{"title":"New CD - Rock\/Pop\/Indie","description":"","products":[{"product_id":"taste-on-the-boards-cd","title":"Taste: On The Boards (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/Lmo2lLJtSak?si=4SSQNRk6YotBtt1m\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eTaste’s second studio album, \u003cem\u003eOn The Boards\u003c\/em\u003e, was released on New Year’s Day, 1970. The cracking opener 'What’s Going On' with its agile stop-start riff, double-tracked guitars and infectious chorus became perhaps Taste’s best-known song.\u003c\/p\u003e\n\u003cp\u003e'Railway And Gun' is an emphatic slice of blues purism. The swinging jazz-tinted psychedelia of 'It’s Happened Before, It’II Happen Again' and the album’s title track with a menacing Doors-like feel and featuring Gallagher on haunting saxophone, showcases the band’s new experimentalism.\u003c\/p\u003e\n\u003cp\u003eThe pounding 'Morning Sun', the boogie-styled 'If I Don’t Sing I’ll Cry', the slide-drenched frenzy of 'Eat My Words' and the crunching 'I’ll Remember' represent different facets of classic late-60s British blues-rock at its finest, while the light, airy folk-pop of 'If the Day Was Any Longer' and the bittersweet 'See Here' present another side of Taste that draws more on rural Ireland than urban Chicago for its inspiration.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWhat's Going On\u003c\/li\u003e\n\u003cli\u003eRailway And Gun \u003c\/li\u003e\n\u003cli\u003eIt's Happened Before, It'll Happen Again\u003c\/li\u003e\n\u003cli\u003eIf The Day Was Any Longer\u003c\/li\u003e\n\u003cli\u003eMorning Sun\u003c\/li\u003e\n\u003cli\u003eEat My Words\u003c\/li\u003e\n\u003cli\u003eOn The Boards\u003c\/li\u003e\n\u003cli\u003eIf I Don't Sing I'll Cry\u003c\/li\u003e\n\u003cli\u003eSee Here\u003c\/li\u003e\n\u003cli\u003eI'll Remember\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Polydor","offers":[{"title":"Default Title","offer_id":27889341891,"sku":"8415992","price":4.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/taste-on-the-boards-cd.jpg?v=1753430183"},{"product_id":"bob-dylan-highway-61-revisited-cd","title":"Dylan, Bob: Highway 61 Revisited (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/IwOfCgkyEj0?si=F7zF0O7wkZ12Hiif\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe sixth studio album by the American singer\/songwriter, originally released in August 1965. The album combines driving blues-based music with the subtlety of poetry which creates songs that captured the political and cultural chaos of contemporary America. Features the singles 'Like a Rolling Stone', 'From A Buick 6', 'Highway 61 Revisited' and 'Queen Jane Approximately'.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLike A Rolling Stone\u003c\/li\u003e\n\u003cli\u003eTombstone Blues\u003c\/li\u003e\n\u003cli\u003eIt Takes A Lot To Laugh, It Takes A Train To Cry\u003c\/li\u003e\n\u003cli\u003eFrom A Buick 6\u003c\/li\u003e\n\u003cli\u003eBallad Of A Thin Man\u003c\/li\u003e\n\u003cli\u003eQueen Jane Approximately\u003c\/li\u003e\n\u003cli\u003eHighway 61 Revisited\u003c\/li\u003e\n\u003cli\u003eJust Like Tom Thumb's Blues\u003c\/li\u003e\n\u003cli\u003eDesolation Row\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":28448836163,"sku":"5123512","price":10.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/bob-dylan-highway-61-revisited_d552c432-3875-4053-93c6-053650f9d1ce.jpg?v=1678373347"},{"product_id":"rory-gallagher-rory-gallagher-cd","title":"Gallagher, Rory: Rory Gallagher (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/OEqXE5FtvGY?si=3_I1XkocyoCHBrwV\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eRory Gallagher’s eponymous debut solo album from 1971. The debut album features some of the most beloved Rory songs such as “I Fall Apart“, “Laundromat” and “Just The Smile”.\u003c\/p\u003e\n\u003cp\u003eThe recording saw Rory Gallagher on guitar and lead vocals as well as alto sax, harmonica and mandolin, Gerry McAvoy on bass and Wilgar Campbell on drums. Atomic Rooster’s Vincent Crane plays piano on two out of the 10 songs on the album - “Wave Myself Goodbye” and “I’m Not Surprised”.