{"title":"New Releases Homepage - CD","description":"","products":[{"product_id":"pavement-pavements-ost-2xcd","title":"Pavement: Pavements - Original Motion Picture Soundtrack (2xCD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/iIQ_wSznFQ0?si=OoYuAt7NUa6WYjyw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eCompiled by \u003cem\u003ePavements\u003c\/em\u003e producer\/editor Robert Greene and the band, the soundtrack ropes together disparate elements of the film – dialogue snippets, scenes from the fake Oscar-bait biopic \u003cem\u003eRange Life\u003c\/em\u003e, and cast recordings from the \u003cem\u003eSlanted! Enchanted!\u003c\/em\u003e jukebox musical as well as live and rehearsal recordings from the group’s 2021 reunion tour.\u003c\/p\u003e\n\u003cp\u003eThe full-band performances were mixed by Bryce Goggin, who worked on Pavement classics \u003cem\u003eCrooked Rain Crooked Rain\u003c\/em\u003e, \u003cem\u003eWowee Zowee\u003c\/em\u003e, and \u003cem\u003eBrighten The Corners\u003c\/em\u003e.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePavement - Intro For A Major Motion Picture\u003c\/li\u003e\n\u003cli\u003ePavement - Our Singer (LA Rehearsal Session)\u003c\/li\u003e\n\u003cli\u003eJoe Keery - Joe Keery Screen Test (Movie Clip)\u003c\/li\u003e\n\u003cli\u003ePavement - Angel Carver Blues\/Mellow Jazz Docent (Live at Cirkus, Stockholm)\u003c\/li\u003e\n\u003cli\u003eMichael Esper \u0026amp; Zoe Lister-Jones - You're Killing Me\/My Radio\/Nothing Ever Happens (Jukebox Musical Version)\u003c\/li\u003e\n\u003cli\u003ePavement - Spizzle Trunk (Portland Rehearsal Session)\u003c\/li\u003e\n\u003cli\u003ePavement - It's What I Want (Movie Clip)\u003c\/li\u003e\n\u003cli\u003ePavement - In The Mouth A Desert (Live at Le Grand Rex, Paris)\u003c\/li\u003e\n\u003cli\u003eJoe Keery - Priceless Art (Movie Clip)\u003c\/li\u003e\n\u003cli\u003ePavement - Fame Throwa (LA Rehearsal Session)\u003c\/li\u003e\n\u003cli\u003ePavement - Song Is Sacred (Movie Clip)\u003c\/li\u003e\n\u003cli\u003eMichael Esper \u0026amp; Zoe Lister-Jones \u0026amp; Kathryn Gallagher - Here (Jukebox Musical Version)\u003c\/li\u003e\n\u003cli\u003ePavement - Zürich Is Stained (Live at Cirkus, Stockholm)\u003c\/li\u003e\n\u003cli\u003eMichael Esper - When Songs Are Bought (Movie Clip)\u003c\/li\u003e\n\u003cli\u003ePavement - Witchitai-To (LA Rehearsal Session)\u003c\/li\u003e\n\u003cli\u003eBob Nastanovich - Don't Fuck With My Rolls Man (Movie Clip)\u003c\/li\u003e\n\u003cli\u003ePavement - Two States (Live at Cirkus, Stockholm)\u003c\/li\u003e\n\u003cli\u003eJoe Keery \u0026amp; Jason Schwartzman - I Can't Play Billy Joel\/Range Life Theme (Movie Clip)\u003c\/li\u003e\n\u003cli\u003eJoe Keery \u0026amp; Nat Wolff - Joe Keery Sings Range Life at Fake Lollapalooza (Deleted Scene)\u003c\/li\u003e\n\u003cli\u003ePavement - Serpentine Pad (LA Rehearsal Session)\u003c\/li\u003e\n\u003cli\u003eJoe Keery \u0026amp; Jason Schwartzman - Stairwell Scene (Movie Clip)\u003c\/li\u003e\n\u003cli\u003ePavement - Fillmore Jive (Portland Rehearsal Session)\u003c\/li\u003e\n\u003cli\u003ePavement - Circa 1762 (John Peel Session)\u003c\/li\u003e\n\u003cli\u003eMichael Esper - We Dance (Jukebox Musical Version)\u003c\/li\u003e\n\u003cli\u003ePavement - Unfair (Live at Cirkus, Stockholm)\u003c\/li\u003e\n\u003cli\u003ePavement - Harness Your Hopes (Live at Cirkus, Stockholm)\u003c\/li\u003e\n\u003cli\u003ePavement - Still Waiting On That Gold Record (Spiral Interview)\u003c\/li\u003e\n\u003cli\u003eSnail Mail - Shoot The Singer (Live from the Pavement Museum in NYC)\u003c\/li\u003e\n\u003cli\u003ePavement - Endless Loop Of Songs (Deleted Scene)\u003c\/li\u003e\n\u003cli\u003eMichael Esper \u0026amp; Zoe Lister-Jones \u0026amp; Kathryn Gallagher - No More Absolutes\/So Mind Blowing (Movie Clip)\u003c\/li\u003e\n\u003cli\u003ePavement - Grounded (Live at the Fonda Theater, Los Angeles)\u003c\/li\u003e\n\u003cli\u003eZoe Lister-Jones \u0026amp; Kathryn Gallagher \u0026amp; Joe Keery \u0026amp; Nat Wolff - Fight This Generation (Mud Throwa Musical - Live Mix)\u003c\/li\u003e\n\u003cli\u003eJoe Keery \u0026amp; Jason Schwartzman \u0026amp; Nat Wolff - The Band That Ruined Lollapalooza (Movie Clip)\u003c\/li\u003e\n\u003cli\u003eJoe Keery \u0026amp; Michael Esper - The Infrastructure Rots (Movie Clip\/Jukebox Musical Version)\u003c\/li\u003e\n\u003cli\u003ePavement - Type Slowly (Live at Cirkus, Stockholm)\u003c\/li\u003e\n\u003cli\u003eJustice Hayward \u0026amp; John El-Jor - Slanted! 