hall, \u003cem\u003ePylon\u003c\/em\u003e touches on classic grunge, midwest emo and ‘90s radio rock, zeroing in on a sound that is both more intense and more direct than any of her previous records.\u003c\/p\u003e\n\u003cp\u003eBorn in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis Is How Tomorrow Moves\u003c\/em\u003e became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums \u003cem\u003eFake It Flowers\u003c\/em\u003e (which reached number 8) in 2020 and 2022’s \u003cem\u003eBeatopia\u003c\/em\u003e (#4). 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A Convergence of Sound.\u003c\/p\u003e\n\u003cp\u003eCzarface opens another portal. On \u003cem\u003eCzarface Meets Frankie Pulitzer\u003c\/em\u003e, the boundary between comic book canon and hip-hop reality dissolves. Frankie Pulitzer, also known in certain dimensions as FacePuller, is no ordinary collaborator, character, or catalyst. He is a hybrid entity: part human, part alien force, fully embedded in the expanding Czarface universe.\u003c\/p\u003e\n\u003cp\u003eFollowing landmark team-ups with MF DOOM and Ghostface Killah, Czarface continues its “Meets” saga with a full-scale crossover event that pushes deeper into story and sound. Frankie’s presence is both lyrical and mythological, bringing a chaotic, shape-shifting energy that challenges and complements Czarface’s razor-sharp precision. Dusty drums, cinematic soundscapes, and razor-edged bars bring the classic Czarface sound, yet mutated.\u003c\/p\u003e\n\u003cp\u003eThe universe widens with appearances from Busta Rhymes, Method Man, and El-P (of Run the Jewels), each adding their own gravitational pull to the project, thus grounding it in hip-hop legacy while amplifying its larger-than-life scope.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrothers Grimm\u003c\/li\u003e\n\u003cli\u003eAll It Takes Is One Bad Day\u003c\/li\u003e\n\u003cli\u003eThat's Law\u003c\/li\u003e\n\u003cli\u003eRaw Forever (feat. Busta Rhymes)\u003c\/li\u003e\n\u003cli\u003eTriple Helix\u003c\/li\u003e\n\u003cli\u003eGrim-Visaged War\u003c\/li\u003e\n\u003cli\u003eDr. Yorgo In The Land of Acid 7.0\u003c\/li\u003e\n\u003cli\u003eMad Technology (feat. Method Man)\u003c\/li\u003e\n\u003cli\u003eGnawing At My Rhyme Like A Poisonous Rat\u003c\/li\u003e\n\u003cli\u003eOmega Beam\u003c\/li\u003e\n\u003cli\u003eDragon Cannon (feat. 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Named after Saul’s leap year birthday, the project has been carefully sequenced by composer and producer Carlos Niño as a fully immersive, front-to-back listening experience.\u003c\/p\u003e\n\u003cp\u003eThe album expands Saul’s sound into electronic and ambient territories while remaining rooted in spoken word, with rich sound design built from nature recordings, environmental textures, and expansive instrumentation. It also sees Saul step further into the role of producer, drawing influence from Fela Kuti, Black church traditions, and South African electronic music.\u003c\/p\u003e\n\u003cp\u003eThe record features a standout cast of collaborators including Kamasi Washington, Georgia Anne Muldrow, Moor Mother, Gonjasufi, and Surya Botofasina, alongside material developed with Robert Del Naja (Massive Attack). Released via Big Dada, the album marks a full-circle moment with the label where Saul originally launched his solo career.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBaobab Constellation\u003c\/li\u003e\n\u003cli\u003eMazahua\u003c\/li\u003e\n\u003cli\u003eI Think I Get It Now\u003c\/li\u003e\n\u003cli\u003eGreat, Great-Grandmother\u003c\/li\u003e\n\u003cli\u003eThe Dagger\u003c\/li\u003e\n\u003cli\u003eControlled Is Not Controllable\u003c\/li\u003e\n\u003cli\u003e13 Moons\u003c\/li\u003e\n\u003cli\u003eUne Photographie (feat. 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Arriving via Fire Records, the album marks the long-awaited return of Herrema’s iconic vocals alongside longtime collaborators Brian McKinley and Kurt Midness.\u003c\/p\u003e\n\u003cp\u003eFrom Royal Trux to RTX to Black Bananas, Jennifer Herrema’s work has never divided into separate phases so much as continued in motion. As Pitchfork observed, Black Bananas are an “alternate-universe RTX”, absorbing influences from synth-pop, hip-hop, French-touch house and dancehall into their own singular sound.\u003c\/p\u003e\n\u003cp\u003eOriginally formed over 20 years ago under the name RTX, Herrema, McKinley and Midness have evolved into a kinetically connected, freaky collective. \u003cem\u003eBad Bunch\u003c\/em\u003e finds the trio delivering a spaced-out, jazzy-rock groove, shaped by improvisation and new recording methods developed over the last decade.\u003c\/p\u003e\n\u003cp\u003eBeginning more than ten years ago, the album took shape across periods of disconnected time, interrupted by the Royal Trux reunion and the upheaval of the pandemic. The result is a record that pushes Black Bananas’ innovative tendencies even further while remaining unmistakably their own.