{"title":"Lasgo","description":"","products":[{"product_id":"king-crimson-court-of-the-crimson-king-vinyl","title":"King Crimson: In The Court Of The Crimson King (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/7OvW8Z7kiws?si=ikb_BfmaIkKL74ms\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded over a period of 10 days in August 1969 and released on October 10th of the same year \u003cem\u003eIn the Court of the Crimson King\u003c\/em\u003e stands as one of the defining albums of British rock music and one of the finest debut albums of all time.\u003c\/p\u003e\n\u003cp\u003eDescribed at the time as 'an uncanny masterpiece' by Pete Townshend, the album has achieved legendary status over the years. \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e21st Century Schizoid Man\u003c\/li\u003e\n\u003cli\u003eI Talk To The Wind\u003c\/li\u003e\n\u003cli\u003eEpitaph\u003c\/li\u003e\n\u003cli\u003eMoonchild\u003c\/li\u003e\n\u003cli\u003eThe Court Of The Crimson King\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Panegyric","offers":[{"title":"Default Title","offer_id":29110255107,"sku":"KCLP1","price":25.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/king-crimson-court-crimson-king.jpg?v=1704894997"},{"product_id":"king-crimson-red-vinyl","title":"King Crimson: Red (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/X_pDwv3tpug?si=OaFUT6v-hTj1qgne\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eRecorded at the end of two lengthy tours of the USA in 1974, the final album of the 1970s finds King Crimson in an raw and uncompromising mood. Consisting of Crimson founder guitarist Robert Fripp, bassist and vocalist John Wetton and drummer Bill Bruford, the trio serve up a sound that’s metal-edged, gritty and powerful.\u003c\/p\u003e\n\u003cp\u003eOpening with the classic bulldozer instrumental title track, the album contains a typically eclectic mix that includes the jazzy rock of \"Fallen Angel\", the punchy attack of \"One More Red Nightmare\", the unsettling but dazzling near-telepathic improvisation of \"Providence\" and the stirring anthem, \"Starless\" whose opening ballad section gives way to a moving and emotional climax that is frequently cited as the ultimate King Crimson listening experience.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRed\u003c\/li\u003e\n\u003cli\u003eFallen Angel\u003c\/li\u003e\n\u003cli\u003eOne More Red Nightmare\u003c\/li\u003e\n\u003cli\u003eProvidence\u003c\/li\u003e\n\u003cli\u003eStarless\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Panegyric","offers":[{"title":"Default Title","offer_id":29451880963,"sku":"KCLLP7","price":25.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/king-crimson-red.jpg?v=1704914710"},{"product_id":"xtc-skylarking-vinyl","title":"XTC: Skylarking (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3DRUnkkjkds?si=9d-WYNxeGH2FjoYj\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSkylarking\u003c\/em\u003e is the 1986 album that finally gave XTC a significant profile on American college radio. In the XTC timeline, \u003cem\u003eSkylarking\u003c\/em\u003e slots neatly between \u003cem\u003e25 O’Clock\u003c\/em\u003e and \u003cem\u003ePsonic Psunspot\u003c\/em\u003e, the EP and album released by the band’s psychedelic alter ego, The Dukes Of Stratosphear; and with hindsight, it seems inarguable that the Dukes’ dilated-pupil worldview and vivid color palette leached into \u003cem\u003eSkylarking\u003c\/em\u003e’s mood of existential wonder and contemplation.\u003c\/p\u003e\n\u003cp\u003eThe band ended up with an album that radiates warmth, wit, compassion, and unanimity of purpose; one which is often cited, with good reason, as one of the brightest jewels in the XTC crown. The songwriting is next-level, the sequencing is inspired, the musicianship is seamless and the arrangements are both supportive and striking.\u003c\/p\u003e\n\u003cp\u003eReleased on October 27, 1986, \u003cem\u003eSkylarking\u003c\/em\u003e, tacitly acknowledged to be not just one of XTC’s best albums, but one of the best albums ever, modestly nosed into the UK charts for a single week. But bare chart statistics have never reflected XTC’s critical stock and the respect they command in the musical community, far less the undying love they still inspire from a fittingly ecstatic global fanbase. It’s always a special thrill to expose this album to people who haven’t heard it before and register their expressions of rapture and amazement. Try it yourself.