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Being ghosted becomes a Western dance with a killer, and heartbreak laughs into the face of the apocalypse. Lyrics invoke rifles, scythes, sailors, saints, cowboys, floods, Mother Earth, Joan of Arc, and blazing infernos. We found this kind of evocative imagery to be the most honest and truthful way to discuss the way our experiences felt, giving each the emotional weight it deserves.”\u003c\/p\u003e\n\u003cp\u003e“This record feels a little darker, more raw and more earthy; it takes place looking out at a sublime landscape rather than seated an opulent table. 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Discovered by Tom Waits and brought on tour by Peter Gabriel to sing in his band, it was a phone call from Elbow’s Guy Garvey that saw her move to the UK. Having worked with producers John Parish (PJ Harvey), Blake Mills (Alabama Shakes), and Tony Berg (Phoebe Bridgers), her six albums of original work have brought huge acclaim from fans and critics alike, and it’s easy to see why: her expertly crafted songs, rooted in the folk tradition, are intricately detailed, harmonic curiosities teeming with bright ideas and rich emotions.\u003c\/p\u003e\n\u003cp\u003eSelective Memory is an unplugged reimagining of Jesca Hoop's fourth studio album Memories Are Now, joining the cast of stripped-back album versions for her first three releases. Aligned with this tradition in its rough and ready aesthetic, Hoop and her two bandmates, Chloe Foy and Rachel Rimmer, captured the album top to tail, performed live in Jesca's home in Manchester, UK. 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The band still look and sound like they have stepped out the pages of 2000 AD magazine with Graham Crabb and Mary Byker trading vocals like bouncing Duracell bunnies to the itching, compulsive beats surrounding them.\u003c\/p\u003e\n\u003cp\u003eDavey Bennett brings the bottom end and Cliff Hewitt plays the beats whilst Adam Mole delivers guitar aggro and sometimes waves his keyboard around with a delinquent glee. 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Four previously unheard tracks are drawn from the vaults, including the squidgy ELO-stomp of drummer, Daf Ieuan-led 'Rock ‘N’ Roll Flu,' plus the distorted space-jam of 'Cae Marw', the band’s deep-bass sketch of Palo Alto and ghostly, percussive morsel of 'Bedw Arian'.\u003c\/p\u003e\n\u003cp\u003eThe album followed six previous albums by the band, including their statement debut album, \u003cem\u003eFuzzy Logic\u003c\/em\u003e in 1996, melding an attention-demanding mix of literary, narcotic and musical influences. Maintaining a shape that was ill-fitting in the jigsaw of other 90’s guitar bands, their follow-up, UK Top Ten album, \u003cem\u003eRadiator\u003c\/em\u003e brought the hooky squelch of the bona fide indie dancefloor classic, 'The International Language Of Screaming'. 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Bringing famed Beastie Boys producer, Mario Caldato Jr along with them for the ride, the travelling band’s stay in the Catalonian hometown of Salvador Dali included found sounds, boozy petrol stations, gastronomic revelations and, finally, a rich album of strings, synths and opulent vocal harmonies.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eZoom!\u003c\/li\u003e\n\u003cli\u003eAtomik Lust\u003c\/li\u003e\n\u003cli\u003eThe Horn\u003c\/li\u003e\n\u003cli\u003eOhio Heat\u003c\/li\u003e\n\u003cli\u003eWalk You Home\u003c\/li\u003e\n\u003cli\u003eLazer Beam\u003c\/li\u003e\n\u003cli\u003eFrequency\u003c\/li\u003e\n\u003cli\u003eOi Frango\u003c\/li\u003e\n\u003cli\u003ePsyclone!