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNutrageous \u0026amp; Jam\u003c\/li\u003e\n\u003cli\u003eAll The Way\u003c\/li\u003e\n\u003cli\u003eDust Of Ages\u003c\/li\u003e\n\u003cli\u003eEddie’s Album\u003c\/li\u003e\n\u003cli\u003eCold Bussin\u003c\/li\u003e\n\u003cli\u003eTerror Vision\u003c\/li\u003e\n\u003cli\u003eOutta My Head\u003c\/li\u003e\n\u003cli\u003eSherman Dealer\u003c\/li\u003e\n\u003cli\u003eTurkey Burgers\u003c\/li\u003e\n\u003cli\u003eTiny Chewbacca\u003c\/li\u003e\n\u003cli\u003eGood Pass\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Fire Records","offers":[{"title":"Default Title","offer_id":54370835038554,"sku":"FIRECD837","price":15.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/black-bananas-bad-bunch.jpg?v=1782726583"},{"product_id":"pre-order-18-09-26-cor-de-lux-year-of-the-horse-cd","title":"Pre-Order 18\/09\/26 - Cor de Lux: Year Of The Horse (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GL1308BBhKI?si=uPQx-n6_U8Uc_Mum\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis item is available for pre-order only and will be dispatched on or around its release date (18\/09\/26)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIpecac is excited to welcome Cor de Lux to the family. The North Carolina quartet create a boundary-less and lively blend of post-hardcore, shoegaze and experimental guitar rock that feels alive and not hastily edited together. Taking their cues from acts like Fugazi and Blonde Redhead, while sharing the stage with Pile, Superchunk, Archers Of Loaf and more.\u003c\/p\u003e\n\u003cp\u003eThe NC quartet have built their identity the old-fashioned way: loud rehearsals, instinctive collaboration, and live shows that turned curious locals into committed followers. They established a voice rooted in tension and movement: post-hardcore urgency, shoegaze atmosphere \u0026amp; guitar-centered unpredictability. Produced by J. 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It is the band’s sixth full-length record, and the first to feature the band’s Max Grunhard as producer since 2019’s Doko Mien. Following their Hot Chip-produced breakthrough Electricity (2022) and the darker, clubbier inflection of the Ross Orton-produced Pull the Rope (2024), \u003cem\u003eChopping Mountain\u003c\/em\u003e feels like it was pulled directly from the hearts and experiences of the Eno Williams and Grunhard-led band.\u003c\/p\u003e\n\u003cp\u003eWilliams, as always, is a siren — a once-in-a-generation frontwoman whose call, both to the dancefloor and for a better tomorrow, is impossible to resist. How she does it is a mystery. Take a song like “Return to Sender,” for instance. Inspired by a car accident in which she felt the steering wheel of her vehicle literally jump out of her hands — which she likened to “a spiritual attack by unseen forces” — the track is a sinewy, cathartic rager, a full-body workout and full-throated rejection of evil in multiple tongues, English and her native Ibibio.\u003c\/p\u003e\n\u003cp\u003eShe is, of course, hardly alone at the foot of \u003cem\u003eChopping Mountain\u003c\/em\u003e. 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The dub-inflected, breakbeat heavy soul that stirs to life beneath them — an entirely new sound for a band that has mastered blending a seemingly endless array of sounds — came naturally. “It’s about finding calm in a world that is trying to tear us down,” Williams and Grunhard explain. “Once we established that direction, the song seemed to write itself.”\u003c\/p\u003e\n\u003cp\u003eThis is, at its core, the spirit of \u003cem\u003eChopping Mountain\u003c\/em\u003e. Against the backdrop of a dispiriting world, Ibibio Sound Machine remain hopeful, seekers of consciousness and connection. On tracks like “Concept of Love,” they are direct and earnest, sculpting an Afro-disco song around Williams’ repeated question of “What is your concept of love?” They have their theory (“When you love someone \/ Let them love you back”) but the song passes the idea from member to member — a thrilling guitar solo from Bannerman, Baylis’ horn stings, vocoders, and precision drumfills — in a way that creates, almost paradoxically, a space in which one can meditate on the answer or move through it. Exploring the concept further on “Love,” they deliver an ethereal slice of highlife.\u003c\/p\u003e\n\u003cp\u003eThis heady brew of disparate styles and points of origin melds and pulls itself apart across the whole of \u003cem\u003eChopping Mountain\u003c\/em\u003e, its songs united in that they are the sharpest tools Ibibio Sound Machine can bring to bear in the present moment. They present the struggle for freedom as a communal one, in which even the smallest movement contributes to the end game. 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