{"title":"Electronic","description":"\u003cp\u003eBrowse electronic music on vinyl and CD at Freebird Records Dublin. Explore techno, ambient, house, IDM, experimental electronics, leftfield dance music and underground club sounds from pioneering artists and contemporary producers alike.\u003c\/p\u003e","products":[{"product_id":"i-am-the-cosmos-letting-it-go-vinyl","title":"I Am The Cosmos: Letting It Go (Vinyl 12\")","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"3000\" src=\"https:\/\/www.youtube.com\/embed\/wUQ7efGKtcU?si=d_-cyPJ1Qni5jozr\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\nLetting It Go\n\u003c\/li\u003e\n\u003cli\u003e\nTaciturning On You\n\u003c\/li\u003e\n\u003cli\u003e\nLetting It Go (Lumigraph Remix)\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Happy Valley Records","offers":[{"title":"Default Title","offer_id":27893192835,"sku":"HVRV004","price":8.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/i-am-the-cosmos-letting-it-go.jpg?v=1473882784"},{"product_id":"jamie-xx-in-colour-vinyl","title":"Jamie xx: In Colour (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3zejT2RGrBk?si=mj4iM7eZM2NLjIdD\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eJamie xx releases a remastered version of his debut album \u003ci\u003eIn Colour\u003c\/i\u003e on Young Turks. Jamie’s definitive \u003ci\u003eIn Colour \u003c\/i\u003eis a bold, celebratory and emotional artistic statement that received critical acclaim across the board as well achieving huge commercial success.\u003c\/p\u003e\n\u003cp\u003eThe eleven track LP was widely regarded as one of the best albums of 2015 and was voted in the top 25 of Pitchfork’s best records of the decade. \u003ci\u003eIn Colour \u003c\/i\u003ewent on to receive Grammy, Brit and Mercury Award nominations, reaching Gold status in the UK Official Charts, and it’s lead single 'I Know There’s Gonna Be (Good Times)'\u003ci\u003e \u003c\/i\u003efeaturing Young Thug and Popcaan is certified Gold in the USA.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eGosh\u003c\/li\u003e\n\u003cli\u003eSleep Sound\u003c\/li\u003e\n\u003cli\u003eSeesaw [ft. Romy]\u003c\/li\u003e\n\u003cli\u003eObvs\u003c\/li\u003e\n\u003cli\u003eJust Saying\u003c\/li\u003e\n\u003cli\u003eStranger in a Room [ft. Oliver Sim]\u003c\/li\u003e\n\u003cli\u003eHold Tight\u003c\/li\u003e\n\u003cli\u003eLoud Places [ft. Romy]\u003c\/li\u003e\n\u003cli\u003eI Know There's Gonna Be (Good Times) [ft. Young Thug and Popcaan]\u003c\/li\u003e\n\u003cli\u003eThe Rest Is Noise\u003c\/li\u003e\n\u003cli\u003eGirl\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Young Turks","offers":[{"title":"Default Title","offer_id":31810061926515,"sku":"YT229LP2","price":25.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/jamie-xx-in-colour.jpg?v=1704370628"},{"product_id":"boards-canada-music-has-the-right-to-children-vinyl","title":"Boards Of Canada: Music Has The Right To Children (Vinyl 2xLP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/OjvgGE_q-5I?si=jXxt316VPIRw4gsb\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThis is pure machine soul, reminiscent of some forgotten Japanese animation soundtrack or a rusting Commodore 64 just about to give up the ghost. Alternating broadly sketched works with minute-long vignettes (the latter of which comprise several of the best tracks on the album), \u003cem\u003eMusic Has The Right To Children\u003c\/em\u003e was easily the best electronic release of 1998.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWildlife Analysis \u003c\/li\u003e\n\u003cli\u003eAn Eagle In Your Mind \u003c\/li\u003e\n\u003cli\u003eThe Color Of The Fire \u003c\/li\u003e\n\u003cli\u003eTelephasic Workshop \u003c\/li\u003e\n\u003cli\u003eTriangles \u0026amp; Rhombuses \u003c\/li\u003e\n\u003cli\u003eSixtyten \u003c\/li\u003e\n\u003cli\u003eTurquoise Hexagon Sun \u003c\/li\u003e\n\u003cli\u003eKaini Industries \u003c\/li\u003e\n\u003cli\u003eBocuma \u003c\/li\u003e\n\u003cli\u003eRoygbiv \u003c\/li\u003e\n\u003cli\u003eRue The Whirl \u003c\/li\u003e\n\u003cli\u003eAquarius \u003c\/li\u003e\n\u003cli\u003eOlson \u003c\/li\u003e\n\u003cli\u003ePete Standing Alone \u003c\/li\u003e\n\u003cli\u003eSmokes Quantity \u003c\/li\u003e\n\u003cli\u003eOpen The Light \u003c\/li\u003e\n\u003cli\u003eOne Very Important Thought\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Warp","offers":[{"title":"Default Title","offer_id":28448652803,"sku":"WARPLP55R","price":34.