\u003c\/li\u003e\n\u003cli\u003eBack On A Roll\u003c\/li\u003e\n\u003cli\u003eCloudberries\u003c\/li\u003e\n\u003cli\u003eCabin Fever\u003c\/li\u003e\n\u003cli\u003eSunny Seville\u003c\/li\u003e\n\u003cli\u003eRock ‘n’ Roll Flu\u003c\/li\u003e\n\u003cli\u003eNever More\u003c\/li\u003e\n\u003cli\u003eColonise The Moon\u003c\/li\u003e\n\u003cli\u003eZoom! 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Each of the compositions sees layers of horn and flute lines added to the melodies on top of the original live takes. The result is impressive; the listener is left with a wider sonic spectrum than previously heard on Ruby Rushton albums.\u003c\/p\u003e\n\u003cp\u003eLegacy! was recorded across four days in early 2025 at Rimshot Studios in Kent. Four days of joy, lived out in classic Ruby fashion; laughter and jokes at the heart of everything. You don’t reach your fifth album if it’s not fun. It was completely natural; a band of brothers doing what they do best. Those frosty, crisp January days found the quartet in stronger form than ever before. The band at the peak of their powers; a tight-knit group of companions and musicians, expressing themselves free of inhibitions.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAn (other) Introduction\u003c\/li\u003e\n\u003cli\u003eCharlie's Way\u003c\/li\u003e\n\u003cli\u003eTheme from Legacy! 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That evolution is what fuels much of her new album as Lala Lala, \u003cem\u003eHeaven 2\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFor many years, West lived in Chicago, where she established Lala Lala as part of that city’s indie scene, releasing several records on the Sub Pop imprint Hardly Art. Those albums, \u003cem\u003eThe Lamb\u003c\/em\u003e and \u003cem\u003eI Want The Door To Open\u003c\/em\u003e, were powerful statements from a curious artist: catchy guitar-pop songs about being stuck in the ups and downs of life, the struggle to stay sober, to leave town, to blow up your life.\u003c\/p\u003e\n\u003cp\u003eWest left Chicago to search for more and, in the process, wrote her new album, \u003cem\u003eHeaven 2\u003c\/em\u003e. On her journey, she landed in New Mexico, where she lived off the grid in Taos. “It was very challenging, freezing, infested with poisonous animals. But it’s still the most beautiful and magical place I’ve ever been and I dream about it all the time,” West says. She then made her way to Iceland, where she lived for two years on and off, with the off being in London, where she grew up.\u003c\/p\u003e\n\u003cp\u003eEventually, she made her way to Reykjavik and settled in with the music community and released an instrumental album (\u003cem\u003eIf I Were A Real Man I Would Be Able To Break The Neck Of A Suffering Bird\u003c\/em\u003e) before heading to Los Angeles, where she has fallen in love and found herself settled. L.A. has been a good place to live, if for no other reason than, in West’s words, “wherever you go, there you are. I wish there was a cooler way to say that.” Fortunately, there are: This theme of finding beauty and fulfillment wherever one can permeates \u003cem\u003eHeaven 2\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eOn “Even Mountains Erode” West sings, “There are symbols and signs, you're missing your life.” West encourages herself, and us, to slow down. To stop and smell the flowers. West produced the album with Jay Som’s Melina Duterte, who provides a strong punchiness as a bed for West’s warm, rounded vocals. The relationship between the two of them was telepathic, and the result is a bold and confident album. Duterte and West performed almost all of the album’s instruments, with a few crucial guests, like Sen Morimoto on saxophone on the opening track, “Car Anymore” and a bridge written by Porches’ Aaron Maine on the title track, “Heaven 2”.