Callahan, Bill: Shepherd In A Sheepskin Vest (CD)
As you listen to Shepherd In a Sheepskin Vest, a feeling of totality, of completeness, steals over you, like a thief in broad daylight. Of course it does – you’re listening to a new Bill Callahan record. The first one in almost six years. What more do you need to complete you? Or perhaps, after all the time, the obvious needs to be made just a little more explicit?
First, it’s a different kind of record. Bill’s now writing from somewhere beyond his Eagle-Apocalypse-River headspace, and Shepherd In a Sheepskin Vest is very much its own beast. The songs are, by and large, shorter, and there are more of them. It took almost all of the previous three albums to add up to that many. Plus, twenty’s a lot of songs. But again, it goes a lot deeper than that.
Moving gradually from reflections upon the old days in "Ballad of The Hulk and Young Icarus" to the immediacy of the present moment in "Watching Me Get Married" and "Son of the Sea", Bill traces the different life lines, casually unwinding knotty contradictions and ambiguities with an arresting stillness. The sense of a life thunderstruck by change infuses Shepherd In a Sheepskin Vest – the songs wander from expressions of newfound joy and great contentment to other snapshots, considerations of the not-joy that we all know.
Unsettling dream-images and mythic recollections are patiently received; the undertow of the past is resisted, pulling against it instead into the present, accepting revolutions of time and the unconscious as a natural flow.
- Shepherd's Welcome
- Black Dog on the Beach
- Angela
- The Ballad of The Hulk
- Writing
- Morning is My Godmother
- 747
- Watch Me Get Married
- Young Icarus
- Released
- What Comes After Certainty
- Confederate Jasmine
- Call Me Anything
- Son of the Sea
- Camels
- Circles
- When We Let Go
- Lonesome Valley
- Tugboats and Tumbleweeds
- The Beast