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/boards-canada-music-right-children_05a4e21b-08a3-4d1b-b16f-81e2a0a1aabf.jpg?v=1741067551"},{"product_id":"burial-burial-vinyl","title":"Burial: Burial (Vinyl 2xLP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fVlT9a8d3iI?si=JKEKYmh2vwIaY3aM\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis first album on Kode9's deeply-respected Hyperdub label comes from the mysterious Burial, who carves out a sound which sends the dormant slinky syncopations of UK garage, via radio interference, into a padded cell of cushioned, muffled bass, passing through clouds of Pole's dense crackle dub en route. It explores a tangential, parallel dimension of the growing dubstep ouevre, using sounds set in a near-future South London submerged underwater. You can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the city outside, taking its loud quiet aesthetic neither from the latest digital glitch software nor a mere nostalgia for vinyl's intrinsic physicality. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers, as haunted echoed voices breeze in and out, on roads to and from other times. The smouldering desire of \u003c\/span\u003e\u003ci\u003eDistant Lights\u003c\/i\u003e\u003cspan\u003e is cooled only by the percussive ice sharp slicing of blades and jets of hot air blowing from the bass. Listen also for a fleeting appearance from Hyperdub's resident vocalist, the Spaceape, unravelling his cryptobiography. \u003c\/span\u003e\u003ci\u003eBurial\u003c\/i\u003e\u003cspan\u003e is a renegade signal from other frequencies, a tidal wave of seductive low-impact noise submerging all but the crispest syncopations, and is well on course to be universally welcomed as the standard-bearer for creative vision built upon the grime and dubstep blueprint. \u003c\/span\u003e2016 reissue.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUntitled\u003c\/li\u003e\n\u003cli\u003eDistant Lights\u003c\/li\u003e\n\u003cli\u003eSpaceape\u003c\/li\u003e\n\u003cli\u003eWounder\u003c\/li\u003e\n\u003cli\u003eNight Bus\u003c\/li\u003e\n\u003cli\u003eSouthern Comfort\u003c\/li\u003e\n\u003cli\u003eU Hurt Me\u003c\/li\u003e\n\u003cli\u003eGutted\u003c\/li\u003e\n\u003cli\u003eForgive\u003c\/li\u003e\n\u003cli\u003eBroken Home\u003c\/li\u003e\n\u003cli\u003ePrayer\u003c\/li\u003e\n\u003cli\u003ePirates\u003c\/li\u003e\n\u003cli\u003eUntitled\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Hyperdub","offers":[{"title":"Default Title","offer_id":39286617669747,"sku":"HDBLP001","price":28.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/burial-self-titled.jpg?v=1725788714"},{"product_id":"burial-untrue-vinyl","title":"Burial: Untrue (Vinyl 2xLP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gAp8VWGSlYA?si=mNQL6Lx6Ga7mx4Z7\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOf all the artists past and present who claim to let their music do their talking for them, Burial is one of the elite band of whom this truly is the case. In fact, so reluctant is he to engage with the cult-of-personality hoopla that surrounds almost every modern producer and musician of merit, that he remains a genuine recluse; he has never appeared live, only one obliquely-angled publicity photograph is known to exist, and the number of interviews he has given can be counted on the fingers of one hand. Yet despite this, his music speaks loud and wide, and the world has been listening ever since his \u003cem\u003eSouth London Boroughs\u003c\/em\u003e EP debut on Hyperdub in March 2005.