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSummer's Cauldron\u003c\/li\u003e\n\u003cli\u003eGrass\u003c\/li\u003e\n\u003cli\u003eThe Meeting Place\u003c\/li\u003e\n\u003cli\u003eThat's Really Super Supergirl\u003c\/li\u003e\n\u003cli\u003eBallet For A Rainy Day\u003c\/li\u003e\n\u003cli\u003e1000 Umbrellas\u003c\/li\u003e\n\u003cli\u003eSeason Cycle\u003c\/li\u003e\n\u003cli\u003eEarn Enough For Us\u003c\/li\u003e\n\u003cli\u003eBig Day\u003c\/li\u003e\n\u003cli\u003eAnother Satellite\u003c\/li\u003e\n\u003cli\u003eMermaid Smiled\u003c\/li\u003e\n\u003cli\u003eThe Man Who Sailed Around His Soul\u003c\/li\u003e\n\u003cli\u003eDear God\u003c\/li\u003e\n\u003cli\u003eDying\u003c\/li\u003e\n\u003cli\u003eSacrificial Bonfire \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Ape House","offers":[{"title":"Default Title","offer_id":17104069492851,"sku":"APELPR113","price":25.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/xtc-skylarking.jpg?v=1705602228"},{"product_id":"x-ray-spex-germfree-adolescents-vinyl","title":"X-Ray Spex: Germfree Adolescents (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/3VB43Gp6Who?si=_i6XCLr3nMxEbHSP\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGermfree Adolescents\u003c\/em\u003e is one of the signature albums of the early (1978) British punk movement that serves as an ideal prism through which to see the hypocrisy of consumerist culture.\u003c\/p\u003e\n\u003cp\u003eThe one and only LP release from X Ray Spex and its irrepressible frontwoman Poly Styrene has been deemed by everybody from Greil Marcus to Robert Christgau to Spin to Mojo as one of the greatest punk albums ever made, and for this reissue, we’ve done it right; besides the black vinyl (offering excellent sound), we’ve reproduced the inner lyric sheet, where you can read Poly’s brilliant observations about the plastic, corporate nature of modern society.\u003c\/p\u003e\n\u003cp\u003eAll of which she sings in a passionate yowl all her own (with Lora Logic among others backing on saxophone); this is not only one of the most penetratingly observant punk records, it’s also one of the most passionate, and, surprisingly enough, catchy. Check out “The Day the World Turned Day-Glo” and “Germ Free Adolescents” if it’s hooks you’re after; if it’s righteous anger and a noisy racket you’re seeking, every track will do ya\u003c\/p\u003e\n\u003cp\u003eBlack vinyl reissue with poster.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eArt-I-Ficial\u003c\/li\u003e\n\u003cli\u003eObsessed With You\u003c\/li\u003e\n\u003cli\u003eWarrior In Woolworths\u003c\/li\u003e\n\u003cli\u003eLet's Submerge\u003c\/li\u003e\n\u003cli\u003eI Can't Do Anything\u003c\/li\u003e\n\u003cli\u003eIdentity\u003c\/li\u003e\n\u003cli\u003eGenetic Engineering\u003c\/li\u003e\n\u003cli\u003eI Live Off You\u003c\/li\u003e\n\u003cli\u003eI Am A Poseur\u003c\/li\u003e\n\u003cli\u003eGerm Free Adolescents\u003c\/li\u003e\n\u003cli\u003ePlastic Bag\u003c\/li\u003e\n\u003cli\u003eThe Day The World Turned Dayglo\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Secret Records","offers":[{"title":"Default Title","offer_id":31466596434035,"sku":"SECLP301","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/xray-spex-germfree-adolescents.jpg?v=1666972177"},{"product_id":"discharge-hear-nothing-see-nothing-say-nothing-vinyl","title":"Discharge: Hear Nothing See Nothing Say Nothing (Coloured Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/h49yLu6kkVs?si=uP45bte4T61XuhP2\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eRadiation Records present a reissue of Discharge's \u003ci\u003eHear Nothing See Nothing Say Nothing\u003c\/i\u003e, originally released in 1982. \u003ci\u003eHear Nothing See Nothing Say Nothing\u003c\/i\u003e is the debut studio album by English hardcore punk band Discharge, released by Clay Records.\u003c\/p\u003e\n\u003cp\u003eThe album is characterized by a minimalistic approach of music and lyrics, a heavy, distorted, and grinding guitar-driven sound and raw, shouted vocals similar to a political speech, with lyrics on anti-war themes.\u003c\/p\u003e\n\u003cp\u003e2021 reissue on white vinyl.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHear Nothing See Nothing Say Nothing\u003c\/li\u003e\n\u003cli\u003eThe Nightmare Continues\u003c\/li\u003e\n\u003cli\u003eThe Final Blood Bath\u003c\/li\u003e\n\u003cli\u003eProtest And Survive\u003c\/li\u003e\n\u003cli\u003eI Won't Subscribe\u003c\/li\u003e\n\u003cli\u003eDrunk With Power\u003c\/li\u003e\n\u003cli\u003eMeanwhile\u003c\/li\u003e\n\u003cli\u003eA Hell On Earth\u003c\/li\u003e\n\u003cli\u003eCries Of Help\u003c\/li\u003e\n\u003cli\u003eThe Possibility Of Life's Destruction\u003c\/li\u003e\n\u003cli\u003eQ: And Children? 