\u003c\/p\u003e\n\u003cp\u003eCatharsis is not only about the pain, but the escape that happens when you free yourself of it. And so there are moments of bold joy on the album, too. “Arrow,” which samples the French electro pop band La Femme, moves fast, and its swiftness and pleasure feel like running towards something, not away. “None of this was supposed to happen,” West sings. But it did. “It’s such a basic spiritual thing,” West says, “Resistance is the root of all suffering, and I thought I could dictate the course of my life.” Of course, like everyone else, she could not. Wherever you go, there you are.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCar Anymore\u003c\/li\u003e\n\u003cli\u003eEven Mountains Erode\u003c\/li\u003e\n\u003cli\u003eArrow\u003c\/li\u003e\n\u003cli\u003eTricks\u003c\/li\u003e\n\u003cli\u003eScammer\u003c\/li\u003e\n\u003cli\u003eHeaven2\u003c\/li\u003e\n\u003cli\u003eAnywave\u003c\/li\u003e\n\u003cli\u003eDoes This Go Faster?\u003c\/li\u003e\n\u003cli\u003eThis City\u003c\/li\u003e\n\u003cli\u003eWyoming Dirt\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Sub Pop","offers":[{"title":"Default Title","offer_id":53276449735002,"sku":"SPCD1696","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/lala-lala-heaven-2.jpg?v=1767944370"},{"product_id":"wesley-joseph-forever-ends-someday-cd","title":"Joseph, Wesley: Forever Ends Someday (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/X4UuYoxmH60?si=7FDti7TIq7clOJdU\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eUnguarded, wholly realised and entirely his own – Wesley Joseph’s long-awaited debut album sees the singer, songwriter, producer and director at his most confidently vulnerable, expressing the many layers of his creative life journey.\u003c\/p\u003e\n\u003cp\u003eThe result is \u003cem\u003eForever Ends Someday\u003c\/em\u003e - 13 tracks of self-examination cut with expansive escapism. On the Danny Brown feature “Peace Of Mind”, meanwhile, Joseph blasts through his anxieties and delivers a bass-rattling anthem with confidence and reassurance, “July” finds Joseph collaborate with Jorja Smith as the pair perform a rejoiceful callback, recorded in their hometown of Walsall, reminiscing on how far they’ve come, as well as all they have lost.\u003c\/p\u003e\n\u003cp\u003eThree years in the making, Joseph took time away from the spotlight to find his story, choosing to pursue the honesty of his art rather than capitalising on career momentum - with highlights including a sold-out headline date at London’s KOKO and a sold-out North American tour. “I just treated the record like a vessel, throwing things into it from my life all the time,” he says.\u003c\/p\u003e\n\u003cp\u003eThe title \u003cem\u003eForever Ends Someday\u003c\/em\u003e refers to the fleeting beauty of the present moment – “the idea that when you’re young things will last forever but then you grow up to realise youth is borrowed,” Joseph explains – the album’s tracks depict an honest reflection of human experience through both the light and dark.\u003c\/p\u003e\n\u003cp\u003eRecorded between London, Walsall, Los Angeles and “halfway up a mountain in Switzerland,” Joseph enlisted a core team of collaborators and co-producers to execute his vision over the three years of writing. He worked closely with composer Nicholas Jaar (The Weeknd, FKA Twigs), who lent his soundscaping sensibility to several tracks, producer Harvey Dweller (Loyle Carner, Joy Crookes), Mercury Prize-nominated Tev’n (Rina Sawayama, SBTRKT), A. K. Paul (Nao, Fabiana Palladino), Al Shux (JAY Z, Kendrick Lamar, SZA), Ryan Raines (Paul McCartney, Dominic Fike) and producer Romil Hemnani (Brockhampton).\u003c\/p\u003e\n\u003cp\u003eFrom Walsall to the world, \u003cem\u003eForever Ends Someday\u003c\/em\u003e shows that Joseph’s legacy has only just begun.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDistant Man\u003c\/li\u003e\n\u003cli\u003eWhite Tee\u003c\/li\u003e\n\u003cli\u003eIf Time Could Talk\u003c\/li\u003e\n\u003cli\u003ePluto Baby\u003c\/li\u003e\n\u003cli\u003eQuicksand\u003c\/li\u003e\n\u003cli\u003ePeace Of Mind (feat. Danny Brown)\u003c\/li\u003e\n\u003cli\u003eBlinded\u003c\/li\u003e\n\u003cli\u003eJuly (feat. 