\u003c\/p\u003e\n\u003cp\u003eRory had not played live since his previous band Taste disbanded on October 24, 1970. When Rory’s eponymous solo album was released in May 1971, he embarked on a 16-date UK tour that included 10 days touring Ireland and a short jaunt in Switzerland. Recorded at the legendary Advision Studios in Fitzrovia, London, Rory’s eponymous debut album showcases the Irish guitarist as a multi-faceted interpreter of the blues with a cross-section of the blues from acoustic to heavy blues soul.\u003c\/p\u003e\n\u003cp\u003eAdvision was one of the hottest recording studios in the ’60s and ’70s, and home of classic albums recorded by The Yardbirds, The Who, The Move, T. Rex, David Bowie, Kate Bush, Elton John, Slade, Gentle Giant, Gerry Rafferty, and many more. If ever there was a “musician’s musician”, then that accolade belongs to Rory Gallagher. Renowned for his blistering live performances and highly respected for his dedication to his craft, he died in 1995, aged just 47.\u003c\/p\u003e\n\u003cp\u003eRory’s timeless reputation has continued to flourish in the years since. Indeed, some of rock’s most seminal figures, from Jimi Hendrix to Eric Clapton, Joe Satriani to Joe Bonamassa, Queen’s Brian May to The Smiths’ Johnny Marr, Slash of Guns N’ Roses to the Edge of U2, have cited him as an influence. Rory remains a touchstone for all would-be guitar heroes in the 21st Century.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLaundromat\u003c\/li\u003e\n\u003cli\u003eJust The Smile\u003c\/li\u003e\n\u003cli\u003eI Fall Apart\u003c\/li\u003e\n\u003cli\u003eWave Myself Goodbye\u003c\/li\u003e\n\u003cli\u003eHands Up\u003c\/li\u003e\n\u003cli\u003eSinner Boy\u003c\/li\u003e\n\u003cli\u003eFor The Last Time\u003c\/li\u003e\n\u003cli\u003eIt's You\u003c\/li\u003e\n\u003cli\u003eI'm Not Surprised\u003c\/li\u003e\n\u003cli\u003eCan't Believe It's True\u003c\/li\u003e\n\u003cli\u003eGypsy Woman\u003c\/li\u003e\n\u003cli\u003eIt Takes Time\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"UMC","offers":[{"title":"Default Title","offer_id":28457391619,"sku":"5797724","price":7.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/rory-gallagher-self-titled.jpg?v=1753430817"},{"product_id":"angel-olsen-my-woman-cd","title":"Olsen, Angel: My Woman (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/m8MHUzkbAkc?si=sbYq218qtmloJ2M6\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eAnyone reckless enough to have typecast Angel Olsen according to 2013’s \u003cem\u003eBurn Your Fire For No Witness\u003c\/em\u003e is in for a sizeable surprise with her third album, \u003cem\u003eMy Woman\u003c\/em\u003e. The crunchier, blown-out production of the former is gone, but that fire is now burning wilder. 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That is, until he drastically changed his sound with the 1988 album \u003ci\u003eI'm Your Man\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003eSynthesizers ruled, and a dark humour was added to his baritone. 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A masterpiece of dark orchestral folk-pop featuring playing and songwriting help from the Velvet Underground's Lou Reed, John Cale and Sterling Morrison (as well as the then unknown Jackson Browne who was dating Nico at the time).\u003c\/p\u003e\n\u003cp\u003eFeatures the definitive version of Browne's 'These Days', as well as classics like the title track and Tim Hardin's 'Eulogy To Lenny Bruce'.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Fairest Of The Seasons\u003c\/li\u003e\n\u003cli\u003eThese Days\u003c\/li\u003e\n\u003cli\u003eLittle Sister\u003c\/li\u003e\n\u003cli\u003eWinter Song\u003c\/li\u003e\n\u003cli\u003eIt Was A Pleasure Then\u003c\/li\u003e\n\u003cli\u003eChelsea Girls\u003c\/li\u003e\n\u003cli\u003eI'll Keep It With Mine\u003c\/li\u003e\n\u003cli\u003eSomewhere There's A Feather\u003c\/li\u003e\n\u003cli\u003eWrap Your Troubles In Dreams\u003c\/li\u003e\n\u003cli\u003eEulogy To Lenny Bruce\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Polydor","offers":[{"title":"Default Title","offer_id":28497479619,"sku":"8352092","price":7.