{"title":"Mute","description":"","products":[{"product_id":"nick-cave-bad-seeds-let-love-in-vinyl","title":"Cave, Nick \u0026 The Bad Seeds: Let Love In (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/iNNmeb-D9Iw?si=Kn8f09s-w6bu2GHI\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eProduced by Tony Cohen, much of the power of \u003ci\u003eLet Love In\u003c\/i\u003e lies in the mesmerizing intensity of its songs. The sinister and explosive \"Red Right Hand\" has been covered by everyone from Arctic Monkeys to PJ Harvey, and the song has featured many soundtracks including the Scream trilogy and more recently the opening and closing music to Peaky Blinders.\u003c\/p\u003e\n\u003cp\u003eVinyl transfer approval overseen by Mick Harvey Summer 2014, cut at Abbey Road studios.\u003c\/p\u003e\n\u003cp\u003eRemastered and reissued on 180g vinyl.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDo You Love Me?\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eNobody's Baby Now\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLoverman\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eJangling Jack\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eRed Right Hand \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eI Let Love In \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThirsty Dog \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAin't Gonna Rain Anymore \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eLay Me Low\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eDo You Love Me? 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Recorded entirely in London at Abbey Road and Westside Studios, \u003cem\u003eNo More Shall We Part\u003c\/em\u003e consists of the identical band line-up as \u003cem\u003eThe Boatman's Call\u003c\/em\u003e, abetted by backing vocals from Kate and Anna McGarrigle. 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Additional guest singers include PJ Harvey and Shane MacGowan. \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSong Of Joy\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eHenry Lee (featuring PJ Harvey)\u003c\/li\u003e\n\u003cli\u003eLovely Creature\u003c\/li\u003e\n\u003cli\u003eStagger Lee\u003c\/li\u003e\n\u003cli\u003eWhere The Wild Roses Grow (featuring Kylie Minogue)\u003c\/li\u003e\n\u003cli\u003eThe Curse Of Millhaven\u003c\/li\u003e\n\u003cli\u003eThe Kindness Of Strangers\u003c\/li\u003e\n\u003cli\u003eCrow Jane\u003c\/li\u003e\n\u003cli\u003eO'Malley's Bar\u003c\/li\u003e\n\u003cli\u003eDeath Is Not The End\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":29422404419,"sku":"LPSEEDS9","price":32.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/nick-cave-bad-seeds-murder-ballads.jpg?v=1704911174"},{"product_id":"nick-cave-bad-seeds-henrys-dream-vinyl","title":"Cave, Nick \u0026 The Bad Seeds: Henry's Dream (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fntiehxdDG8?si=cN-ixhvGLrDOc05E\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eVinyl transfer approval overseen by Mick Harvey Summer 2014, cut at Abbey Road studios. 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Laced with piano, vibraphone and choral backing vocals, songs such as 'Foi Na Cruz' and 'Lucy' unveil Cave as the unabashed romantic, willing to go as far over the top as necessary to prove his emotional commitment to the material. It is this quality that finally puts him on an even keel with the balladeers whose influence he bears so strongly (Scott Walker, Leonard Cohen, etc.).\u003c\/p\u003e\n\u003cp\u003eDespite the lush arrangements, it's not all sweetness and light. Pretty melodies mask untold grief on 'The Weeping Song' and 'Sorrow's Child'. 