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This record has desire at its centre. Desire is a life force, it’s a wanting, a yearning, a momentum - we are all alive because there is something or someone we want - desire is an engine. But it is also mysterious, tangled, random, enlightening and HUMAN.\"\u003c\/p\u003e\n\u003cp\u003eParks crafted the album with producer Baird (Brockhampton, Kevin Abstract). Their process unfolded between NYC’s vibrant, community-rooted nightlife and long, introspective days spent in Baird’s downtown loft. The result is Parks’ most vulnerable, self-affirming, and euphoric work to date.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlue Disco\u003c\/li\u003e\n\u003cli\u003eJetta\u003c\/li\u003e\n\u003cli\u003eGet Go\u003c\/li\u003e\n\u003cli\u003eSenses ft. 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Her first album in five years, she returns with a renewed sense of clarity and control, asserting herself as a generational songwriter with a sharpened perspective.\u003c\/p\u003e\n\u003cp\u003eWhile her early work chronicled the emotional turbulence of young love, \u003cem\u003eRicochet\u003c\/em\u003e reveals a deeper fixation: time, mortality, and the quiet terror of watching the things you love slip away. The album’s 11 songs are steeped in introspection, anxiety, and acceptance — an acknowledgment that the world keeps turning regardless of what’s unfolding in your own small orbit.\u003c\/p\u003e\n\u003cp\u003eWritten during a period of intense personal change that included a move to North Carolina from NYC, \u003cem\u003eRicochet\u003c\/em\u003e finds Jordan reckoning with questions she once avoided, namely death and what comes after. 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The resulting body of work is band‑driven but groove‑heavy and dance‑adjacent.\u003c\/p\u003e\n\u003cp\u003eThe break‑beat‑assisted “Eden” has a “baggy” sound that’s reminiscent of dance‑rock hybrids of the late ’80s and early ’90s. The witty “How Dare This Beer” was written in loving tribute to the Magnetic Fields. “’87 to ’94 is my idea of the best era of music,” says Emerson. “And with Nathan, our musical taste overlaps quite a bit.”\u003c\/p\u003e\n\u003cp\u003eNathan is Nathan Jenkins, aka Bullion, who co‑produced \u003cem\u003e\u0026amp; The Charm\u003c\/em\u003e and returned to handle the bulk of its follow‑up. Much of the recording took place in Braintree, England, in the winter into spring of 2024. The two tracks co‑produced with Rostam Batmanglij (“Jupiter \u0026amp; Mars” and “Earth Alive”) were cut in Los Angeles. Synth touches were added at the Synth Cabin at Rosen Sound in Glendale, California.\u003c\/p\u003e\n\u003cp\u003eWhile the collaborative creation of \u003cem\u003eWritten Into Changes\u003c\/em\u003e diverged considerably from Emerson’s dancefloor‑tailored solo productions, the influence of dance music is splashed all over it. Emerson was fixated on her music’s low end as she crafted it. “Bass was definitely a priority,” she says.\u003c\/p\u003e\n\u003cp\u003eEmerson wrote the melodies and lyrics on \u003cem\u003eWritten Into Changes\u003c\/em\u003e, and the majority of the latter were sourced from her personal life. “It was a goal with my lyrics this time around to be a little bit more direct,” she says. The title track, one of the artist’s favourites, is about her move from Berlin to Los Angeles in 2020. The frenetic “Happy Birthday” has a sunny spirit anchored by gently devastating lyrics like those of the refrain: “Too young to die \/ Too old to break through.”\u003c\/p\u003e\n\u003cp\u003eThat track arrives having been club‑tested — Emerson has already dropped it into her sets at clubs like Panorama Bar at Berlin’s Berghain and Brooklyn’s Nowadays. Both “Eden” and “Country Mouse” are odes to Emerson’s relationship with her wife, Hunter, while “I Don’t Want to Fight” and “Earth Alive” are “about realising you can't change people and trying to take them for who they are, and sometimes that means loving them from afar,” she says.