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/nico-chelsea-girl_678b2551-a828-4943-b8e7-3ea484420dce.jpg?v=1731434727"},{"product_id":"pj-harvey-let-england-shake-cd","title":"Harvey, PJ: Let England Shake (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OpHvI96WnK8?si=Ggwdtn_EWY8yvMjU\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eReissue of the eighth PJ Harvey studio album \u003cem\u003eLet England Shake\u003c\/em\u003e. The album was produced by PJ Harvey, Flood and John Parish and originally released in Feburary 2011. \u003cem\u003eLet England Shake\u003c\/em\u003e features the singles ‘The Words That Maketh Murder’ and ‘The Glorious Land’ and was the second album in the catalogue to win the UK’s Mercury Music Prize. Reissue is faithful to the original recording and package, cutting by Jason Mitchell at Loud Mastering under the guidance of original co-producer John Parish.\u003c\/p\u003e\n\u003cp\u003ePolly Jean Harvey released her eighth album on Valentine’s Day – which was partly recorded in a church in her home county of Dorset. Harvey shifted from \u003cem\u003eWhite Chalk\u003c\/em\u003e’s gaunt piano ballads to a broader sound that is no less feverish and close to the bone. Imagine a minimalist take on her debut album \u003cem\u003eDry\u003c\/em\u003e’s folk-blues tilt, all urgent and wiry rhythm.\u003c\/p\u003e\n\u003cp\u003eIt was recorded mostly live with multi-instrumental support from the long-serving John Parrish and (former Bad Seed) Mick Harvey. But there are subtle additions; the signature horse ‘n’ hounds bugle leading the hunt is woven into a shifty 'The Glorious Land', the Bulgarian Women’s choral wail on the otherwise skeletal 'England'.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLet England Shake\u003c\/li\u003e\n\u003cli\u003eThe Last Living Rose\u003c\/li\u003e\n\u003cli\u003eThe Glorious Land\u003c\/li\u003e\n\u003cli\u003eThe Words That Maketh Murder\u003c\/li\u003e\n\u003cli\u003eAll And Everyone\u003c\/li\u003e\n\u003cli\u003eOn Battleship Hill\u003c\/li\u003e\n\u003cli\u003eEngland\u003c\/li\u003e\n\u003cli\u003eIn The Dark Places\u003c\/li\u003e\n\u003cli\u003eBitter Branches\u003c\/li\u003e\n\u003cli\u003eHanging In The Wire\u003c\/li\u003e\n\u003cli\u003eWritten On The Forehead\u003c\/li\u003e\n\u003cli\u003eThe Colour Of The Earth \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Island Records","offers":[{"title":"Default Title","offer_id":28523672195,"sku":"2763025","price":6.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/pj-harvey-let-england-shake-vinyl.jpg?v=1733580846"},{"product_id":"sharon-van-etten-are-we-there-cd","title":"Van Etten, Sharon: Are We There (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TTI9ArDdF2E?si=nkzezOJYX3BNrc5b\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eFor all the attention that was paid to her 2012 breakthrough \u003cem\u003eTramp\u003c\/em\u003e, Sharon Van Etten is an artist with a hunger to turn another corner and to delve deeper, writing from a place of honesty and vulnerability to create a bond with the listener that few contemporary musicians can match.\u003c\/p\u003e\n\u003cp\u003eCompelled by a restless spirit, Van Etten is continuously challenging herself. Now, the result is \u003cem\u003eAre We There\u003c\/em\u003e, a self-produced album of exceptional intimacy, sublime generosity, and immense breadth. For this album, Van Etten found a kindred spirit in veteran music producer Stewart Lerman. Originally working together on 'Boardwalk Empire', they gently moved into new roles, rallying around the idea of making a record together in Lerman's studio in New Jersey. Lerman's studio expertise gave Van Etten the freedom to make \u003cem\u003eAre We There\u003c\/em\u003e the way she imagined. Van Etten also enlisted the individual talents of her band, consisting of Heather Woods Broderick, Doug Keith and Zeke Hutchins and brought in friends Dave Hartley and Adam Granduciel from The War On Drugs, Jonathan Meiberg (Shearwater), Jana Hunter (Lower Dens), Peter Broderick, Mackenzie Scott (Torres), Stuart Bogie, Jacob C Morris and Mickey Freeze. It is clear from the opening chords in the first song 'Afraid Of Nothing' that we are witnessing a new awareness, a sign of Van Etten in full stride, writing, producing and performing from a place that seems almost mythical, were it not so touchable and real.\u003c\/p\u003e\n\u003cp\u003eAlways direct, and never shying away even from the most personally painful narratives, Van Ettten's songwriting continues to evolve. Many of the songs deal with seemingly impossible decisions, anticipation, and then resolution. She sings of the nature of desire, memory, of being lost, emptiness, of promises and loyalty, fear and change, of healing and the true self, violence and sanctuary, waiting, of silence.