\u003c\/p\u003e\n\u003cp\u003eBurial returns with \u003cem\u003eUntrue\u003c\/em\u003e, a new record of weird soul music, which lovingly processes spectral female voices into vaporised r\u0026amp;b and smudged 2step garage. Vocal lines are blurred, smeared, pitched up pitched down and pitch bent until their content is cast adrift from their original context and they whisper their saccharin sweet nothings into the void. The album continues with the debut’s crackle-drenched yearning and bustling syncopations, haunted by the ghosts of rave, but also reveals some new burial treats with a more glowing, upbeat energy. kicking off with the skittering 2step syncopations and vocal science of ‘Archangel‘, ‘Near Dark‘ and ‘Ghost Hardware‘, before long it descends into a space of radiant divas and ambience. Where \u003cem\u003eBurial\u003c\/em\u003e first was humid, suffocating and unrelentingly sad, \u003cem\u003eUntrue\u003c\/em\u003e is less sunless.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eUntitled\u003c\/li\u003e\n\u003cli\u003eArchangel\u003c\/li\u003e\n\u003cli\u003eNear Dark\u003c\/li\u003e\n\u003cli\u003eGhost Hardware\u003c\/li\u003e\n\u003cli\u003eEndorphin\u003c\/li\u003e\n\u003cli\u003eEtched Headplate\u003c\/li\u003e\n\u003cli\u003eIn McDonalds\u003c\/li\u003e\n\u003cli\u003eUntrue\u003c\/li\u003e\n\u003cli\u003eShell Of Light\u003c\/li\u003e\n\u003cli\u003eDog Shelter\u003c\/li\u003e\n\u003cli\u003eHomeless\u003c\/li\u003e\n\u003cli\u003eUK\u003c\/li\u003e\n\u003cli\u003eRaver \u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Hyperdub","offers":[{"title":"Default Title","offer_id":39286617636979,"sku":"HDBLP002","price":28.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/burial-untrue.jpg?v=1656618785"},{"product_id":"caribou-swim-vinyl","title":"Caribou: Swim (Vinyl 2xLP)","description":"\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/CuJGJ1UPZ_g?si=zqHNFipxuwtZAg0x\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003eCaribou mastermind Dan Snaith's \u003cem\u003eSwim\u003c\/em\u003e sees him getting busy in the basement with an album that is intricate, layered, twisted and totally essential. Like the recent Four Tet album, Snaith has made similar tweaks to the Caribou dynamic.\u003c\/p\u003e\n\u003cp\u003eIt ranges from the pulsing, balladic acid-house crooner 'Kali' to the the jazzed up experimental noise of 'Up in Flames', the cavernous oil drums, sleigh bells, blips, and guitars of the downcast 'Found Out' and the dreamy psychedelic animal collective style swirl of 'Andorra'. This is an ambitious album of real depth that deserves your attention.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOdessa\u003c\/li\u003e\n\u003cli\u003eSun\u003c\/li\u003e\n\u003cli\u003eKaili\u003c\/li\u003e\n\u003cli\u003eFound Out\u003c\/li\u003e\n\u003cli\u003eBowls\u003c\/li\u003e\n\u003cli\u003eLeave House\u003c\/li\u003e\n\u003cli\u003eHannibal\u003c\/li\u003e\n\u003cli\u003eLalibela\u003c\/li\u003e\n\u003cli\u003eJamelia\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"City Slang","offers":[{"title":"Default Title","offer_id":39286617571443,"sku":"SLANG9550055","price":28.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/caribou-swim.jpg?v=1704832762"},{"product_id":"daft-punk-discovery-vinyl","title":"Daft Punk: Discovery (Vinyl 2xLP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/fa5IWHDbftI?si=uSQG6x-DT8w7KuXb\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Daft Punk's second recording still focuses on the maximum accessibility that earned its debut such high marks, there's less of an obvious focus on pop hooks. Irony and house beats are the order of the day, and an eclectic thread runs throughout\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDiscovery\u003c\/i\u003e.\u003c\/p\u003e\n\u003cp\u003e\"Digital Love\" sounds like the theme to a '70s sitcom as realised by the Buggles. \"Nightvision\" is a mellow, wordless, Quiet storm-meets-Eno soundscape, while in an interpolation sure to gain plenty of attention, \"Superheroes\" marries a Barry Manilow sample to an unrelenting house beat. Ultimately,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eDiscovery\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis less of a mission statement than its predecessor, but no less danceable or listenable.