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Originally released in 1979 - this legendary album was the first from the revised line-up of Capt, Rat, Dave and Algy. This was the start of the Damned's second time around which most of their hard core fans preferred to their original 1977 line up.\u003c\/p\u003e\n\u003cp\u003eBesides the three charting singles 'Love Song', 'Smash it Up' and 'I Just Can't Be Happy Today' there is also Dave Vanian's epic tribute to Vampira 'Plan 9, Channel 7', a cover of the MC5's 'Looking at You', and the manic 'Anti-Pope'. 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The group's loose, damaged rock 'n' roll was as immediate as it was controversial. They were punk by any definition, yet shunned the label with a guttersnipe sneer. Their meticulously cultivated aesthetic of S\u0026amp;M graphics and police uniforms produced some of the era's most indelible imagery. One of their finest moves was playing in the San Quentin prison yard.\u003c\/p\u003e\n\u003cp\u003eFormed by guitarists\/vocalists Johnny Strike and Frankie Fix, Crime enlisted bassist Ron the Ripper and drummers Ricky \"Tractor\" Williams (later of The Sleepers), Brittley Black, and Hank Rank. Joey D'Kaye later joined on keyboards and bass duties.\u003c\/p\u003e\n\u003cp\u003eFor the first time, this LP release collects the sick energy of Crime's three singles along with nine previously unreleased studio recordings from 1976 to 1980. The visceral churn and unwieldy leads on tracks like \"Frustration\" and \"Piss On Your Dog\" make \u003cem\u003eMurder By Guitar\u003c\/em\u003e the definitive statement from this prescient American underground band.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHot Wire My Heart\u003c\/li\u003e\n\u003cli\u003eBaby, You're So Repulsive\u003c\/li\u003e\n\u003cli\u003eTerminal Boredom\u003c\/li\u003e\n\u003cli\u003eDillinger's Brain\u003c\/li\u003e\n\u003cli\u003eFrustration\u003c\/li\u003e\n\u003cli\u003eMurder By Guitar\u003c\/li\u003e\n\u003cli\u003eCrime Wave\u003c\/li\u003e\n\u003cli\u003ePiss On Your Dog\u003c\/li\u003e\n\u003cli\u003eTV Blue\u003c\/li\u003e\n\u003cli\u003eIf Looks Could Kill\u003c\/li\u003e\n\u003cli\u003eLost Soul\u003c\/li\u003e\n\u003cli\u003eRockin' Weird\u003c\/li\u003e\n\u003cli\u003eGangster Funk\u003c\/li\u003e\n\u003cli\u003eMaserati\u003c\/li\u003e\n\u003cli\u003eSan Francisco's Doomed\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Superior Viaduct","offers":[{"title":"Default Title","offer_id":39410811928691,"sku":"SV050","price":22.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/crime-murder-guitar.jpg?v=1705672257"},{"product_id":"kyuss-and-the-circus-leaves-town-vinyl","title":"Kyuss: ...And The Circus Leaves Town (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/9S-HOU6IehU?si=EvOJs1HQgNqSKXJk\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e...And the Circus Leaves Town\u003c\/i\u003e is the fourth and final studio album by stoner legends Kyuss, released on July 11, 1995, three months before their breakup. The album ranges from the whirlwind opener 'Hurricane' to the massive sprawling album closer 'Spaceship Landing', the album should have been the one which took them to the big time but unfortunately the band broke up.\u003c\/p\u003e\n\u003cp\u003eThe album is full of Homme's dark \/ light guitar split personality, Scott Reeder's flowing, soft basslines, pounding drums (now taken over by Alfreo Hernandez rather than Brant Bjork), and the voice of the desert John Gaercia's distinctive vocals.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHurricane\u003c\/li\u003e\n\u003cli\u003eOne Inch Man\u003c\/li\u003e\n\u003cli\u003eThee Ol' Boozeroony\u003c\/li\u003e\n\u003cli\u003eGloria Lewis\u003c\/li\u003e\n\u003cli\u003ePhototropic\u003c\/li\u003e\n\u003cli\u003eEl Rodeo\u003c\/li\u003e\n\u003cli\u003eJumbo Blimp Jumbo\u003c\/li\u003e\n\u003cli\u003eTangy Zizzle\u003c\/li\u003e\n\u003cli\u003eSize Queen\u003c\/li\u003e\n\u003cli\u003eCatamaran\u003c\/li\u003e\n\u003cli\u003eSpaceship Landing\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Elektra","offers":[{"title":"Default Title","offer_id":39426463760499,"sku":"61811E","price":37.