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Laced with piano, vibraphone and choral backing vocals, songs such as 'Foi Na Cruz' and 'Lucy' unveil Cave as the unabashed romantic, willing to go as far over the top as necessary to prove his emotional commitment to the material. It is this quality that finally puts him on an even keel with the balladeers whose influence he bears so strongly (Scott Walker, Leonard Cohen, etc.).\u003c\/p\u003e\n\u003cp\u003eDespite the lush arrangements, it's not all sweetness and light. Pretty melodies mask untold grief on 'The Weeping Song' and 'Sorrow's Child'. A near-religious transcendence is approached on 'The Witness Song'. \u003cem\u003eThe Good Son\u003c\/em\u003e is a strange, lovely diversion in the varied career of this complex artist. \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFoi Na Cruz\u003c\/li\u003e\n\u003cli\u003eThe Good Son\u003c\/li\u003e\n\u003cli\u003eSorrow's Child\u003c\/li\u003e\n\u003cli\u003eThe Weeping Song\u003c\/li\u003e\n\u003cli\u003eThe Ship Song\u003c\/li\u003e\n\u003cli\u003eThe Hammer Song\u003c\/li\u003e\n\u003cli\u003eLament\u003c\/li\u003e\n\u003cli\u003eThe Witness Song\u003c\/li\u003e\n\u003cli\u003eLucy\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":46395006157146,"sku":"964167682","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/nick-cave-bad-seeds-good-son_500be501-72a5-45c6-bf85-52a4bb1abe76.jpg?v=1730494555"},{"product_id":"nick-cave-the-bad-seeds-tender-prey-cd","title":"Cave, Nick \u0026 The Bad Seeds: Tender Prey (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Are2FK_P3xY?si=SWJ3sk8Y7yxr-nQS\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe dark, poetic troubadour tendencies hinted at in Cave's work as early as his first album's cover of Leonard Cohen's 'Avalance' blossom on 1988's \u003cem\u003eTender Prey\u003c\/em\u003e. In a style recalling Cohen and Tom Waits, Cave ups the lyrical ante considerably here. On gory detail-oriented, literate tunes like 'Up Jumped the Devil' and 'Mercy', Cave's second life as a novelist (he would soon author a book) is obvious. Here, the distance he achieves from his inner demons allows him to focus more on crafting his personal horror stories, making him seem like the Edgar Allen Poe of the rock world.\u003c\/p\u003e\n\u003cp\u003eThe balladic approach introduced on the covers album \u003cem\u003eKicking Against the Pricks\u003c\/em\u003e also develops here, on melodic, piano-based songs like 'Slowly Goes the Night' and 'Watching Alice'. On these, Cave recalls an earlier, similarly iconoclastic balladeer, Scott Walker. \u003cem\u003eTender Prey\u003c\/em\u003e proved a turning point for Cave, and it's one of his strongest albums\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eThe Mercy Seat\u003c\/li\u003e\n\u003cli\u003eUp Jumped The Devil\u003c\/li\u003e\n\u003cli\u003eDeanna\u003c\/li\u003e\n\u003cli\u003eWatching Alice\u003c\/li\u003e\n\u003cli\u003eMercy\u003c\/li\u003e\n\u003cli\u003eCity Of Refuge\u003c\/li\u003e\n\u003cli\u003eSlowly Goes The Night\u003c\/li\u003e\n\u003cli\u003eSunday's Slave\u003c\/li\u003e\n\u003cli\u003eSugar Sugar Sugar\u003c\/li\u003e\n\u003cli\u003eNew Morning\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":46395011072346,"sku":"964167662","price":12.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/nick-cave-tender-prey_c973fbee-66cc-45db-be9f-cfdc874fa3d3.jpg?v=1777985180"},{"product_id":"nick-cave-bad-seeds-boatmans-call-cd","title":"Cave, Nick \u0026 The Bad Seeds: The Boatman's Call (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/_8M_N75nH8Q?si=ZXr8hFXxO8Hf1d-o\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis edition, personally approved by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNick Cave, is finally available again on its original format.