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eOne More Time\u003c\/li\u003e\n\u003cli\u003eAerodynamic\u003c\/li\u003e\n\u003cli\u003eDigital Love\u003c\/li\u003e\n\u003cli\u003eHarder, Better, Faster, Stronger\u003c\/li\u003e\n\u003cli\u003eCrescendolls\u003c\/li\u003e\n\u003cli\u003eNightvision\u003c\/li\u003e\n\u003cli\u003eSuperheroes\u003c\/li\u003e\n\u003cli\u003eHigh Life\u003c\/li\u003e\n\u003cli\u003eSomething About Us\u003c\/li\u003e\n\u003cli\u003eVoyager\u003c\/li\u003e\n\u003cli\u003eVeridis Quo\u003c\/li\u003e\n\u003cli\u003eShort Circuit\u003c\/li\u003e\n\u003cli\u003eFace To Face\u003c\/li\u003e\n\u003cli\u003eToo Long\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"ADA","offers":[{"title":"Default Title","offer_id":28450838467,"sku":"0190296617164","price":33.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/daft-punk-discovery.jpg?v=1704872017"},{"product_id":"boards-of-canada-geogaddi-vinyl","title":"Boards Of Canada: Geogaddi (Vinyl 3xLP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gCpWlusq3_c?si=coF9ruZ4yXH4p1Hp\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eAn album as highly anticipated as this (four years in the making) is always going to come under intense scrutiny. \u003cem\u003eGeogaddi\u003c\/em\u003e doesn't necessarily break any new ground for Boards, but succeeds in bringing together more of the BOC magic that's reached so deeply into our collective psyche's since \u003cem\u003eMusic Has The Right\u003c\/em\u003e... was first released in 1998.\u003c\/p\u003e \n\u003cp\u003eThe blueprint is similar, with short interludes scattered across and in between the 'full tracks', starting with the opening 60 seconds of 'Ready Lets Go' - a distant wildlife documentary soundtrack to your dreams in glorious childhood technicolour. First track proper - 'Music Is Math' features spoken fragments, a vocoded refrain, simple and deeply evocative melodies and the trademark treated percussion. '1969' is another spine-tingler, ever so slightly out-of-tune and drenched in sweetness.\u003c\/p\u003e\n\u003cp\u003eBut Geogaddi also offers up some new developments - 'Gyroscope', for example, features an uncharacteristic tribal rotation of drums put through the BOC filtration system, sounding like a lost tape unearthed and carefully restored, retaining the mark of nostalgia that directs Boards tracks so instantly to that part of the brain reserved for its earliest memories, but doing it via a new route. 'The Devil Is In The Details' also follows new turns, bringing to mind Autechre's 'Overand': subliminal use of rustling found sounds over a single delayed synth progression.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eReady Let's Go\u003c\/li\u003e\n\u003cli\u003eMusic Is Math\u003c\/li\u003e\n\u003cli\u003eBeware The Friendly Stranger\u003c\/li\u003e\n\u003cli\u003eGyroscope\u003c\/li\u003e\n\u003cli\u003eDandelion\u003c\/li\u003e\n\u003cli\u003eSunshine Recorder\u003c\/li\u003e\n\u003cli\u003eIn The Annexe\u003c\/li\u003e\n\u003cli\u003eJulie And Candy\u003c\/li\u003e\n\u003cli\u003eThe Smallest Weird Number\u003c\/li\u003e\n\u003cli\u003e1969\u003c\/li\u003e\n\u003cli\u003eEnergy Warning\u003c\/li\u003e\n\u003cli\u003eThe Beach At Redpoint\u003c\/li\u003e\n\u003cli\u003eOpening The Mouth\u003c\/li\u003e\n\u003cli\u003eAlpha And Omega\u003c\/li\u003e\n\u003cli\u003eI Saw Drones\u003c\/li\u003e\n\u003cli\u003eThe Devil Is In The Details\u003c\/li\u003e\n\u003cli\u003eA Is To B As B Is To C\u003c\/li\u003e\n\u003cli\u003eOver The Horizon Radar\u003c\/li\u003e\n\u003cli\u003eDawn Chorus\u003c\/li\u003e\n\u003cli\u003eDiving Station\u003c\/li\u003e\n\u003cli\u003eYou Could Feel The Sky\u003c\/li\u003e\n\u003cli\u003eCorsair\u003c\/li\u003e\n\u003cli\u003eMagic Window\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Warp","offers":[{"title":"Default Title","offer_id":28471320515,"sku":"WARPLP101R","price":44.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/boards-canada-geogaddi.jpg?v=1704875910"},{"product_id":"boards-canada-campfire-headphase-vinyl","title":"Boards Of Canada: The Campfire Headphase (Vinyl 2xLP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/HpUZ0qhqlYo?si=tK4qjbzPghVVW4I5\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIn 2005, Boards of Canada released their third studio album, titled \u003cem\u003eThe Campfire Headphase\u003c\/em\u003e. Perhaps the most organic of their publicly available output, \u003cem\u003eThe Campfire Headphase\u003c\/em\u003e represents a significant departure both in mood and timbre from its predecessor, \u003cem\u003eGeogaddi\u003c\/em\u003e. \"We decided to make an escapist soundtrack,\" Michael Sandison said in a 2005 Playlouder interview, \"like a kind of sanctuary; a day-glo vista you can visit by putting the record on.