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAfraid Of Nothing\u003c\/li\u003e\n\u003cli\u003eTaking Chances\u003c\/li\u003e\n\u003cli\u003eYour Love Is Killing Me\u003c\/li\u003e\n\u003cli\u003eOur Love\u003c\/li\u003e\n\u003cli\u003eTarifa\u003c\/li\u003e\n\u003cli\u003eI Love You But I'm Lost\u003c\/li\u003e\n\u003cli\u003eYou Know Me Well\u003c\/li\u003e\n\u003cli\u003eBreak Me\u003c\/li\u003e\n\u003cli\u003eNothing Will Change\u003c\/li\u003e\n\u003cli\u003eI Know\u003c\/li\u003e\n\u003cli\u003eEvery Time The Sun Comes Up\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Jagjaguwar","offers":[{"title":"Default Title","offer_id":28527692163,"sku":"JAG255CD","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/sharon-van-etten-are-we-there_2fa4c9fa-ae59-469a-a3dd-410c4153351b.jpg?v=1729412448"},{"product_id":"bob-dylan-the-times-they-are-a-changin-cd","title":"Dylan, Bob: The Times They Are A-Changin' (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/fUnNBz_h8-I?si=sHdysjB2OeQGAFas\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eBob Dylan's third album \u003cem\u003eThe Times They Are a Changin'\u003c\/em\u003e, released in 1964, might not have been such a landmark as \u003cem\u003eThe Freewheelin' Bob Dylan\u003c\/em\u003e, but it still was a very strong album.\u003c\/p\u003e\n\u003cp\u003eThis album was political and social statement like no other. Most of the songs on his protest album are about very dark subjects, such as murders, racism, war, and hardship. As the album was released two months after president John F Kennedy's assassination, the powerful title track became an anthem for the generation. The lyrics are absolutely brilliant and Dylan's singing, and playing is simple, but powerful.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Times They Are A-Changin'\u003c\/li\u003e\n\u003cli\u003eBallad Of Hollis Brown\u003c\/li\u003e\n\u003cli\u003eWith God On Our Side\u003c\/li\u003e\n\u003cli\u003eOne Too Many Mornings\u003c\/li\u003e\n\u003cli\u003eNorth Country Blues\u003c\/li\u003e\n\u003cli\u003eOnly A Pawn In Their Game\u003c\/li\u003e\n\u003cli\u003eBoots Of Spanish Leather\u003c\/li\u003e\n\u003cli\u003eWhen The Ship Comes In\u003c\/li\u003e\n\u003cli\u003eThe Lonesome Death Of Hattie Carroll\u003c\/li\u003e\n\u003cli\u003eRestless Farewell\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":28783877571,"sku":"5198922","price":10.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/bob-dylan-times-changing.jpg?v=1746215523"},{"product_id":"creedence-clearwater-revival-willy-and-the-poor-boys-cd","title":"Creedence Clearwater Revival: Willy And The Poor Boys (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/5T1Qa9Oa7oU?si=PeLd7ol12RdLftG7\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eCould you imagine a modern-day band releasing three studio albums in ten months and seeing each of them later be certified at least platinum? That was the incredible pace that Creedence Clearwater Revival were setting at the end of the 1960s. Late in 1969, they completed the sequence, and saw out the decade, as they released their fourth album \u003cem\u003eWilly and the Poor Boys, \u003c\/em\u003eissued on November 2, 1969.\u003c\/p\u003e\n\u003cp\u003eProduced by lead singer and writer John Fogerty, this was the record that featured such CCR classics as “Down On The Corner,” “Fortunate Son,” and the band’s versions of Leadbelly’s “Cotton Fields” and the traditional, much-covered “Midnight Special.” Indeed, “Down On The Corner” contained the lyric that gave the album its title (“down on the corner, out in the street, Willy and the Poor Boys are playin’\/Bring a nickel, tap your feet”).\u003c\/p\u003e\n\u003cp\u003eThis was also, effectively, two great bands for the price of one. The album featured additional instrumentation by Booker T. Jones and the rest of the MGs, Steve Cropper, Donald “Duck” Dunn and Al Jackson. It was a measure of CCR’s pre-eminence by 1969 that it was something of a disappointment that the album “only” reached No.3 in the US, staying there for no fewer than six weeks, and “only” went double platinum.