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Boatman's Call\u003c\/em\u003e is the tenth studio album by\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eNick Cave \u0026amp; The Bad Seeds, released in 1997. The album, which is entirely piano-based and a departure from the band's post-punk catalogue, remains one of the most critically acclaimed releases of Nick Cave's career. · Recording for the album began in London in mid 1996, with the bulk recorded at\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eSarm West\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eand further recordings done at\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eAbbey Road Studios.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMoving away from full-band arrangements and character-based narratives, the album's music and lyrics move towards the more intimate sound of Cave's solo voice accompanied by piano or a few other instruments. The tempo is also generally slow, reflecting many of the moods of the songs. Many of the lyrics seem to reflect on Cave's personal relationships and spiritual yearnings at the time of writing.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eInto My Arms\u003c\/li\u003e\n\u003cli\u003eLime Tree Arbour\u003c\/li\u003e\n\u003cli\u003ePeople Ain't No Good\u003c\/li\u003e\n\u003cli\u003eBrompton Oratory\u003c\/li\u003e\n\u003cli\u003eThere Is A Kingdom\u003c\/li\u003e\n\u003cli\u003e(Are You) The One That I've Been Waiting For?\u003c\/li\u003e\n\u003cli\u003eWhere Do We Go Now But Nowhere?\u003c\/li\u003e\n\u003cli\u003eWest Country Girl\u003c\/li\u003e\n\u003cli\u003eBlack Hair\u003c\/li\u003e\n\u003cli\u003eIdiot Prayer\u003c\/li\u003e\n\u003cli\u003eFar From Me\u003c\/li\u003e\n\u003cli\u003eGreen Eyes\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":46395014021466,"sku":"CDXSTUMM142","price":11.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/nick-cave-boatmans-call_8a1b6f87-048e-465b-a314-374f236242e4.jpg?v=1725792301"},{"product_id":"can-live-in-paris-1973-vinyl","title":"Can: Live In Paris 1973 (Vinyl 2xLP)","description":"\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?si=v7h7088DfjMU12Ta\u0026amp;list=OLAK5uy_n-0aDqk52WFnQjIf4CpnWNWoyytvAxDXA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMute and Spoon Records present the next instalment of the curated CAN live concert series, \u003cem\u003eLive In Paris 1973\u003c\/em\u003e - the first in the series to feature Damo Suzuki's vocals. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe series was overseen by founding member Irmin Schmidt and producer\/engineer René Tinner, who delicately worked on restoring the archival recordings to the best quality for current modern technology.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis record captures the band’s 1973 performance in Paris and features Irmin Schmidt on keyboard \u0026amp; synths, Jaki Liebezeit on drums, Michael Karoli on guitars, Holger Czukay on bass, and Damo Suzuki on vocals for one of his final shows with the band.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eParis 73 Eins (Part 1)\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eParis 73 Eins (Part 2)\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eParis 73 Zwei\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eParis 73 Drei\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eParis 73 Vier\u003cbr data-mce-fragment=\"1\"\u003e\n\u003c\/li\u003e\n\u003cli\u003eParis 73 Fünf\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":47696785080666,"sku":"FDSPOON66","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/can-live-paris-1973.jpg?v=1708618739"},{"product_id":"recoil-liquid-vinyl","title":"Recoil: Liquid (Vinyl 2xLP)","description":"\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/MkPtn7mgbC8?si=H2Tq_cfCw0JUqSE_\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003eRecoil is the musical project of former Depeche Mode member, Alan Wilder, and Mute will repress the project’s last three albums \u003cem\u003eLiquid\u003c\/em\u003e, \u003cem\u003eUnsound Methods\u003c\/em\u003e and \u003cem\u003esubHuman\u003c\/em\u003e. 