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/kyuss-and-the-circus-leaves-town.jpg?v=1651927683"},{"product_id":"serge-gainsbourg-les-chemins-de-katmandou-ost-vinyl","title":"Gainsbourg, Serge: Les Chemins De Katmandou OST (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VkvUMxCC28A?si=haWqGcMmO7SMHefT\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eAfter decades in the making, Finders Keepers Records are proud to present the first-ever pressing of Serge Gainsbourg’s most elusive and coveted soundtrack studio recordings – co-written, arranged and orchestrated by the genius Jean-Claude Vannier (\u003cem\u003eHistoire De Melody Nelson\u003c\/em\u003e) during what many consider to be the dynamic duo’s most definitive creative period.\u003c\/p\u003e\n\u003cp\u003eBelieved to have been lost in a studio fire by Gainsbourg enthusiasts for over forty years (a myth that also shrouds Morricone’s lost \u003cem\u003eDanger Diabolik\u003c\/em\u003e soundtrack), the misplaced master-tapes for the drug-fuelled\/Mai 68 cash-in\/road-movie \u003cem\u003eLes Chemins De Katmandou\u003c\/em\u003e have been widely considered the final audio jigsaw piece in an immaculate discography\/filmography, thus earning this soundtrack bone-fide Holy Grail status amongst the most avid disc detectives.\u003c\/p\u003e\n\u003cp\u003eFeaturing the original crack team of Paris-based players now recognised as French library music royalty, this LP epitomises the inimitable musical direction and expert psychedelic pop musicianship that graced classic Gainsbourg\/Vannier soundtracks like 'La Horse', 'Cannabis' and 'Sex Shop'. Laying the stylistic, future-proof foundations for subsequent decades of forward-thinking Gallic funk mastery.\u003c\/p\u003e\n\u003cp\u003eComprising Vannier’s signature recipe of thick plucked bass lines, close-micced drums, biting Clavinet and Eastern influenced strings and percussion (and a sprinkling of subtle traditional French instrumentation) the soundtrack to \u003cem\u003eLes Chemins De Katmandou\u003c\/em\u003e (aka \u003cem\u003eThe Road To Katmandu\u003c\/em\u003e or \u003cem\u003eThe Pleasure Pit\u003c\/em\u003e) captures Vannier and Gainsbourg in the first year of their creative partnership capturing their unique embryonic energy.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLes Chemins De Katmandou (Opening Titles)\u003c\/li\u003e\n\u003cli\u003eThe Pleasure Pit\u003c\/li\u003e\n\u003cli\u003eColin-Maillard\u003c\/li\u003e\n\u003cli\u003eLe Roi Des Phlébotomes\u003c\/li\u003e\n\u003cli\u003eFlower Child\u003c\/li\u003e\n\u003cli\u003eCache Cache\u003c\/li\u003e\n\u003cli\u003eOpium Den\u003c\/li\u003e\n\u003cli\u003eOverdose\u003c\/li\u003e\n\u003cli\u003eOliver\u003c\/li\u003e\n\u003cli\u003eFallen Rainbow\u003c\/li\u003e\n\u003cli\u003eColin-Maillard (Vocal Version)\u003c\/li\u003e\n\u003cli\u003eLes Chemins De Katmandou\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Finders Keepers ‎","offers":[{"title":"Default Title","offer_id":39607651893363,"sku":"FKR100LP","price":14.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/a1604289070_10.jpg?v=1637863404"},{"product_id":"king-crimson-in-the-wake-of-poseidon-vinyl","title":"King Crimson: In The Wake Of Poseidon (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ivZ8VqDEfCg?si=lfvLK_VNfJJLzd45\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eKing Crimson was conceived in November 1968 and born on January 13, 1969, in the Fulham Palace Cafe, London. The original lineup included Robert Fripp, Ian McDonald, Greg Lake, Michael Giles and Pete Sinfield. The group came to prominence after supporting The Rolling Stones at Hyde Park. Their 1969 groundbreaking debut \u003cem\u003eIn The Court Of The Crimson King\u003c\/em\u003e, described by Pete Townshend as \"an uncanny masterpiece, began a career that has spanned four decades and influenced many bands and individuals including Yes, Genesis, Tool and Porcupine Tree.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn The Wake Of Poseidon\u003c\/em\u003e, released in 1970, saw King Crimson scarcely in existence as a band, having lost two key members, McDonald and Giles, with a third — Lake — about to leave. Their second album, largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory (\"Pictures of a City\" and \"The Devil's Triangle\") — is actually better produced and better sounding than their first. Surprisingly, Fripp's guitar is not the dominant instrument here: the Mellotron, taken over by Fripp after McDonald's departure — and played even better than before — still remains the band's signature.\u003c\/p\u003e\n\u003cp\u003eThe record doesn't tread enough new ground to precisely rival \u003cem\u003eIn the Court of the Crimson King\u003c\/em\u003e. Fripp, however, has made an impressive show of transmuting material that worked on stage (\"Mars\" aka \"The Devil's Triangle\") into viable studio creations, and \"Cadence and Cascade\" may be the prettiest song the group ever cut. \"The Devil's Triangle,\" which is essentially an unauthorized adaptation of \"Mars, Bringer of War\" from Gustav Holst's The Planets, was later used in an eerie Bermuda Triangle documentary of the same name. — All Music Guide.