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDown On The Corner\u003c\/li\u003e\n\u003cli\u003eIt Came Out Of The Sky\u003c\/li\u003e\n\u003cli\u003eCotton Fields\u003c\/li\u003e\n\u003cli\u003ePoorboy Shuffle\u003c\/li\u003e\n\u003cli\u003eFeelin' Blue\u003c\/li\u003e\n\u003cli\u003eFortunate Son\u003c\/li\u003e\n\u003cli\u003eDon't Look Now\u003c\/li\u003e\n\u003cli\u003eThe Midnight Special\u003c\/li\u003e\n\u003cli\u003eSide O' The Road\u003c\/li\u003e\n\u003cli\u003eEffigy\u003c\/li\u003e\n\u003cli\u003eFortunate Son (Live In Manchester)\u003c\/li\u003e\n\u003cli\u003eIt Came Out Of The Sky (Live In Berlin)\u003c\/li\u003e\n\u003cli\u003eDown On The Corner (Jam With Booker T.)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Fantasy","offers":[{"title":"Default Title","offer_id":29168075267,"sku":"7230879","price":9.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/creedence-clearwater-revival-willy-poor-boys-cd.jpg?v=1729104469"},{"product_id":"bob-dylan-desire-cd","title":"Dylan, Bob: Desire (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/6O7rngh2LCo?si=v6-pcOQYAaKgYcaU\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDesire\u003c\/em\u003e is the seventeenth studio album by American singer-songwriter Bob Dylan, released on January 5, 1976, through Columbia Records. It is one of Dylan's most collaborative efforts, featuring the same caravan of musicians as the acclaimed \u003cem\u003eRolling Thunder Revue\u003c\/em\u003e tours the previous year.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHurricane\u003c\/li\u003e\n\u003cli\u003eIsis\u003c\/li\u003e\n\u003cli\u003eMozambique\u003c\/li\u003e\n\u003cli\u003eOne More Cup Of Coffee\u003c\/li\u003e\n\u003cli\u003eOh, Sister\u003c\/li\u003e\n\u003cli\u003eJoey\u003c\/li\u003e\n\u003cli\u003eRomance In Durango\u003c\/li\u003e\n\u003cli\u003eBlack Diamond Bay\u003c\/li\u003e\n\u003cli\u003eSara\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":29231719235,"sku":"5123452","price":10.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/bob-dylan-desire_f7ec2f3c-c06b-42de-b8ec-9d37eef9eacc.jpg?v=1678372726"},{"product_id":"steely-dan-aja-1977-cd","title":"Steely Dan: Aja (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/XRj0Ohg-y1A?si=z-nMZO409PZyhE3C\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAja\u003c\/em\u003e is the sixth studio album by the jazz rock band. Led by Walter Becker and Donald Fagen, Steely Dan released seven albums from 1972-1980. Originally released in 1977, it became the group's best-selling album, and was placed on Rolling Stone magazine's '500 Greatest Albums of All Time' list. This 1977's platinum-selling jazz-rock masterwork, includes the three hit singles - 'Deacon Blues,' Peg' and 'Josie' - and the elegant title cut.\u003c\/p\u003e\n\u003cp\u003eThe album went on to win a Grammy Award for Best Engineered Recording – Non Classical and was nominated for Album of the Year and Best Pop Performance by a Duo or Group.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlack Cow\u003c\/li\u003e\n\u003cli\u003eAja\u003c\/li\u003e\n\u003cli\u003eDeacon Blues\u003c\/li\u003e\n\u003cli\u003ePeg\u003c\/li\u003e\n\u003cli\u003eHome At Last\u003c\/li\u003e\n\u003cli\u003eI Got The News\u003c\/li\u003e\n\u003cli\u003eJosie\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"MCA Records","offers":[{"title":"Default Title","offer_id":29232510531,"sku":"8117452","price":7.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/steely-dan-aja_e76c48e5-8b25-4322-b704-7c082427bdcb.jpg?v=1733149505"},{"product_id":"bob-dylan-the-freewheelin-bob-dylan-cd","title":"Dylan, Bob: The Freewheelin' Bob Dylan (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/0rs3jCuC1Jw?si=6355BbSO3ZMzfuTJ\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWith this album Dylan emerged from the cloak of Woody Guthrie and proclaimed his own unique talent. No longer detached - the set was originally entitled \u003cem\u003eBob Dylan's Blues\u003c\/em\u003e - he personalised his songs, famously rejecting four from the final draft in favour of others reflecting his newer muse. Protest songs were given a wider resonance - the text of 'Masters of War' remains sadly relevant decades later - while his love songs are haunting but universal statements.