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The inimitable, titanic Mark Stewart, never normalised, always extraordinary.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMemory Of You\u003c\/li\u003e\n\u003cli\u003eNeon Girl\u003c\/li\u003e\n\u003cli\u003eThis Is The Rain\u003c\/li\u003e\n\u003cli\u003eEverybody’s Got To Learn Sometime (Bébe Durmiendo Cumbia Bootleg)\u003c\/li\u003e\n\u003cli\u003eStable Song\u003c\/li\u003e\n\u003cli\u003eTwilight’s Child\u003c\/li\u003e\n\u003cli\u003eCrypto Religion\u003c\/li\u003e\n\u003cli\u003eBlank Town\u003c\/li\u003e\n\u003cli\u003eA Long Road\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":51639166533978,"sku":"CDSTUMM517","price":12.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/mark-stewart-fateful-symmetry_01183cef-7e15-4edc-a0d0-766821da681c.jpg?v=1778436327"},{"product_id":"mark-stewart-the-fateful-symmetry-coloured-vinyl","title":"Stewart, Mark: The Fateful Symmetry (Coloured Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/r2V_XYHhstI?si=owEY3o9zTes8Hw2f\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe groundbreaking, enduringly influential artist Mark Stewart presents his eighth solo album \u003cem\u003eThe Fateful Symmetry\u003c\/em\u003e, a vital new masterwork completed shortly before his untimely passing in April 2023.\u003c\/p\u003e\n\u003cp\u003eAcross an illustrious career of pioneering music with The Pop Group, Mark Stewart \u0026amp; The Maffia and as a solo artist, Stewart has produced a seminal body of work, galvanised by the DIY ideals of punk, radical politics, protest movements, theory, philosophy, technology, art and poetry. With \u003cem\u003eThe Fateful Symmetry\u003c\/em\u003e, Stewart’s abiding legacy as a ‘“revered countercultural musician” (The Guardian) is sustained, with an album as fearless and visionary as his best work.\u003c\/p\u003e\n\u003cp\u003eTestifying to his prolific, unrelenting ingenuity, and signifying one of his most intimate, empowering statements, \u003cem\u003eThe Fateful Symmetry\u003c\/em\u003e is an astonishingly expressive and innovative record; a fierce and beautiful manifesto for a better world. The inimitable, titanic Mark Stewart, never normalised, always extraordinary.\u003c\/p\u003e\n\u003cp\u003eRed vinyl version.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMemory Of You\u003c\/li\u003e\n\u003cli\u003eNeon Girl\u003c\/li\u003e\n\u003cli\u003eThis Is The Rain\u003c\/li\u003e\n\u003cli\u003eEverybody’s Got To Learn Sometime (Bébe Durmiendo Cumbia Bootleg)\u003c\/li\u003e\n\u003cli\u003eStable Song\u003c\/li\u003e\n\u003cli\u003eTwilight’s Child\u003c\/li\u003e\n\u003cli\u003eCrypto Religion\u003c\/li\u003e\n\u003cli\u003eBlank Town\u003c\/li\u003e\n\u003cli\u003eA Long Road\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":51644997632346,"sku":"STUMM517","price":26.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/mark-stewart-fateful-symmetry.jpg?v=1752245923"},{"product_id":"grinderman-grinderman-cd","title":"Grinderman: Grinderman (CD)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/uzq_o8vQXLo?si=OxqRdmgXekLcvwb5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eGrinderman formed in 2005 when Nick Cave was writing material for the Nick Cave \u0026amp; The Bad Seeds album \u003cem\u003eAbattoir Blues \/ The Lyre Of Orpheus\u003c\/em\u003e. Featuring Martyn Casey on bass, Warren Ellis on violin and guitar, and Jim Sclavunos on drums, the band crafted songs together. In 2006, they entered a London studio and began a marathon session of songwriting and demo recording.\u003c\/p\u003e\n\u003cp\u003eAiming to recreate the rawer, more primal sound of Cave's acclaimed post-punk project The Birthday Party, Grinderman's lyrics and music were a significant departure from Nick Cave's earlier work with The Bad Seeds.