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWritten Into Changes\u003c\/em\u003e is an album about not just accepting change, but embracing it with a full wingspan. 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A preacher decides to go down with his town. A man at the florist finds himself lost in the meaning of the arrangement. These and other people at personal and societal extremes are the subjects of ten timely, timeless short stories collected as meticulously crafted pop songs by The New Pornographers on their forthcoming album, \u003cem\u003eThe Former Site Of\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe album, like \u003cem\u003eContinue As A Guest\u003c\/em\u003e, finds The New Pornographers — bandleader A.C. Newman, Neko Case, Kathryn Calder, John Collins, and Todd Fancey — expanding their already rich catalogue in surprising fashion. 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As on \u003cem\u003eContinue As A Guest\u003c\/em\u003e, one of the more readily apparent layers is the way a song forms itself around a featured instrument.\u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003eThe Former Site Of\u003c\/em\u003e, it’s a mandolin which, in Carl Newman’s hands, lends lead single “Votive” its sense of acceleration as it builds from the atmospheric sweep of its synth and keyboard opening to a classic, wide-open jam.\u003c\/p\u003e\n\u003cp\u003eFar from being the expected next chapter from The New Pornographers, \u003cem\u003eThe Former Site Of\u003c\/em\u003e is an argument against expectation by a band that continues to evolve rather than rest on their laurels. 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Two additional singles followed with “Then” and “Sproston Green”.\u003c\/p\u003e\n\u003cp\u003eThe band’s success comes not just from their ability to be able to ride the groove but also from their talent for writing standout songs. These were the gifts that made them among the greatest British survivors of our time, rolling through tragedy and stylistic changes to amass a terrific body of work - one that was modern enough to play in clubs but classicist enough to stand the test of time, and one that continues to grow to this day. 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In the 1970s, while Jamaica promoted its own roots reggae styles around the world, powerhouse USA soul labels such as Motown, Philadelphia International and Stax Records were at the same time all popular on the island.\u003c\/p\u003e\n\u003cp\u003eThis interaction between American and Jamaican music was not limited to Jamaica. 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(CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/NAWJD0r2qyw?si=wdaBk9pofouC5Pun\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eNew 2026 Edition of \u003cem\u003e600% Dynamite!\u003c\/em\u003e, part of Soul Jazz Records classic compilation series of Jamaican music, featuring killer reggae in all styles - ska, soul, rocksteady, dancehall, funk and dub.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 2003 this album has been out of print for nearly 20 years making it one of the most-collectible of Soul Jazz Records’ \u003cem\u003eDynamite!\u003c\/em\u003e Series.\u003c\/p\u003e\n\u003cp\u003eNewly remastered and relicensed for 2026, the album is packed with dancefloor classics and non-stop reggae anthems such as Tenor Saw’s ‘Golden Hen’, Johnny Osbourne’s ‘Buddy Bye’, Dennis Brown’s ‘Wolf \u0026amp; Shepard’ and Sister Nancy’s ’Transport Connection' alongside hard-to-find cuts by Tall T and the Touchers, The Interns, Tetrack and others, making the album a superlative mix of well-known classics and rarities.\u003c\/p\u003e\n\u003cp\u003eNew tracks on this edition includes the super heavyweight Interns ‘Nothing is Impossible’, wicked rocksteady with the Bleechers ‘Come Into My Parlour' and tough roots from Junior Byles ‘Long Way’ and more.