\u003c\/p\u003e\n\u003cp\u003eDylan injected black humor into the talking blues and railed against injustice in all forms, with a perception encompassing the anger of a generation. \u003cem\u003eFreewheelin\u003c\/em\u003e' is a landmark in the development of folk and pop music.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBlowin' In The Wind\u003c\/li\u003e\n\u003cli\u003eGirl From The North Country\u003c\/li\u003e\n\u003cli\u003eMasters Of War\u003c\/li\u003e\n\u003cli\u003eDown The Highway\u003c\/li\u003e\n\u003cli\u003eBob Dylan's Blues\u003c\/li\u003e\n\u003cli\u003eA Hard Rain's A-Gonna Fall\u003c\/li\u003e\n\u003cli\u003eDon't Think Twice, It's All Right\u003c\/li\u003e\n\u003cli\u003eBob Dylan's Dream\u003c\/li\u003e\n\u003cli\u003eOxford Town\u003c\/li\u003e\n\u003cli\u003eTalking World War III Blues\u003c\/li\u003e\n\u003cli\u003eCorrina, Corrina\u003c\/li\u003e\n\u003cli\u003eHoney, Just Allow Me One More Chance\u003c\/li\u003e\n\u003cli\u003eI Shall Be Free\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":29263210691,"sku":"5123482","price":10.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/bob-dylan-freewheelin-cd.jpg?v=1746215219"},{"product_id":"love-forever-changes-cd","title":"Love: Forever Changes (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cPbNpIG8x_s?si=bH3BCA36F49bbN-Y\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eLove’s \u003ci\u003eForever Changes\u003c\/i\u003e is the psychedelic folk-rock pioneers’ finest achievement. Mostly overlooked when it was released in 1967, today the album is considered an indispensable masterpiece.\u003c\/p\u003e\n\u003cp\u003eRecorded during the Summer of Love in Hollywood, CA, \u003ci\u003eForever Changes\u003c\/i\u003e is the group’s most fully realized studio effort, featuring Arthur Lee (vocals, guitar), Johnny Echols (lead guitar), Bryan MacLean (rhythm guitar, vocals), Ken Forssi (bass) and Michael Stuart (drums, percussion). The original album introduced classics like \"Andmoreagain\", \"Red Telephone\", \"A House Is Not A Motel\" and \"Alone Again Or\".\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAlone Again Or\u003c\/li\u003e\n\u003cli\u003eA House Is Not A Motel\u003c\/li\u003e\n\u003cli\u003eAndmoreagain\u003c\/li\u003e\n\u003cli\u003eThe Daily Planet\u003c\/li\u003e\n\u003cli\u003eOld Man\u003c\/li\u003e\n\u003cli\u003eThe Red Telephone\u003c\/li\u003e\n\u003cli\u003eMaybe The People Would Be The Times Or Between Clark And Hilldale\u003c\/li\u003e\n\u003cli\u003eLive And Let Live\u003c\/li\u003e\n\u003cli\u003eThe Good Humor Man He Sees Everything Like This\u003c\/li\u003e\n\u003cli\u003eBummer In The Summer\u003c\/li\u003e\n\u003cli\u003eYou Set The Scene\u003c\/li\u003e\n\u003cli\u003eHummingbirds (Demo)\u003c\/li\u003e\n\u003cli\u003eWonder People (I Do Wonder) (Outtake)\u003c\/li\u003e\n\u003cli\u003eAlone Again Or (Alternate Mix)\u003c\/li\u003e\n\u003cli\u003eYou Set The Scene (Alternate Mix)\u003c\/li\u003e\n\u003cli\u003eYour Mind And We Belong Together (Tracking Sessions Highlights)\u003c\/li\u003e\n\u003cli\u003eYour Mind And We Belong Together\u003c\/li\u003e\n\u003cli\u003eLaughing Stock\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Elektra","offers":[{"title":"Default Title","offer_id":29266281155,"sku":"0081227353728","price":6.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/love-forever-changes_fa949511-f686-45e3-a3ca-20ab3e33e736.jpg?v=1727510814"},{"product_id":"queens-of-the-stone-age-rated-r-cd","title":"Queens Of The Stone Age: Rated R (2xCD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/j4o7BlWmqK0?si=rE79K1ZU4PHRzf5l\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhen their self-titled debut slipped under the radar in 1998, Queens Of The Stone Age were still very much a cult-level affair, unknown to most save for California’s alt.rock cognoscenti. However, their stock rose dramatically when, on June 6, 2000, they issued the widely acclaimed \u003cem\u003eRated R\u003c\/em\u003e, a superlative second effort that found QOTSA frontman Josh Homme coming into his own.