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeace - A Beginning\u003c\/li\u003e\n\u003cli\u003ePictures Of A City (Including 42nd At Treadmill)\u003c\/li\u003e\n\u003cli\u003eCadence And Cascade\u003c\/li\u003e\n\u003cli\u003eIn The Wake Of Poseidon (Including Libra's Theme)\u003c\/li\u003e\n\u003cli\u003eCat Food\u003c\/li\u003e\n\u003cli\u003eMerday Morn\u003c\/li\u003e\n\u003cli\u003eHand Of Sceiron\u003c\/li\u003e\n\u003cli\u003eGarden Of Worm\u003c\/li\u003e\n\u003cli\u003ePeace - An End\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Panegyric","offers":[{"title":"Default Title","offer_id":39834530054259,"sku":"KCLLP2","price":25.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/king-crimson-wake-poseidon.jpg?v=1749765840"},{"product_id":"king-crimson-lizard-vinyl","title":"King Crimson: Lizard (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gpZslOr3ZRo?si=UPWs9AyEZZIR3hiL\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReleased in December 1970, \u003c\/span\u003eKing Crimson\u003cspan\u003e's third studio album, \u003cem\u003eLizard\u003c\/em\u003e, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning \u003c\/span\u003e\u003cem\u003eIn the Court of the Crimson King\u003c\/em\u003e\u003cspan\u003e debut and 1970 follow-up \u003c\/span\u003e\u003cem\u003eIn the Wake of Poseidon\u003c\/em\u003e\u003cspan\u003e, and along with 1971's \u003cem\u003eIslands\u003c\/em\u003e it's considered a transitional release on the band's path toward the relative stability of the \u003cem\u003eLarks' Tongues in Aspic\u003c\/em\u003e (1973), \u003cem\u003eStarless and Bible Black\u003c\/em\u003e (1974), and \u003cem\u003eRed\u003c\/em\u003e (1974) trilogy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePlus, the \u003cem\u003eLizard\u003c\/em\u003e sessions were difficult and the core group lineup acrimoniously collapsed immediately afterward, as bandleader\/guitarist Robert Fripp, with lyricist\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003ePeter Sinfield\u003cspan\u003e, continued brave efforts to save \u003c\/span\u003eKing Crimson\u003cspan\u003e from disintegrating as the group's lengthy history was just getting underway. Even Fripp himself wasn't a big \u003cem\u003eLizard\u003c\/em\u003e fan until he reportedly \"heard the Music in the music\" when listening to Steven Wilson's 2009 40th anniversary remix. Yet there are plenty of Crimson followers who place Lizard at the very apex of the group's recorded legacy -- and with good reason. Seamlessly blending rock, jazz, and classical in a way that few albums have successfully achieved, Lizard is epic, intimate, cacophonic, and subtle by turn -- and infused with the dark moods first heard when \"21st Century Schizoid Man\" and \"Epitaph\" reached listeners' ears the previous year.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOpener \"Cirkus\" is a cavalcade of menace, with vocalist Gordon Haskell intoning or declaiming Sinfield's phantasmagorical words over a kaleidoscopic musical backdrop, the song's ripping buzzsaw refrain alternating with warped funhouse jazz prominently featuring keyboardist Keith Tippett and saxophonist Mel Collins. \"Indoor Games\" is comparatively whimsical, with Collins' blurty sax almost comically up-front in the mix and crisp ensemble interplay in the middle section, while the singsongy \"Happy Family\" finds Sinfield's lyrics obliquely addressing the Beatles' breakup and \"Lady of the Dancing Water\" revisits the gentle terrain of \"I Talk to the Wind\" and \"Cadence and Cascade.\" But the side-long multi-part title suite astounds the most. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGuest Jon Anderson's choirboy vocals open \"Lizard\" with a feint toward the light and airy, but Haskell's brassy chorus suggests ritualistic precursors to dark goings-on. The suite then enters its \"Bolero\" movement, marked by Robin Miller's beautiful oboe and Fripp's swelling Mellotron, with a jazz interlude showcasing Collins, cornetist Mark Charig, trombonist Nick Evans, and a jagged and explosive Tippett, collectively free and even ebullient in their interplay but never fully breaking away from drummer Andy McCulloch's background rat-a-tat snare that foreshadows the howling maelstrom of \"The Battle of Glass Tears.