\"\u003c\/p\u003e\n\u003cp\u003eIn place of the dense and highly electronic nature of \u003cem\u003eGeogaddi\u003c\/em\u003e, \u003cem\u003eThe Campfire Headphase\u003c\/em\u003e favors a more stripped-down, acoustic approach, with a significantly reduced use of synthesizers. As Marcus pointed out to Playlouder magazine: \"There's less use of synths on this record. We've leaned heavily towards a whole 'played, taped and sampled' backdrop this time. I guess sampling for us is different from a lot of other bands, because we routinely sample ourselves rather than other records, so most of the sound generation is coming from real instruments that we played ourselves, mostly recorded with microphones, and a lot of location recording. What you hear on the record is kind of a wall of sound created by sampling as many gnarled acoustic sources [as] we could find.\"\u003c\/p\u003e\n\u003cp\u003eThe most obvious of these acoustic sources is the frequent (and recognizable) use of guitar on TCHP. \"With the new album,\" Marcus explains,\"we deliberately went for a lo-fi guitar sound on a few of the tracks because we were going for a sun-bleached, Californian summer kind of sound, it's almost reminiscent of a Joni Mitchell sound in places.\"\u003c\/p\u003e\n\u003cp\u003eIndeed, the brothers have admitted several times in interviews that the North American landscape (and its music) heavily influenced the direction of \u003cem\u003eThe Campfire Headphase\u003c\/em\u003e. \"This time we set out to make something simple that had shades of a road movie soundtrack, like the musical score to a surreal journey across a late 70's North American desert highway,\" Michael Sandison explains, also characterizing the record as something \"like a futuristic western or something...but [always with] something subtle and surreal going on in the tracks to remind you that you're hearing something that has been tainted or spiked in some way by unfathomable futuristic technology. It's maybe like campfire music played by android cowboys.\"\u003c\/p\u003e\n\u003cp\u003eBut whatever the synthetic undercurrent, \u003cem\u003eThe Campfire Headphase\u003c\/em\u003e is noticeably lacking in one of Boards of Canada's signature sounds: children's voices. \"That was a deliberate thing,\" Marcus explained to Earplug magazine. \"We got fed up with people saying that we're a formulaic band that you could kind of describe in a couple of sentences...I think it can become really dangerous for a band if you don't have a certain level of self-consciousness about these things. You always have to stay a few steps in front of your audience. We always have people putting fakes on the Internet before a new record is released, and the fakes are always really electronic with little kids' voices and things like that. Probably next time around all the fakes will include wobbly guitars like the ones we use on the new album \u003cem\u003eThe Campfire Headphase\u003c\/em\u003e (laughs).\"\u003c\/p\u003e\n\u003cp\u003eThis sort of self-conscious reaction, however, may account in part for why opinion on this record has been so divided. When asked by Pitchfork about whether or not the brothers feared being pigeonholed, Michael responded that \"[t]he new record is probably the slowest record that we've done. And it's got guitars on it as well. This is something that we've done slightly deliberately. We knew that we had to break away from this thing [being pigeonholed]. It bothered us that if you go into the big stores our stuff is always sitting in the dance music section. We never made a dance record in our entire career but our stuff still gets thrown in there. Our drive with this record is to try and get us out of the dance section and into the main section with all the other bands, like ABBA and A-Ha. We're just a band. Not an IDM band, not an electronic band, and not a dance band.