\u003c\/p\u003e\n\u003cp\u003eWickedly infectious, post-grunge belters such as “Monsters In The Parasol” and the acid-fried “Auto Pilot” showed the band were beginning to stockpile material that could bring them mainstream attention. Indeed, the stupidly catchy “Feel Good Hit Of The Summer” would surely have been a monster radio hit if its controversial chorus (“Nicotine, Valium, Vicodin, marijuana, ecstasy, alcohol!”) hadn’t been quite so gleefully hedonistic.\u003c\/p\u003e\n\u003cp\u003eFurther raising QOTSA’s profile, \u003cem\u003eRated R\u003c\/em\u003e was greeted by a raft of positive reviews, with \u003cem\u003eThe Guardian\u003c\/em\u003e even declaring that “with the atmosphere thickening with every psychedelic swirl, \u003cem\u003eRated R\u003c\/em\u003e recalls the menace of Iggy Pop in his prime.” It duly sold solidly, yielding the band’s first gold disc in the UK and setting the scene for their arrival on the wider global stage with 2002’s formidable \u003cem\u003eSongs For The Deaf.\u003c\/em\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFeel Good Hit Of The Summer\u003c\/li\u003e\n\u003cli\u003eThe Lost Art Of Keeping A Secret\u003c\/li\u003e\n\u003cli\u003eLeg Of Lamb\u003c\/li\u003e\n\u003cli\u003eAuto Pilot\u003c\/li\u003e\n\u003cli\u003eBetter Living Through Chemistry\u003c\/li\u003e\n\u003cli\u003eMonsters In The Parasol\u003c\/li\u003e\n\u003cli\u003eQuick And To The Pointless\u003c\/li\u003e\n\u003cli\u003eIn The Fade\u003c\/li\u003e\n\u003cli\u003eTension Head\u003c\/li\u003e\n\u003cli\u003eLightning Song\u003c\/li\u003e\n\u003cli\u003eI Think I Lost My Headache\u003c\/li\u003e\n\u003cli\u003eFeel Good Hit Of The Summer\u003c\/li\u003e\n\u003cli\u003eNever Say Never\u003c\/li\u003e\n\u003cli\u003eYou're So Vague\u003c\/li\u003e\n\u003cli\u003eWho'll Be The Next In Line\u003c\/li\u003e\n\u003cli\u003eFeel Good Hit Of The Summer (CD-ROM Video)\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Interscope Records","offers":[{"title":"Default Title","offer_id":3069033316376,"sku":"4908632","price":7.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/queens-stone-age-rated-r_ffcc2c17-f060-4fc6-ad5b-220608c35dfa.jpg?v=1754070222"},{"product_id":"brian-eno-taking-tiger-mountain-strategy-1974-cd","title":"Eno, Brian: Taking Tiger Mountain (By Strategy) (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/Xd8ZfKNgraY?si=vFneus7Gp5yvrnYf\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eContinuing the twisted pop explorations of \u003cem\u003eHere Come the Warm Jets\u003c\/em\u003e, Brian Eno's sophomore album, \u003cem\u003eTaking Tiger Mountain (By Strategy)\u003c\/em\u003e, is more subdued and cerebral, and a bit darker when he does cut loose, but it's no less thrilling once the music reveals itself. It's a loose concept album -- often inscrutable, but still playful -- about espionage, the Chinese Communist revolution, and dream associations, with the more stream-of-consciousness lyrics beginning to resemble the sorts of random connections made in dream states.\u003c\/p\u003e\n\u003cp\u003eEno's richly layered arrangements juxtapose very different treated sounds, yet they blend and flow together perfectly, hinting at the directions his work would soon take with the seamless sound paintings of \u003cem\u003eAnother Green World\u003c\/em\u003e. Although not quite as enthusiastic as \u003cem\u003eHere Come the Warm Jets\u003c\/em\u003e, \u003cem\u003eTaking Tiger Mountain (By Strategy)\u003c\/em\u003e is made accessible through Eno's mastery of pop song structure, a form he would soon transcend and largely discard.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBurning Airlines Give You So Much More\u003c\/li\u003e\n\u003cli\u003eBack In Judy's Jungle\u003c\/li\u003e\n\u003cli\u003eThe Fat Lady Of Limbourg\u003c\/li\u003e\n\u003cli\u003eMother Whale Eyeless\u003c\/li\u003e\n\u003cli\u003eThe Great Pretender\u003c\/li\u003e\n\u003cli\u003eThird Uncle\u003c\/li\u003e\n\u003cli\u003ePut A Straw Under Baby\u003c\/li\u003e\n\u003cli\u003eThe True Wheel\u003c\/li\u003e\n\u003cli\u003eChina My China\u003c\/li\u003e\n\u003cli\u003eTaking Tiger Mountain  \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Virgin","offers":[{"title":"Default Title","offer_id":3069658988568,"sku":"ENOCDX2","price":7.