\" After the smoke clears, Fripp's sustained guitar notes cut through the funereal aftermath, dissolving into silence before the swirling \"Big Top\" coda brings the album full circle, suggesting \u003cem\u003eLizard's\u003c\/em\u003e dark journey on an endless loop accelerating into the future. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eI\u003c\/span\u003e\u003cspan\u003en 2016, lineup changes made it possible to include selections from this album in King Crimson's career-spanning live concerts, and with all the spectacular music on display, more than one audience member could be heard saying, \"I came for \u003cem\u003eLizard\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCirkus (Including: Entry Of The Chameleons)\u003c\/li\u003e\n\u003cli\u003eIndoor Games\u003c\/li\u003e\n\u003cli\u003eHappy Family\u003c\/li\u003e\n\u003cli\u003eLady Of The Dancing Water\u003c\/li\u003e\n\u003cli\u003ePrince Rupert Awakes\u003c\/li\u003e\n\u003cli\u003eBolero - The Peacock's Tale\u003c\/li\u003e\n\u003cli\u003eThe Battle Of Glass Tears (Including: Dawn Song \/ Last Skirmish \/ Prince Rupert's Lament)\u003c\/li\u003e\n\u003cli\u003eBig Top\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Panegyric","offers":[{"title":"Default Title","offer_id":39834533134451,"sku":"KCLLP3","price":25.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/king-crimson-lizard.jpg?v=1718707806"},{"product_id":"king-crimson-larks-tongues-aspic-vinyl","title":"King Crimson: Larks' Tongues In Aspic (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/spU4Mr2ClLA?si=TYl6Yy2RF-zEe9dz\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eKing Crimson’s 1973 album marked a radical departure from everything they’d previously done. With guitarist Robert Fripp as the only survivor from the original line-up, the new line-up featuring the heat-seeking work of ex-Yes drummer Bill Bruford and the virtuoso bass work of ex-Family bassist John Wetton, who also took on vocals here, presented a breath-taking tour of killer riffs, jaw-dropping dynamics, and poignant ballads.\u003c\/p\u003e\n\u003cp\u003eFeaturing pastoral Vaughan Williams-style interludes from violinist David Cross, this line-up also embraced a spikier sound that was both willing to rock out, as on the unhinged complexities of LTIA Pt2, as well as explore and experiment with unorthodox textures and atmospherics thanks to eccentric percussionist Jamie Muir.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLarks' Tongues In Aspic, Part One\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eBook Of Saturday\u003c\/li\u003e\n\u003cli\u003eExiles\u003c\/li\u003e\n\u003cli\u003eEasy Money\u003c\/li\u003e\n\u003cli\u003eThe Talking Drum\u003c\/li\u003e\n\u003cli\u003eLarks' Tongues In Aspic, Part Two\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Panegyric","offers":[{"title":"Default Title","offer_id":39913246326899,"sku":"KCLLP5","price":25.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/king-crimson-larks-tongues-aspic.jpg?v=1647089382"},{"product_id":"minnie-riperton-come-to-my-garden-coloured-vinyl","title":"Riperton, Minnie: Come To My Garden (Coloured Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/NUo9VUuVOsw?si=kHOLbCMK9wONZBCG\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e2024 reissue of Minnie Riperton's debut album \u003cem\u003eCome To My Garden\u003c\/em\u003e, originally published in 1970. Her name came to prominence with the highly influential Chicago band Rotary Connection, forerunners of the rock n' soul crossover.\u003c\/p\u003e\n\u003cp\u003eIn addition to their own recordings, including their 1967 debut album \u003cem\u003eRotary Connection\u003c\/em\u003e, the band is notable as the backing band for Muddy Waters on his 1968 psychedelic blues album \u003cem\u003eElectric Mud\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eStanding on her own, Minnie cut a series of sublime albums moving in a more soulful way. Opening track \"Les Fleur\" is a shiny cover of a Ramsey Lewis - who is musical assistant and contributor here - classic number penned in 1968, literally a cornerstone for contemporary hip-hop and R\u0026amp;B being sampled by the likes of Jurassic 5 feat. Nelly Furtado, Damu the Fudgemunk, Dr. Octagon, and Cut Chemist, among others.\u003c\/p\u003e\n\u003cp\u003eProduced by Charles Stepney (already in with Rotary Connection and subsequently behind the desk with Earth Wind \u0026amp; Fire), the album benefits from its lush orchestral arrangements, pushing the vocal duties of Minnie ever forward (her five-octave vocal range, enabled her to sing in \"whistle register\" nevertheless). 