\"\u003c\/p\u003e\n\u003cp\u003eThis conscious break with the conventions of the so-called IDM\/Dance aesthetic (which so informed their previous work) have lead many to describe the record as boring or watered down. Pitchfork's Mark Richardson complained that \"\u003cem\u003eCampfire\u003c\/em\u003e is a sluggish record, weary, pointed edges dulled as if by the march of time. Boards could previously be counted on to offer a display of crisp, forceful drum programming to jar you out of your narcotic haze (\"Telephasic Workshop\" and \"Gyroscope\"). \u003cem\u003eThe Campfire Headphase\u003c\/em\u003e is all midrange, the mid-tempo shuffles putting the mind-boggling array of instrumental processing front and center.\"\u003c\/p\u003e\n\u003cp\u003eYet for some, the very same departure yields the record its charm, even garnering some textural comparison to My Bloody Valentine's classic \u003cem\u003eLoveless\u003c\/em\u003e. Differences of opinion aside, the record continues to be a favorite among many fans, and in any case, probably our best indicator of what is yet to come.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eInto The Rainbow Vein\u003c\/li\u003e\n\u003cli\u003eChromakey Dreamcoat\u003c\/li\u003e\n\u003cli\u003eSatellite Anthem Icarus\u003c\/li\u003e\n\u003cli\u003ePeacock Tail\u003c\/li\u003e\n\u003cli\u003eDayvan Cowboy\u003c\/li\u003e\n\u003cli\u003eA Moment of Clarity\u003c\/li\u003e\n\u003cli\u003e’84 Pontiac Dream\u003c\/li\u003e\n\u003cli\u003eSherbet Head\u003c\/li\u003e\n\u003cli\u003eOscar See Through Red Eye\u003c\/li\u003e\n\u003cli\u003eAtaronchronon\u003c\/li\u003e\n\u003cli\u003eHey Saturday Sun\u003c\/li\u003e\n\u003cli\u003eConstants Are Changing\u003c\/li\u003e\n\u003cli\u003eSlow This Bird Down\u003c\/li\u003e\n\u003cli\u003eTears from The Compound Eye\u003c\/li\u003e\n\u003cli\u003eFarewell Fire\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Warp","offers":[{"title":"Default Title","offer_id":39286617014387,"sku":"WARPLP123R","price":34.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/boards-canada-campfire-headphase.jpg?v=1704807939"},{"product_id":"bjork-homogenic-vinyl","title":"Björk: Homogenic (Vinyl LP)","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/0bjl6Rae54c?si=Mtnol8nlMUE13k0I\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eBy the late '90s, Björk's playful, unique world view and singular voice became as confining as they were defining. 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Ever since Todd dropped ‘Eurodans‘ back in 2005 he’s had many a beady disco eye trained in his direction. His grooves are effortless and his melodies infectious! Here he puts all his experience and Nordic sense of fun into twelve tracks of straight up home listening pleasure.\u003c\/p\u003e\n\u003cp\u003eIt comes packing the huge ‘Strandbar‘ and ‘Inspector Norse‘ tracks, it’s got a guest spot from Bryan Ferry on a version of Robert Palmer’s ‘Johnny and Mary‘ and in between all that it jumps for joy around his own lit-up Balearic world. With killer artwork from illustrator Bendik Kaltenborn, this is one solid debut.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntro (It's Album Time)\u003c\/li\u003e\n\u003cli\u003eLeisure Suit Preben\u003c\/li\u003e\n\u003cli\u003ePreben Goes To Acapulco\u003c\/li\u003e\n\u003cli\u003eSvensk Sås\u003c\/li\u003e\n\u003cli\u003eStrandbar\u003c\/li\u003e\n\u003cli\u003eDelorean Dynamite\u003c\/li\u003e\n\u003cli\u003eJohnny And Mary (feat. 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Richly layered yet airy pieces like the album bookends, 'Long Was the Year' and 'Dead the Long Year,' seamlessly blend symphonic, electronic, and pop elements into smoky, evocative epics, while synth-based interludes such as 'Minus One' and 'The Tower of Our Tuning' present Broadcast's more detached, scientific side. Likewise, Trish Keenan's air-conditioned vocals sometime suggest a robotized Sandie Shaw or Cilla Black, but her humanity peeks out on 'Come on Let's Go' and 'Papercuts.'\u003c\/p\u003e\n\u003cp\u003e'Echo's Answer' and 'Until Then' are two of the other highlights from the album, which despite all of its chilly unearthliness, is a noise made by (very talented) people.