\u003c\/p\u003e\n\u003cp\u003eThe following April, they recorded the best of these new songs and, with the help of their longtime friend and producer Nick Launay, recorded an album. Their eleven-song debut album, \u003cem\u003eGrinderman\u003c\/em\u003e, released on March 5, 2007, received critical acclaim and included the singles \"No Pussy Blues\" and \"Get It On\".\u003c\/p\u003e\n\u003cp\u003eThe quartet reunited in 2009 to record \u003cem\u003eGrinderman 2,\u003c\/em\u003e released in 2010. In December 2011, Cave announced the band's dissolution at a music festival in Australia.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGet It On\u003c\/li\u003e\n\u003cli\u003eNo Pussy Blues\u003c\/li\u003e\n\u003cli\u003eElectric Alice\u003c\/li\u003e\n\u003cli\u003eGrinderman\u003c\/li\u003e\n\u003cli\u003eDepth Charge Ethel\u003c\/li\u003e\n\u003cli\u003eGo Tell The Women\u003c\/li\u003e\n\u003cli\u003e(I Don't Need You To) Set Me Free\u003c\/li\u003e\n\u003cli\u003eHoney Bee (Let's Fly To Mars)\u003c\/li\u003e\n\u003cli\u003eMan In The Moon\u003c\/li\u003e\n\u003cli\u003eWhen My Love Comes Down\u003c\/li\u003e\n\u003cli\u003eLove Bomb\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":51683415228762,"sku":"964145522","price":13.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/grinderman-self-titled-cd.jpg?v=1752752661"},{"product_id":"grinderman-grinderman-2-cd","title":"Grinderman: Grinderman 2 (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/yxbA_f9Uggk?si=Ei2VR80EiNd6-eYs\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Grinderman released their debut in 2007, Nick Cave, Warren Ellis, Jim Sclavunos, and Martyn Casey created a reckless, drunken animal of an alter ego to the Bad Seeds. The album bridged territory mined by everyone from the Stooges to Suicide to Bo Diddley.\u003c\/p\u003e\n\u003cp\u003eAgain recorded in the company of producer Nick Launay, \u003cem\u003eGrinderman 2\u003c\/em\u003e is a more polished and studied affair than its predecessor, but it's a more sonically adventurous, white-hot rock \u0026amp; roll record.\u003c\/p\u003e\n\u003cp\u003eThe opening, \"Mickey Mouse And The Goodbye Man\", comes closest to the songs on the previous album, but feels like it comes by way of Patti Smith's \u003cem\u003eRadio Ethiopia\u003c\/em\u003e, Howlin' Wolf, and the Scientists. It's pure scummy, sleazy, in-the-red dissonant rock. The swampy, ribald blues of \"Kitchenette\", features Casey's bass roiling around distorted, Echoplexed electric guitar, electric bouzouki, and jungle-like tom-toms and kick drums.\u003c\/p\u003e\n\u003cp\u003eCave does his best lecher-in-heat blues howl -- if Charles Bukowski had sung the blues, this is what it would have sounded like. \"Worm Tamer\" is a thundering, interlocked coil of triple-note vamps on electric guitar and violin; there's an organ that sounds like Sun Ra playing in a burlesque theater, and an elastic groove in the rhythm section that threatens to take the entire thing off the rails, but purposely never does. While the controlled feedback suggests the earliest sounds of the Bad Seeds live, the layered harmony vocals and tautly held tension between rhythm and lead instruments -- all on stun -- reveal a disciplined sophistication.\u003c\/p\u003e\n\u003cp\u003eIt sounds akin to Loop, Spiritualized, and Ash Ra meeting careening 21st century garage rock, as distorted back masked loops of guitar, organ and drums drive spooky chanted vocals that churn, rumble and crack in response. With its expansive textural and atmospheric palette, and deliberately studied dynamic bombast, \u003cem\u003eGrinderman 2\u003c\/em\u003e still contains an overdose of rock and roll adrenaline and is drenched in comic sleaze, but it also sounds like a new, more experimental direction for the band more than it does a continuation of its predecessor.