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By The Way\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eExpecting\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eOnly When I'm Dreaming\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWhenever, Wherever\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Janus Records","offers":[{"title":"Default Title","offer_id":39943476150387,"sku":"JXS7011R","price":22.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/minnie-riperton-come-garden.jpg?v=1648202756"},{"product_id":"xtc-drums-and-wires-vinyl","title":"XTC: Drums And Wires (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/yp-WJXOb2V4?si=tDLjvzP06t_hCYkn\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe band's third album from 1979 but first without co-founder Barry Andrews. \u003ci\u003eDrums and Wires\u003c\/i\u003e was a cavalcade of Andy Partridge's neuroses and paranoia. 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The group was formed in 1979 in Placentia, a small town close to Fullerton and Anaheim, by frontman Mike Palm on guitar and lead vocals, Steve Soto on bass and Scott Miller on drums. That early line up recorded the classic version of \u003ci\u003eBloodstains\u003c\/i\u003e in 1979 as a demo produced by Daniel R. van Patten (of the group Berlin). A year later it was included on the seminal \u003ci\u003eRodney On The Roq\u003c\/i\u003e compilation album released by Posh Boy Records.\u003c\/p\u003e\n\u003cp\u003eMeanwhile James Levesque had replaced Steve Soto (Adolescents) and the new line up released their own self produced and self released 7\" ep in 1980. A year later, the group signed with Robbie Fields' Posh Boy Records for their debut LP\u003ci\u003e Living In Darkness\u003c\/i\u003e, co-produced by Fields and former Simpletones guitarist Jay Lansford. The album was recorded at Brian Elliott’s store front studio in North Hollywood (a few years before Elliott struck gold writing Madonna’s 'Papa Don’t Preach). 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Produced by Kurt Vile and Rob Schnapf.\u003c\/p\u003e\n\u003cp\u003eRavenously creative songwriter Kurt Vile broke through to mainstream success after years of steadily working on his craft. His laidback and drifting guitar rock took notes from masters like Neil Young, Sonic Youth, and Dinosaur Jr., exploring inventive guitar tones on meditative and often self-reflective songs. He co-founded the War on Drugs with friend Adam Granduciel in 2005, but quit shortly after the band got off the ground to focus more on his own music. After several albums on various indie labels, Vile signed with Matador in 2009 and would find increasing success with each new album. His 2013 album, \u003cem\u003eWalkin’ on a Pretty Daze\u003c\/em\u003e, broke through bigger than anything before it, taking Vile’s blurry-eyed musings and signature songwriting style to a worldwide audience. 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Today, he is considered to be one of the most important figures in Jamaican music and his influence can be heard in hip-hop, jungle, garage and dubstep.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eMajestic Dub\u003c\/i\u003e was first released in 1983 on the British reggae label Star. 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Over the next seven years, Mitchell would record some of the most acclaimed music of her career while changing her musical direction by adding more jazz elements into her songwriting. Issued in between \u003cem\u003eBlue\u003c\/em\u003e and \u003cem\u003eCourt and Spark\u003c\/em\u003e, 1972's Gold certified \u003cem\u003eFor The Roses\u003c\/em\u003e finds Joni at the top of her game.\u003c\/p\u003e\n\u003cp\u003eThese dozen originals are perceptive, poetic and frequently personal; there's likely a touch of Joni's romantic travails in \"Woman Of Heart And Mind\", and her experiences in the music industry surface in the title track and \"You Turn Me On, I'm A Radio\", the singer-songwriter's first Top 40 hit. The Asylum album is just as adventurous musically, with several arrangements reflecting Mitchell's growing interest in jazz and stellar instrumental support from the likes of Graham Nash, Tom Scott and guitarist James Burton. Selected by the Library of Congress for its National Recording Registry, \u003cem\u003eFor The Roses\u003c\/em\u003e is reissued here on vinyl LP with 2022 remastered audio.