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLong Was The Year\u003c\/li\u003e\n\u003cli\u003eUnchanging Window\u003c\/li\u003e\n\u003cli\u003eMinus One\u003c\/li\u003e\n\u003cli\u003eCome On Let's Go\u003c\/li\u003e\n\u003cli\u003eEcho's Answer\u003c\/li\u003e\n\u003cli\u003eTower Of Our Tuning\u003c\/li\u003e\n\u003cli\u003ePapercuts\u003c\/li\u003e\n\u003cli\u003eYou Can Fall\u003c\/li\u003e\n\u003cli\u003eLook Outside\u003c\/li\u003e\n\u003cli\u003eUntil Then\u003c\/li\u003e\n\u003cli\u003eCity In Progress\u003c\/li\u003e\n\u003cli\u003eDead The Long Year\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Warp","offers":[{"title":"Default Title","offer_id":29305189315,"sku":"WARPLP65R","price":28.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/files\/broadcast-noise-made-people.jpg?v=1704910728"},{"product_id":"boards-of-canada-beautiful-place-out-country-vinyl","title":"Boards Of Canada: In A Beautiful Place Out In The Country (Vinyl 12\")","description":"\u003cp\u003e\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/8NrqiynVrCY?si=zXlktikt_vdoVEQ7\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn A Beautiful Place Out In The Country\u003c\/em\u003e is an EP by Boards of Canada. 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You know you’re going to be treated to something alluring, out of the ordinary and mentally stimulating – thanks, in no small part, to the accompanying music: a simple, circular theme of disproportionate beauty and an indefinable longing. The theme in question is the title track of Brian Eno’s third solo album, \u003cem\u003eAnother Green World\u003c\/em\u003e, originally issued on Island Records in September 1975.\u003c\/p\u003e\n\u003cp\u003eHindsight affords us the luxury of noting that this was another transitory undertaking, with Eno edging towards the ambient soundscapes that would characterize his output from 1978’s \u003cem\u003eMusic For Films\u003c\/em\u003e onwards. However, while \u003cem\u003eAnother Green World\u003c\/em\u003e splits its focus between winningly elliptical pop songs and minimalistic instrumental pieces, it still benefits from an inner logic. Of significance is the album’s overall musicality: while still reveling in unexpected textures, and deploying the routine-derailing Oblique Strategies cards first used during the recording of his second solo album, \u003cem\u003eTaking Tiger Mountain (By Strategy)\u003c\/em\u003e, Eno nevertheless seemed to welcome aspects of melodic orthodoxy as long as they could be relocated to a different neighborhood.\u003c\/p\u003e\n\u003cp\u003eWhile the input of his guest musicians bears fruit, it is Eno himself who impresses the most. Armed with synths, piano, and guitars, and tackling the majority of the album’s discreetly pictorial instrumentals on his own – “In Dark Trees,” “The Big Ship,” the title track, “Sombre Reptiles,” “Little Fishes,” “Becalmed,” and “Spirits Drifting” – he displays a remarkable ability to make a limited technique convey a wealth of emotions and deeper meaning. These stately fragments, simultaneously sad, proud, and disquieting, are in their way the boldest statement of intent that 1975 had to offer.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSky Saw\u003c\/li\u003e\n\u003cli\u003eOver Fire Island\u003c\/li\u003e\n\u003cli\u003eSt. Elmo's Fire\u003c\/li\u003e\n\u003cli\u003eIn Dark Trees\u003c\/li\u003e\n\u003cli\u003eThe Big Ship\u003c\/li\u003e\n\u003cli\u003eI'll Come Running\u003c\/li\u003e\n\u003cli\u003eAnother Green World\u003c\/li\u003e\n\u003cli\u003eSombre Reptiles\u003c\/li\u003e\n\u003cli\u003eLittle Fishes\u003c\/li\u003e\n\u003cli\u003eGolden Hours\u003c\/li\u003e\n\u003cli\u003eBecalmed\u003c\/li\u003e\n\u003cli\u003eZawinul\/Lava\u003c\/li\u003e\n\u003cli\u003eEverything Merges With The Night\u003c\/li\u003e\n\u003cli\u003eSpirits Drifting\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Virgin EMI Records","offers":[{"title":"Default Title","offer_id":39286611902579,"sku":"ENOLP3","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/brian-eno-another-green-world.jpg?v=1666968132"},{"product_id":"kelly-lee-owens-kelly-lee-owens-vinyl","title":"Owens, Kelly