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMickey Mouse And The Goodbye Man\u003c\/li\u003e\n\u003cli\u003eWorm Tamer\u003c\/li\u003e\n\u003cli\u003eHeathen Child\u003c\/li\u003e\n\u003cli\u003eWhen My Baby Comes\u003c\/li\u003e\n\u003cli\u003eWhat I Know\u003c\/li\u003e\n\u003cli\u003eEvil\u003c\/li\u003e\n\u003cli\u003eKitchenette\u003c\/li\u003e\n\u003cli\u003ePalaces Of Montezuma\u003c\/li\u003e\n\u003cli\u003eBellringer Blues\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":51683505144154,"sku":"964145512","price":13.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/grinderman-2-cd.jpg?v=1752752795"},{"product_id":"grinderman-grinderman-2-rmx-cd","title":"Grinderman: Grinderman 2 RMX (CD)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/292vJsU_acg?si=v_HkPgrzBgx-CXad\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGrinderman 2 Rmx\u003c\/em\u003e's many outstanding tracks include 'Super Heathen Child' - a collaborative version of Grinderman's 'Heathen Child' which teams the band up with legendary guitarist Robert Fripp (King Crimson, David Bowie, Eno); an exclusive previously unreleased remix of 'Bellringer Blues' by Yeah Yeah Yeahs' guitarist Nick Zinner (about which Grinderman enthuse \"it shits all over the original!\").\u003c\/p\u003e\n\u003cp\u003eA remix of 'Mickey Mouse And The Goodbye Man' by producer \/ musician Joshua Homme (Queens of the Stone Age); 'When My Baby Comes' by Cat's Eyes (a duo consisting of Horrors' front-man Faris Badwan and soprano Rachel Zeffira); 'Evil' reinterpreted by Silver Alert (Grinderman's Jim Sclavunos) and The National's front man Matt Berninger; and Grinderman's original demo version of 'Evil', 'First Evil'.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSuper Heathen Child\u003c\/li\u003e\n\u003cli\u003eWorm Tamer (A Place To Bury Strangers Remix)\u003c\/li\u003e\n\u003cli\u003eBellringer Blues (Nick Zinner Remix)\u003c\/li\u003e\n\u003cli\u003eHyper Worm Tamer\u003c\/li\u003e\n\u003cli\u003eMickey Bloody Mouse (Joshua Homme Remix)\u003c\/li\u003e\n\u003cli\u003eWhen My Baby Comes\u003c\/li\u003e\n\u003cli\u003ePalaces Of Montezuma (Barry Adamson Remix)\u003c\/li\u003e\n\u003cli\u003eEvil (Silver Alert Remix)\u003c\/li\u003e\n\u003cli\u003eWhen My Baby Comes (SixToes Remix)\u003c\/li\u003e\n\u003cli\u003eHeathen Child (Andrew Weatherall Remix)\u003c\/li\u003e\n\u003cli\u003eEvil ('The Michael Cliffe House' Remix)\u003c\/li\u003e\n\u003cli\u003eFirst Evil\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":51683558883674,"sku":"964145532","price":13.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/grinderman-2-rmx-cd.jpg?v=1752752948"},{"product_id":"grinderman-grinderman-vinyl","title":"Grinderman: Grinderman (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/uzq_o8vQXLo?si=OxqRdmgXekLcvwb5\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eGrinderman formed in 2005 when Nick Cave was writing material for the Nick Cave \u0026amp; The Bad Seeds album \u003cem\u003eAbattoir Blues \/ The Lyre Of Orpheus\u003c\/em\u003e. Featuring Martyn Casey on bass, Warren Ellis on violin and guitar, and Jim Sclavunos on drums, the band crafted songs together. In 2006, they entered a London studio and began a marathon session of songwriting and demo recording.\u003c\/p\u003e\n\u003cp\u003eAiming to recreate the rawer, more primal sound of Cave's acclaimed post-punk project The Birthday Party, Grinderman's lyrics and music were a significant departure from Nick Cave's earlier work with The Bad Seeds.\u003c\/p\u003e\n\u003cp\u003eThe following April, they recorded the best of these new songs and, with the help of their longtime friend and producer Nick Launay, recorded an album. Their eleven-song debut album, \u003cem\u003eGrinderman\u003c\/em\u003e, released on March 5, 2007, received critical acclaim and included the singles \"No Pussy Blues\" and \"Get It On\".