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eBanquet\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eCold Blue Steel And Sweet Fire \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBarangrill \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLesson In Survival \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLet The Wind Carry Me \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFor The Roses \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSee You Sometime \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eElectricity \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eYou Turn Me On I'm A Radio \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBlonde In The Bleachers \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWoman Of Heart And Mind \u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eJudgement Of The Moon And Stars (Ludwig's Tune)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Asylum","offers":[{"title":"Default Title","offer_id":40539102019699,"sku":"60349784131","price":26.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/joni-mitchell-for-the-roses.jpg?v=1666708831"},{"product_id":"guru-jazzmatazz-volume-1-vinyl","title":"Guru: Jazzmatazz Volume 1 (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/hPVFIhMcYVU?si=iUm0NcwSFigIX9TC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eGuru's \u003cem\u003eJazzmatazz 1\u003c\/em\u003e, originally released in 1993, is one of the first albums to combine a live jazz band with hip hop production and rapping.\u003c\/p\u003e\n\u003cp\u003eGuru had a vision and brought together a diverse group of jazz cats both old and new; Lonnie Liston Smith, Branford Marsalis, Ronny Jordan, Donald Byrd and Roy Ayers as well as vocalists like Carleen Anderson, N'Dea Davenport (Brand New Heavies) and French rapper MC Solaar.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJazzmatazz\u003c\/em\u003e proved to be a highly influential album and a huge commercial success.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eIntroduction\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLoungin'\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWhen You're Near\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTransit Ride\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eNo Time To Play\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDown The Backstreets\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eRespectful Dedications\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTake A Look (At Yourself)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrust Me\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSlicker Than Most\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLe Bien, Le Mal\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eSights In The City\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Virgin","offers":[{"title":"Default Title","offer_id":40541094051955,"sku":"B002495301","price":39.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/guru-jazzmatazz-volume-1.jpg?v=1666796860"},{"product_id":"iris-dement-infamous-angel-coloured-vinyl","title":"DeMent, Iris: Infamous Angel (Coloured Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/0gQVS2fCsek?si=6VLtNol8xuaWfDSP\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eNearly 30 years later, the album remains among the most singular and fully realized singer-songwriter debuts since the invention of that category in the early '70s. The abiding strengths of the album are especially impressive ' even a bit startling ' because 1992 is not a moment usually associated with her intimate brand of acoustic country music. In country history, the year 1992 is most immediately afliated with Garth Brooks, whose album, The Chase, topped both the country and pop album charts that year, and with Billy Ray Cyrus' 'Achy Breaky Heart,' which fueled a line dance craze.\u003c\/p\u003e\n\u003cp\u003eSqueezed into a playlist alongside such hits, DeMent's doleful, hushed 'Our Town' would've sounded as if it were being broadcast from another planet. 'People call me country,' she told journalist Ben Thompson while on tour in Britain a couple years later. 'But country doesn't call me country.' Let's call her country. The genre is always more expansive than what radio stations program. 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Lovingly restored and remastered for digital and vinyl.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eShooting, space-synth sounds ripple and vibrate, incessant grooves keep the tracks in motion and Nkono Teles production, a producer often overlooked for his hand in the Nigerian boogie sound, sets the LP into orbit. 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