Lee: Kelly Lee Owens (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tbz4WaEtROo?si=69wNJvOVpE2pm_bB\" height=\"300\" width=\"full\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThis is first and foremost Owens’ vision, a record that exudes a startling level of intimacy even in its largest-sounding moments – such as “Arthur,” a percolating mixture of looped vocals and rustling rhythms that rides on a perpetual near-crescendo. The song is a tribute to the late iconoclastic musician and kindred spirit Arthur Russell. “He wrote music and stayed true to his vision up until the day he died, ” Owens explains. “He didn’t compromise as an artist, and those are the kind of people I look up to – people who know what they want.”\u003c\/p\u003e\n\u003cp\u003eOn S\/T Owens translates that self-assertiveness into a record that explores a variety of moods – sadness, anxiety, darkly shaded ecstasy – with a trippy-eyed clarity and confidence that only bodes well for the future. 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Und Souveränität\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_CTKp4\"\u003eRemis\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"MG ART","offers":[{"title":"Default Title","offer_id":3127032381464,"sku":"MG.ART904","price":29.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/manuel-gottsching-e2-e4.jpg?v=1651272533"},{"product_id":"massive-attack-blue-lines-vinyl","title":"Massive Attack: Blue Lines (Vinyl LP)","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/YVrMBBR5QW8?si=Wi2PI-Tdd-VvmtkK\" height=\"300\" width=\"full\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eOriginally released in April 1991 on the Circa imprint through Virgin records, \u003ci\u003eBlue Lines\u003c\/i\u003e concoction of break beats, sampling and rapping mixed with live instruments, together with influences as diverse as soul, punk, reggae, dub, lover's rock, electro and hip hop, was truly groundbreaking, making it one of the most seminal British albums ever made.\u003c\/p\u003e\n\u003cp\u003eFrom the first track, the ominous, bass-heavy \"Safe From Harm\", to the insouciant British rapping on \"Five Man Army\" and title track \"Blue Lines\", through the album's best-known track, the stone-cold classic \"Unfinished Sympathy\", to Horace Andy and Neneh Cherry's sweet vocals on album closer \"Hymn of the Big Wheel\" and the album's iconic sleeve (which was designed by the band's D), \u003ci\u003eBlue Lines\u003c\/i\u003e perfectly distilled all the band's influences into a unique sound and aesthetic that redefined the musical landscape, not just in the UK, but worldwide: one that still reverberates throughout music and culture today.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eSafe From Harm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOne Love\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBlue Lines\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBe Thankful For What You've Got\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eFive Man Army\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUnfinished Sympathy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDaydreaming\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLately\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHymn Of The Big Wheel\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Virgin","offers":[{"title":"Default Title","offer_id":3355307769880,"sku":"5700960","price":29.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1481\/5374\/products\/massive-attack-blue-lines.jpg?v=1656601768"},{"product_id":"jon-hopkins-singularity-vinyl","title":"Hopkins, Jon: Singularity (Vinyl 2xLP)","description":"\u003ciframe width=\"full\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/6MiCLh_j2aY?si=d8bWPrZHGvkBUDx1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003cp\u003eWhere \u003cem\u003eImmunity\u003c\/em\u003e charted the dark alternative reality of an epic night out, \u003cem\u003eSingularity\u003c\/em\u003e explores the dissonance between dystopian urbanity and the green forest. 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