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/brian-eno-taking-tiger-mountain.jpg?v=1727725483"},{"product_id":"bob-dylan-hard-rain-cd","title":"Dylan, Bob: Hard Rain (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_EiJGcwD5v8?si=HDSTOhYftGS6XPVd\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eFor the last few months of 1975 and the first few of 1976, Bob Dylan led two tours, both unoffically called 'Rolling Thunder.' The tours were a kind of travelling circus, with many guest musicians (Roger Mcguinn, Joan Baez, T-Bone Burnett, Mick Ronson, Ronee Blakely) and some weird hangers-on (Dennis Hopper, Sam Shepard). Out of these notorious shows came Dylan's much ballyhooed (and largely unseen) four-hour film Renaldo and Clara, a TV concert special, and this live album, released in late 1976.\u003c\/p\u003e\n\u003cp\u003eOften dismissed as one of Dylan's lesser recordings, \u003ci\u003eHard Rain\u003c\/i\u003e is actually, in some ways, one of his best. Partially inspired by Patti Smith and by a chaotic personal life, this album captures Dylan's music at its most raucous. Indeed, some have called it his 'punk' album.\u003c\/p\u003e\n\u003cp\u003eHis singing, especially on \"Idiot Wind\" and \"Shelter From The Storm\", has never sounded more venomous. Older material like \"Maggie's Farm\" and \"One Too Many Mornings\" is drastically rearranged. \u003ci\u003eHard Rain\u003c\/i\u003e should rightfully be compared to Neil Young's \u003ci\u003eTime Fades Away\u003c\/i\u003e as a wrongfully overlooked live album by a major artist.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMaggie's Farm\u003c\/li\u003e\n\u003cli\u003eOne Too Many Mornings\u003c\/li\u003e\n\u003cli\u003eStuck Inside Of Mobile With The Memphis Blues Again\u003c\/li\u003e\n\u003cli\u003eOh, Sister\u003c\/li\u003e\n\u003cli\u003eLay, Lady, Lay\u003c\/li\u003e\n\u003cli\u003eShelter From The Storm\u003c\/li\u003e\n\u003cli\u003eYou're A Big Girl Now\u003c\/li\u003e\n\u003cli\u003eI Threw It All Away\u003c\/li\u003e\n\u003cli\u003eIdiot Wind\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":3077399281688,"sku":"COLCD32308","price":10.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/bob-dylan-hard-rain-cd.jpg?v=1746212981"},{"product_id":"leonard-cohen-old-ideas-cd","title":"Cohen, Leonard: Old Ideas (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sc_J0_WAIuM?si=lPhkxJ-YrMxrqqWk\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eLauded poet's first studio album in eight years is latest in an esteemed career spanning six decades. The album's ten songs poetically address some of the most profound quandaries of human existence - the relationship to a transcendent being, love, sexuality, loss and death.\u003c\/p\u003e\n\u003cp\u003eArguably the most overtly spiritual of the revered artist's albums, \u003cem\u003eOld Ideas\u003c\/em\u003e inspires commitment to a greater sense of compassion and decency. while the recording of \u003cem\u003eOld Ideas\u003c\/em\u003e began in earnest in January 2011, many of the new songs and their lyrics have been in the works for years.\u003c\/p\u003e\n\u003cp\u003eEarly versions of two album tracks, 'Amen' and 'Lullaby' were originally recorded in 2007, while early versions of 'Lullaby' and 'The Darkness' were performed live during Cohen's recently concluded, sold-out world tour.\u003c\/p\u003e\n\u003cp\u003eThe album by was produced with Patrick Leonard, Anjani Thomas, Ed Sanders and Dino Soldo. 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But occasionally, an artist proves the form more malleable and capacious than we knew. With \u003cem\u003eLaurel Hell\u003c\/em\u003e, Mitski cements her reputation as an artist in possession of such power – capable of using her talent to perform the alchemy that turns our most savage and alienated experiences into the very elixir that cures them.\u003c\/p\u003e\n\u003cp\u003eHer critically beloved last album, \u003cem\u003eBe the Cowboy\u003c\/em\u003e, built on the breakout acclaim of 2016’s \u003cem\u003ePuberty 2\u003c\/em\u003e and launched her from cult favorite to indie star. She ascended amid a fever of national division, and the grind of touring and pitfalls of increased visibility influenced her music as much as her spirit. Like the mountain laurels for this new album is named, public perception, like the intoxicating prism of the internet, can offer an alluring façade that obscures a deadly trap - one that tightens the more you struggle. 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