\u003c\/p\u003e\n\u003cp\u003eFrom the funky rocksteady of Dennis Brown to the lovers rock of Sandra Reid, and from the sublime digital roots of Tetrack to the dancehall styles of Johnny Osbourne and Papa San - it’s all here, reggae in all styles! \u003cem\u003e600% Dynamite\u003c\/em\u003e is the next instalment in a series that became a who’s who of reggae music.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCynty and The Monkees – Lady Lady\u003c\/li\u003e\n\u003cli\u003eJohnny Osbourne – Buddy Bye\u003c\/li\u003e\n\u003cli\u003eDennis Brown – West Bound Train\u003c\/li\u003e\n\u003cli\u003eTenor Saw – Golden Hen\u003c\/li\u003e\n\u003cli\u003eThe Interns – Nothing Is Impossible\u003c\/li\u003e\n\u003cli\u003eTall T \u0026amp; The Touchers – Touching The President\u003c\/li\u003e\n\u003cli\u003ePapa San – Give Her the Credit\u003c\/li\u003e\n\u003cli\u003eDennis Brown – Wolf \u0026amp; Leopard\u003c\/li\u003e\n\u003cli\u003eSister Nancy – Transport Connection\u003c\/li\u003e\n\u003cli\u003eTetrack – You're Gonna Lose\u003c\/li\u003e\n\u003cli\u003eThe Bleechers – Come Into My Parlour\u003c\/li\u003e\n\u003cli\u003eSandra Reid – Ooh Boy\u003c\/li\u003e\n\u003cli\u003eDave and Ansel Collins – Doing Your Own Thing\u003c\/li\u003e\n\u003cli\u003ePrince Mohammed – Come Mek We Rub A Dub\u003c\/li\u003e\n\u003cli\u003eJunior Byles – Long Way\u003c\/li\u003e\n\u003cli\u003eXterminator – Love Line Version\u003c\/li\u003e\n\u003cli\u003eThe Uniques – Queen Majesty\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Soul Jazz Records","offers":[{"title":"Default Title","offer_id":53636174774618,"sku":"SJRCD589","price":14.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/various-dynamite-600_-dynamite.jpg?v=1771504313"},{"product_id":"lamisi-let-us-clap-cd","title":"Lamisi: Let Us Clap (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/KQVjAxRKRrc?si=_2E1y8rBLduzRRK8\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eLamisi’s latest album, \u003cem\u003eLet Us Clap\u003c\/em\u003e, is a bold tribute to the sisterhood of her homeland. Deep in Northern Ghana, women and girls have long kept time with intricate handclaps and harmonised chants — an age-old folkloric tradition pulsing with polyrhythms and ancestral melodies. This isn’t just music; it’s history, passed down through generations, raw and untouched.\u003c\/p\u003e\n\u003cp\u003eFellow band member and album producer; Wanlov the Kubolor is well-known for' speaking the truth' on many political and contentious topics in Ghanaian culture. His name translates from Ga as \"vagabond\" or \"street wonderer\". He is a fearless activist for the rights of minorities, a voice for the voiceless and an ambassador for the LGBTQ community who faces severe backlash in Ghana.\u003c\/p\u003e\n\u003cp\u003eFrom leading The Patch Bay Band across Ghana to lighting up global stages, Lamisi’s voice carries more than just melodies; it carries purpose. She’s on a mission to uplift young girls in Northern Ghana, where cultural traditions often sideline them in favour of their male counterparts. In a region where education for girls is still a battle, she stands as a role model, using her platform to break cycles and build futures.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAgol\u003c\/li\u003e\n\u003cli\u003eZane Ya Kinkin\u003c\/li\u003e\n\u003cli\u003eNo Orgasm in Heaven\u003c\/li\u003e\n\u003cli\u003eTumsum\u003c\/li\u003e\n\u003cli\u003eCome\u003c\/li\u003e\n\u003cli\u003eSalma Daka\u003c\/li\u003e\n\u003cli\u003eNisaal\u003c\/li\u003e\n\u003cli\u003eUnity\u003c\/li\u003e\n\u003cli\u003ePainkiller\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Real World Records","offers":[{"title":"Default Title","offer_id":53636752539994,"sku":"CDRW268","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/lamisi-let-us-clap.jpg?v=1771507554"}],"url":"https:\/\/freebirdrecords.com\/collections\/new-releases-cd.oembed?page=4","provider":"Freebird Records","version":"1.0","type":"link"}