\u003c\/p\u003e\n\u003cp\u003eThe quartet reunited in 2009 to record \u003cem\u003eGrinderman 2,\u003c\/em\u003e released in 2010. In December 2011, Cave announced the band's dissolution at a music festival in Australia.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGet It On\u003c\/li\u003e\n\u003cli\u003eNo Pussy Blues\u003c\/li\u003e\n\u003cli\u003eElectric Alice\u003c\/li\u003e\n\u003cli\u003eGrinderman\u003c\/li\u003e\n\u003cli\u003eDepth Charge Ethel\u003c\/li\u003e\n\u003cli\u003eGo Tell The Women\u003c\/li\u003e\n\u003cli\u003e(I Don't Need You To) Set Me Free\u003c\/li\u003e\n\u003cli\u003eHoney Bee (Let's Fly To Mars)\u003c\/li\u003e\n\u003cli\u003eMan In The Moon\u003c\/li\u003e\n\u003cli\u003eWhen My Love Comes Down\u003c\/li\u003e\n\u003cli\u003eLove Bomb\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Mute","offers":[{"title":"Default Title","offer_id":51683812475226,"sku":"964159381","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/grinderman-self-titled.jpg?v=1752739226"},{"product_id":"grinderman-grinderman-2-vinyl","title":"Grinderman: Grinderman 2 (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/yxbA_f9Uggk?si=Ei2VR80EiNd6-eYs\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Grinderman released their debut in 2007, Nick Cave, Warren Ellis, Jim Sclavunos, and Martyn Casey created a reckless, drunken animal of an alter ego to the Bad Seeds. The album bridged territory mined by everyone from the Stooges to Suicide to Bo Diddley.\u003c\/p\u003e\n\u003cp\u003eAgain recorded in the company of producer Nick Launay, \u003cem\u003eGrinderman 2\u003c\/em\u003e is a more polished and studied affair than its predecessor, but it's a more sonically adventurous, white-hot rock \u0026amp; roll record.\u003c\/p\u003e\n\u003cp\u003eThe opening, \"Mickey Mouse And The Goodbye Man\", comes closest to the songs on the previous album, but feels like it comes by way of Patti Smith's \u003cem\u003eRadio Ethiopia\u003c\/em\u003e, Howlin' Wolf, and the Scientists. It's pure scummy, sleazy, in-the-red dissonant rock. The swampy, ribald blues of \"Kitchenette\", features Casey's bass roiling around distorted, Echoplexed electric guitar, electric bouzouki, and jungle-like tom-toms and kick drums.\u003c\/p\u003e\n\u003cp\u003eCave does his best lecher-in-heat blues howl -- if Charles Bukowski had sung the blues, this is what it would have sounded like. \"Worm Tamer\" is a thundering, interlocked coil of triple-note vamps on electric guitar and violin; there's an organ that sounds like Sun Ra playing in a burlesque theater, and an elastic groove in the rhythm section that threatens to take the entire thing off the rails, but purposely never does. While the controlled feedback suggests the earliest sounds of the Bad Seeds live, the layered harmony vocals and tautly held tension between rhythm and lead instruments -- all on stun -- reveal a disciplined sophistication.\u003c\/p\u003e\n\u003cp\u003eIt sounds akin to Loop, Spiritualized, and Ash Ra meeting careening 21st century garage rock, as distorted back masked loops of guitar, organ and drums drive spooky chanted vocals that churn, rumble and crack in response. 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Originally released on cassette and sold at gigs, this rare gem is now available on CD and vinyl, complete with new artwork and sleeve notes.\u003c\/p\u003e\n\u003cp\u003eCompiled from the standout performances of the tour, Live In America spans the band’s early years through to ‘Si Firmir O Grido’ — a track that was released a year later on Force — capturing ACR at a thrilling crossroads in their trajectory. 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What began as a spontaneous capture of a nightingale’s song evolved into a personal ritual, with Schmidt responding instinctively at the piano and later shaping the material with long-time collaborator René Tinner. 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